FREE Webcast Event: From Script to Screen: How Projects Get Made
with Producer Ethan Erwin!
Ever wonder what really happens between finishing your screenplay and seeing it come to life on screen?
Join us on Wednesday, November 19th at 11:00 am PT for a FREE webcast open to all Stage 32 members—current and new!
We’re sitting down with renowned producer Ethan Erwin, whose films have grossed over $1.5 billion worldwide and include hits like Sherlock Holmes: A Game of Shadows, The Book of Eli, The Nice Guys, Unknown, and more.
Hosted by Stage 32’s Director of Development and moderated by me, Ashley Renee Smith (Head of Community), this conversation will pull back the curtain on what it actually takes to move a project from script to screen in today’s industry.
Ethan will share real-world insights from over 15 years of experience developing and producing projects with A-list talent such as Robert Downey Jr., Denzel Washington, Sandra Bullock, and George Clooney.
Whether you’re a writer, filmmaker, or producer, this session is packed with career-changing takeaways about how stories evolve through development, financing, production, and beyond.
Come prepared with your questions—this is a can’t-miss opportunity to learn directly from one of Hollywood’s top producers.
Save your spot now for free: https://www.stage32.com/webinars/from-script-to-screen-how-projects-get-made-with-producer-ethan-erwin
Sorry to hear you got ripped off, Michael T Gregory. Was it a screenwriting agent?
Hey Michael,
I'm always warning others of the scumbags that infiltrate the industry and yet I get warned not to bitter (Truthful) or stand-offish (Cautiously optimistic). Now the biggest rip-off when d...
Expand commentHey Michael,
I'm always warning others of the scumbags that infiltrate the industry and yet I get warned not to bitter (Truthful) or stand-offish (Cautiously optimistic). Now the biggest rip-off when dealing with agents is that they are all, to some degree, rip-offs. There are no REQUIRED licenses needed to become a literary agent. They mostly just weasel their way into the bedrooms and backseats of "decision" makers and studio head morons that love to greenlight overpriced bombs like The Running Man remake and lose 100's of millions of dollars.
That being said, the biggest rip-offs are stealing your screenplay and then ripping you off out of cash. Never pay an agent anything! They get 10% of what they structure a deal for. Always copyright your work. The process is fairly simple through The Library of Congress. After that, you just can't be just a screenwriter anymore. You should have some rudimentary knowledge on how to construct a business plan which will include, but not limited to a shooting schedule, a budget for Above the Line and Below the line talent, a cast wish list, but don't go for too big of a name because that no longer has any pull with audiences because audiences are becoming sick and tired of being lectured by these celebrities on what they should like as opposed to what they just like. The thing is, there are a lot of morons out there ready to take your money. They say you need to hire a Line Producer. Now you don't. You need to budget for one then when he's hired, he can make the appropriate adjustments.
Thing is that you have to research these people. I have had producers talk a big game and after a little digging have found out that they produced nothing of note. I myself am a director/screenwriter that made a film for $2,200.00 which grossed $4,500.00 on a 3 day/9 show weekend at a privately owned theater. The film featured over 14 locations and over 20 actors so I never lost money, but studios would rather lose $100M than take a gamble on a $1.5M budget action film.
Don't take anyone on face value alone. Do some research or have a trusted friend research them. Everyone says "They know the business," but according to the track record just from 2025 alone, none of these "professionals" know anything about the film industry or they are just to dense to learn from their past mistakes.