Screenwriting : Fashion and Fighting – The Influence of Attire on Hand-to-hand Action – Immersive Action Writing by Till Olshausen

Till Olshausen

Fashion and Fighting – The Influence of Attire on Hand-to-hand Action – Immersive Action Writing

Hello Writers,

As the proverb says: Fine feathers make fine birds.

And we can hardly deny that also the opposite rings quite true. While judging people by their appearance may seem superficial, it’s almost all we have when we don’t know them yet. Obviously, not only the clothes but also the body type is part of the appearance and big (or small) data for our assessment.

But there’s another important clue we use to find out who that stranger is we’re dealing with - movement.

In this article, movement of course means martial arts. We’ll explore how you can reveal information about your characters and intensify your action scenes by letting them fight in different outfits. I know that wardrobe is for costume designers and not for writers (too bad). However, if it makes perfect sense to describe the outfit because it deepens your character, I daresay: Be brave! If you don’t mention every pocket, color, print and fabric but instead say something like business casual, hip-hop style outfit, gothic look… you should be quite safe from your professional reader’s harassment.

Let’s get visual, shall we?

- Queen Elizabeth, in a white dress showing Kevin of the Minions who’s boss with street-fighting and show-wrestling moves in the first Minions Movie.

- Drunken and shabby Jacky Chan vs. Ken Lo, sober and dressed in suit and tie in the final battle of Drunken Master II.

- The No Capes scene in The Incredibles. (Please watch!! :-)

You can tell the audience a lot about your character by contrasting or aligning an outfit with the fighting style. Elegant Aikido, brutal Muay Thai, fancy Teak Won Do, playful Monkey Kung Fu…

You’ll find a lot of Instagram accounts dedicated to stylish martial arts. Performing a fancy jumping kick dressed in an expensive suit is not exactly the latest in creativity but still looks awesome.

Women performing fighting moves while wearing stylish dresses sadly get a lot of hate and insecurity in the comments not only because they’re women but also because the combination has such a great - and exposing - impact on the male psyche.

From a martial arts point of view, clothing has many practical functions you may consider when writing your combat scenes:

- Clothes can conceal weapons.

The classic example is a holster serving to hide a gun under the jacket, vest, coat…

It’s also a cool trick to hide armor as a passive weapon beneath rather wide clothing. This way your character could open a gap for the opponent to land a hit where he/she only hurts him/herself.

You may also remember Rosa Klebb’s dagger-shoe from James Bond – From Russia with Love.

- Clothes can conceal attack moves, thus making them hard to block.

Think of traditional Chinese gowns slit on the front and back. You see them a lot in old Kung Fu movies. The fabric flies up when kicking and spinning and distracts the opponent.

- Clothes can be used as weapons and are especially useful to help defend against weapons.

Imagine your slender businessman character on his way home after an exhausting day having to face two thugs armed with knives… He slowly walks backward, takes off his jacket, reveals a trained body beneath a streetlamp and wraps his jacket around his arm to be ready for incoming knife attacks.

Here’s an Immersive Action exercise for you I’d like to call Dress to Kill, LITERALLY, kind of:

Just put on your favorite outfits and perform some fighting moves all by yourself. It’s a lot of fun and you’ll probably notice how your outfit influences your moves and mindset.

Please don’t forget to warm up before doing your living room Ong Bak flying knees.

For a less breathtaking exercise: Video games like Tekken 8 or Streetfighter 6 have insane editors with thousands of items to play around with. You can style up your fighter or avatar with all kinds of looks and test how the outfit goes with different fighting styles. A dangerous inspiration for your next shopping spree too, trust me on that one…

And if you are missing accessories and colors, the next articles will cover those for the complete picture.

Yours

Till

Maurice Vaughan

Great post, Till Olshausen! I do this for fights and scenes in my scripts. I'll spend a nice amount of time researching outfits and physical appearances (accessories too) and thinking about how they'll play into the script. How characters dress and their appearances can tell a reader a lot about the characters and the story world.

Till Olshausen

Maurice Vaughan Thank you. Would love to read one of your action scenes. ;-)

Michael Dzurak

I agree, at least one unique striking visual detail is needed for each character who makes an impact. For example, a character who says nothing but always looms around until he performs a climatic action at the end of "Scarface" is simply named "the Skull." Creepy and right on target with the tone of the character, they even got an actor with big cheekbones to play him. But you never, as far as I remember, hear him referred to as such, the name is an almost 100% script detail to set the visual tone later.

Maurice Vaughan

You're welcome, Till Olshausen. Thanks for the interest. I'm writing a Horror Action feature script where clothes, accessories, and physical appearance are important to the story. I can send you a scene once I'm done with the script.

Pamela Jaye Smith

What an interesting and amusing article, Till. Thanks for giving us new things to think about.

Till Olshausen

Michael Dzurak I'll have to watch Scarface again. Thank you for this insight. :-)

Till Olshausen

Pamela Jaye Smith Hello, Pamela. My pleasure. Thank you very much for reading.

Till Olshausen

Maurice Vaughan Please do. Looking forward to it. Happy (and fast) writing. ;-)

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