
One of my first jobs, doing music score for a client. A snapshot of a film credit I had. After the film was completed at C4 Films, I went into the studio-onsite -to cut tracks, while also recording/writing/mixing at my home studio. I remember the film director asking me what I needed, watched a few scenes of the film and went about to record/write/mix tracks.
If one was to ask me as to how to break into the music score/sync music business, for me, it happened by accident. Was working in education, and was referred to a film client, who needed music for his film. From there, I learned about recording/mixing and producing on my own. Always learn more and more skills while still practicing/writing/honing your chops on your instrument. And if you get a chance, check out on YouTube, videos from ASCAP, where music composers talk about working in the film/tv industry. Those are my tips for the day. And listen to as much music as you can, different styles and genres.
Always looking to network with music supervisors in film and tv, and if you have any questions, you can drop a comment or two. All the best in 2025!
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Terrific story and advice. Thanks for your generosity, Rich Terdoslavich. Flagging this for my network.
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Thanks, Sam! I could go into more details, but I guess it comes down to practice, practice, practice. Looking to network with more music supervisors and film directors, along with doing storyboards and concept art. Talk to you soon, Sam and all the best in the new year.
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Right back atcha, Rich Terdoslavich!