The place for all producers to discuss, share content and offer tips and advice on raising funds, setting a budget, on set strategies and all other topics related to producing a film, television or theater project
I’m in a group. I may not be there much longer because the creator of the group states things I don’t agree with. Now he has more experience than me working on films that didn’t seem to make a profit but he’s had the opportunities. I think he talks mainly to sell his services as someone who can buil...
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The 2025 Oscar nominations have sparked discussions with several unexpected omissions and inclusions. Notably, Angelina Jolie (Maria) and Nicole Kidman (Babygirl) were absent from the Best Actress category, despite their acclaimed performances. Similarly, Selena Gomez (Emilia Pérez) and Daniel Craig...
Expand postI think Margaret Qualley earned a nomination for Best Supporting Actress in THE SUBSTANCE, Ashley Renee Smith. And I think the snubs are a reflective of the competitive landscape this year....
Expand commentIt's always hard to read the tea leaves when the nominations are announced but it is quite a competitive year and the Academy members seem to be supporting some new talent and creatives associated wit...
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As many of you know, I’m not a fan of musicals but this looks like quite an amazing film from Producer-Director-Writer Jacques Audiard and it’s got me curious.
It’s a great video showing the collaboration it took to create the film: from the casting, the cinematography and choreography, production de...
Expand postMaurice Vaughan Maurice, me too. I just wasn’t aware of it as a musical.
Sandra Isabel Correia it’s been panned by a number of critics, but that always leaves me a little more curious! What are they kicking against?
Not allowed in your country? So much for the worldwide par...
Expand commentI can't see it, my friend Geoff Hall I believe its because Netflix in Portugal is linked with Spain ( Iberian) and not the UK. We don't see the same you see in UK :( Only if I add a VPN, but I don't n...
Expand commentRegions might be opposed to a certain depiction which won't be spoiled here.
It's not a musical in the traditional sense, i.e. "West Side Story" and others where the action fully stops for song/dance t...
Expand commentAgreed, E Langley. Its not a direct comparison at all but I'd put it more in the Hamilton lane than in the West Side Story lane. The "music numbers" convey ideas and move the plot forward in a brillia...
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Just a reminder that MA has a strong crew base and we make quality movies here at every level. If anyone is searching for a place to shoot any size movie, I highly suggest you take advantage of the slow season here in MA and get in touch about shooting here. 25% tax incentive. Educated and committed...
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Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!
We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events...
Expand postIf you missed today's Instagram Live, you can watch the full video HERE: https://www.instagram.com/reel/DFOE8lWyVLz/?utm_source=ig_web_copy_link&......
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Calling All Producers!
A well-developed world can make or break your project. This Friday (1/24), join us in the Stage 32 Writer’s Room Lounge for a virtual Ask Me Anything with Karina Wilson, a Writer, Story Consultant, and Former Story & Development Analyst for IM Global (Secret in Their Eyes, The...
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Stage 32 is thrilled to announce a FREE Awards Season Script Giveaway, where we’re sharing 55 scripts from this year’s top nominated movies for The Oscars, Golden Globes, SAG Awards, and BAFTAs!
Reading screenplays is one of the most effective ways to sharpen storytelling skills, uncover industry sec...
Expand postWhat a cool and valuable resource - reading scripts in it's own right is one of the most proactive and productive things screenwriters can so and and then seeing the films to decypher the choices the...
Expand commentSusan Lipschutz Kaufman, Stage 32 provides Career Development Calls and Executive Consultations where you can connect with a working industry professional to ask them questions and share your concepts...
Expand commentI ask ready asked mine 55 :)) This is such an amazing opportunity for all screenwriters learn from champion scripts! Thank you Ashley Renee Smith and Stage 32 :))...
Expand commentAshley Renee Smith How Amazing! Fantastic opportunity to read these screenplays!
That's why we're trying to spread the word far and wide, Jack Binder! If you're a part of any other groups online, be sure to let them know and share the link. =)
Hey Producing Lounge! THIS IS IT, THE TIME TO SIGN UP FOR THE WRITERS ROOM HAS COME! Please join us for a very special edition of The Writers Room TOMORROW 1/22 at 4pm PT!
We will be talking to LONGLEGS writer/director Osgood Perkins and taking questions from our members. As a producer, this film is...
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Stephanie Weier, CEO & Founder of The Domain Group (KILL BILL 1 & 2, THE SOCIAL NETWORK, THE GREEN BOOK, NIGHT BITCH, RICK & MORTY), will be having a free Ask Me Anything event in the Distribution Lounge tomorrow, focused on “Understanding Rights Permissions & Script Clearances”!
Stephanie has experi...
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Yes, this could easily be for the "directing" lounge, but the last say of any production is always with the PRODUCER (which is why they get the Oscar for Best Picture). So, for my Boss-Ass Producers out there, I caught a couple of articles in the trades today:
From DEADLINE, we're learning that BBC S...
Expand postThis is interesting Karen "Kay" Ross . You would think the partnership with India would be more lucrative for the BBC to stay. It seems to me that India would be a huge market....
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As the wildfires continue to incinerate homes, Annette Bening wants those who work across the entertainment community to know that the Entertainment Community Fund is here to offer immediate short term help.
Entertain...
Expand postYou're welcome, Asmaa Jamil.
Thanks for sharing this, Maurice Vaughan - we all need to rally and support everyone in our industry who have been affected by the fires short and long term. SoCalStrong!...
Expand commentYou're welcome, Sam Sokolow. You're right. Here are more resources and info if anyone, your families, and friends need them: www.stage32.com/lounge/anything_goes/L-A-Wildfires-How-to-Help-Updates-a......
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Mike Boas It creates less headaches. Arguing with writers can be depleting. After heated talks with myself, I'm exhausted. I wish I would just shut up and listen to myself once in awhile....
Expand commentMike Boas It creates less headaches. Arguing with writers can be depleting. After heated talks with myself, I'm exhausted. I wish I would just shut up and listen to myself once in awhile.
2 people like this
from Democratic republic of Congo, looking forward to having a production
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I hope my pos...
Expand commentWelcome to the community, John L Bryant. Here's a blog that'll help you navigate Stage 32 and make connections: www.stage32.com/blog/how-to-successfully-navigate-the-stage-32-platform-...
I hope my post about pre-production helps you with your production.
You can find other helpful posts here in the Producing Lounge.
Stage 32 also has Producing Blogs and Producing Education.
Producing Blogs: www.stage32.com/blog/tags/producing-22
Producing Education: www.stage32.com/education/search?term=Producing
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Great question, Maurice Vaughan! As a former Development Exec, my process before even getting to the pre-production stage often varied depending on the particular project. If we found a spec script th...
Expand commentGreat question, Maurice Vaughan! As a former Development Exec, my process before even getting to the pre-production stage often varied depending on the particular project. If we found a spec script that interested us, then the writer was already attached, so the focus shifted to assembling the right elements—whether that was a producing partner, director, or key talent—to build the pitch together and make the package more enticing for buyers.
If we were acquiring a book, the process was different because we needed to find the right writer to adapt the material. That meant looking for someone who not only had the right voice but also aligned with how we envisioned bringing the story to life. In some cases, if the book was a bestseller or if we acquired a different strong piece of IP, we could package it with the right creative team and pitch it directly to a buyer. If they were interested, they might pay for the script's development, meaning the writer would at least be paid for each draft and revision. But that was rare—more often, we needed a well-written pilot or feature draft as part of the package to engage a network, studio, or streamer.
Even though that script would go back into development with the buyer to tailor it to their needs and audience, having a strong draft upfront was usually necessary to get a deal done.
If we were starting from a story concept, we had to solidify the right creative team first, ensuring we had a cohesive vision before pitching. And once the team was together, the process of getting the pitch materials—and sometimes the script—into the best possible shape was its own, sometimes very long, process.
1 person likes this
"My process before even getting to the pre-production stage often varied depending on the particular project." I think that's a helpful mindset to have since each project is different/has different ne...
Expand comment"My process before even getting to the pre-production stage often varied depending on the particular project." I think that's a helpful mindset to have since each project is different/has different needs, Ashley Renee Smith. Thanks for the insight.