Hey writers! We've just dropped a massive new batch of Open Writing Assignments (OWAs) with incredible opportunities to get your work seen, optioned, or to land a paid gig.
This week's list is stacked with industry heavyweights actively searching for their next project. Here’s a quick look at who’s looking and what they need:
FOR FEATURE FILMS:
High-Concept Horror & Thriller: A major film financier with a studio output deal seeks high-concept horror features in the $10-20M range. Also, a top literary manager and multiple production companies are seeking horror and thriller features.
Global & Budget-Conscious Films: An international production company is seeking clean, universal scripts for features under $5M-$10M in Crime, Thriller, Comedy, and Crime-Comedy (no horror).
Sci-Fi & Dystopian Worlds: A studio exec-turned-producer is looking for high-concept sci-fi features and TV pilots with near-future, dystopian, or utopian elements.
Dramas & Biopics: A literary manager seeks biopic features, and a development executive is looking for strong drama features budgeted under $10M.
A-List Commercial Projects: A production/sales company with over 300 films (including a Best Picture winner) seeks commercial thrillers and action movies ($5M-$50M budget) that can attract A-list talent.
Magical Realism & Unique Voices: A creative executive is specifically seeking feature scripts in the magical realism genre.
FOR TELEVISION:
TV Pilots of All Genres: Top literary managers and producers are actively seeking pilot scripts across horror, thriller, drama, comedy, and biopics.
PAID WRITING GIGS:
Hiring Now: A producer is hiring a writer to adapt a historical fiction thriller/drama book.
Script Doctoring: A paid OWA is looking for a comedy story editor for script doctoring on a financed project.
The OWA program is your direct line to these decision-makers. It’s more than just a submission portal; it’s a curated pathway to get your script on the right desk and kickstart your career.
Ready to submit? Go here to check out the new OWAs! https://www.stage32.com/writers-room
4 people like this
Well done on your journey Debbie Seagle you're doing incredibly well!
3 people like this
Funnily enough, I did the opposite of killing a darling for Finding Elpis; in its original iteration, it had a more typical plot development involving a conflict with Earth after the band was abducted...
Expand commentFunnily enough, I did the opposite of killing a darling for Finding Elpis; in its original iteration, it had a more typical plot development involving a conflict with Earth after the band was abducted, complete with feds spying on everyone and the earth's president being incredibly power-hungry and seeing the band as traitors for siding with Lor Salviator and even seeking to mobilise all of Earth's citizens into a pointless war against Lor Salviator. In a way it was supposed to be a general critique of how backwards Earth likely is compared to other planets (since we all love saying "this is why aliens don't talk to us!" every time you hear a famous person in particular say and do something stupid), but mostly to show that Lor Salviator is insanely powerful but decides to be a fanboy for the band instead.
As time went on I got less and less sure about that development, since it seemed like there was no way to satisfactorily strengthen it. The time it really hit a nerve though was when I got feedback from the last contest I entered it in and the reader said that that particular development had a lot of potential, that when s/he got to it the story "finally felt like a movie" but it was really late, and even that I could've beefed up the antagonist and made her a genuine threat rather than a joke. I realised if the weakest part of the script would have someone telling me it was more interesting than the intended focus (to the point where the reader was practically gushing about where they envisioned the arc going, a stark contrast to how they reacted to the rest of it), and I had come to flat out hate that arc for being a plot tumour, then it was a good sign to get rid of it entirely. I initially came up with it to give the band a moment of awesomeness and actually live up to their peace ambassador reputation by stopping Earth from being cringe, but admittedly it was hard for me to effectively work that into the story. Plus, I noticed that its sequel also needed a big rewrite since it had A LOT of bloat, so I saw that removing the problem arc freed up a lot of room to transplant some of RoP's heft into Finding Elpis and rework them both.
I think it was a good move ultimately, especially since I still want there to not be a true antagonist/villain until later and also didn't want to have Léon be anything more than a fakeout antagonist (which I realise is a controversial choice in western media lol), and he was a much more tonally/thematically appropriate antagonist to Lor Salviator anyway than President Mulligan ever was. Not only that, but as I wrote out the rest of the series it became clear that the now-removed arc was so inconsequential that it literally was only mentioned as a throwaway line and that throwaway line was really all it needed to be xD
5 people like this
Wow that's incredible! Banafsheh Esmailzadeh - you went the other way with that one. I appreciate you giving me so much of your journey with this. I hope you are proud of your hard work - a sequel as...
Expand commentWow that's incredible! Banafsheh Esmailzadeh - you went the other way with that one. I appreciate you giving me so much of your journey with this. I hope you are proud of your hard work - a sequel as well as what sounds like a massive redraft! Good to know you have spoken to a development team already and I think you're placing yourself to be in a good position for lots of growth in the industry. Keep me posted on your journey and what comes next - sounds like a great story!
4 people like this
Thanks Lauren Hackney, yeah, I arguably killed someone else's darling even though I was the one who wrote it XD but to be fair it did result in me killing an actual darling or at least resurrecting it...
Expand commentThanks Lauren Hackney, yeah, I arguably killed someone else's darling even though I was the one who wrote it XD but to be fair it did result in me killing an actual darling or at least resurrecting it later in RoP: Doomer earning the title of Endymion, which in the first draft happened because he took an active role in that problem conflict alongside Princess Almas. I realised since I still want him to earn that title (which gives him the most overt sign of change/growth in the band), I'll have to give it to him another way, which I'm working on right now in RoP. I definitely am proud of my work, especially since I'm more than halfway done the series (carefully eyeing how the plot goes and if I'm wrong about it being a pentalogy when it's potentially a hexalogy or God forbid even bigger lol). I actually haven't spoken to a development team yet but little by little I will :D this project is my latest life's work for a reason~
2 people like this
Lauren Hackney, I haven't worked with an editor at all on my book outlines. I've shared them with some trusted friends to get feedback, but otherwise I've been making cuts myself....
Expand commentLauren Hackney, I haven't worked with an editor at all on my book outlines. I've shared them with some trusted friends to get feedback, but otherwise I've been making cuts myself.