Composing

Ashley Renee Smith, thank you. I only discovered my true creativity in April this year. Things just exploded. At least 400 songs written, all in five minutes or less. Developing four TV series, four films and a stage musical. Being on the extreme spectrum of creative synesthesia apparently has its advantagage. Plus, haivng ADHD with hyperfocus.

I '"feel" the quality of the scene - hear the music inwardly - then compose.

Ashley Renee Smith it’s an interesting question: I think every movie has a sound palette (acoustic, electronic, or mixed); and every scene of that movie can use different nuances of this palette. And the variables are many, so every movie can really have its sound… I loved Alex North because he had this very philosophy; and Thomas Newman, and Ennio Morricone (probably the best, he really created some sounds)

Wow, I love the comparison of palette to sound, Alessandro Sicardi . It makes complete sense, just the way colour grading applies a palette of emotion to a film, so does music and sound. Probably more so. It's also why there are rock-star colourists out there, just like composers. Makes total sense.

Thanks Morgan Aitken Ipg ! I really think music is photography, and lightening, for ears :) Some physicians used kind of a coloured scheme to explain how we perceive timbres, it’s very interesting

Hi, Navid Lancaster. I signed up for the webcast. I'm looking forward to it!

Maurice Vaughan 5 Awesomeness!

Thank you Navid.

Hey there,

Posting if interested.

A Nigerian - born musician based in AUSTRALIA. Started making music six (6) - seven (7) years ago in New Zealand in 2018. Since relocating to Australia, D.MATTHEWS has quickly made his mark, performing at major festivals and events like Splore Festival, Africultures Festival, Africa Day festival, New Zealand Fashion Week, Brisbane Afrobeats festival etc Fusing the infectious rhythms of Afrobeat with global contemporary sounds, D.Matthews delivers an electrifying musical experience that transcends cultures and connects with listeners worldwide. His innovative blend of traditional and modern beats has earned him increasing recognition, creating a compelling sonic journey that celebrates his heritage and the vibrant pulse of today’s music scene. I am ready for opportunities that may come my way. Including music sync opportunities etc

email enquiries: contact@dmatthewsofficial.com

Yeah, it's like that sometimes, Wyman Brent ("Sometimes creativity is about quantity"). Sometimes you just come up with one thing though, like you did. I'd rather write one incredible scene, screenplay, etc. than five average ones. And I love it when it's quality and quantity!

Agree - quality over quantity.

Just loop "Take My Breath Away" knock offs and you're golden.

Kerry Kennard I suppose you could work with the similar orchestration and probably period and location would affect the music. It would be weird having 80s music in 1880s wild west. I should rewatch Westworld and get back to you on that

Ha ha Hannah Woolmer - there was less sex in film and TV - smiles

Yes - period music sound research is needed.

Some of my favorite love scene music comes from the original version of the steve mcqueen/fay dunaway film, "The Thomas Crown Affair". Music by Michel Legrand. Pay particular attention to the way the music develops in the 'chess scene'

https://www.youtube.com/watch?v=fH8eJsvVxSo&list=RDfH8eJsvVxSo&start_rad...

Notice as the kissing goes on at the end and the camera starts to swirl and change colors, the tempo picks up and the music goes into 6/8 time. Its often about the tempo and time and rhythm and feeling to control the musical emotion and better sync with the emotion on screen.

When it comes to composing for intimate or love scenes, the music has to feel natural and not forced — too much and it becomes cheesy, too little and the mood is lost. That’s why I think inspiration often comes not only from films but also from real-life emotions and even the vibe of dating platforms. Sometimes exploring sites where people actually search for horny girls near me gives you a sense of rawness and authenticity that can be translated into sound. For example, some sites show how much atmosphere and desire matter — and music works the same way. The key is subtle tension, rhythm, and leaving space for emotion to breathe.

I am enjoying looking at your website. "Music in service of story" That really resonates with me.

Hi, Jose Antonio Betancourt Campos. Welcome to the community. Stage 32 has a blog that'll help you navigate the platform and connect with creatives and industry professionals all over the world. Producers, directors, composers, writers, and more. www.stage32.com/blog/how-to-successfully-navigate-the-stage-32-platform-...

Stage 32 had its monthly Community Open House recently. You can watch the recording here (www.stage32.com/education/products/stage-32-s-august-community-open-house). It's free. It'll also help you navigate Stage 32 and connect with creatives and industry pros.

I just watched your composer reel. Your scores are incredible! My favorite score is the one for Orbital. You could post your reel on your profile. You can add it by moving your mouse over "Profile" on the bar near the top of Stage 32's home page and click "Video/Audio." You can also post your reel by moving your mouse over "Browse" on the same bar and clicking "Video."

oh I didn’t know that! thanks that’s so kind

You're welcome, Jose Antonio Betancourt Campos. That way other members can find your reel easily, and they can rate it and leave feedback.

brilliant website, congratulations!

Prioritizing studio time for me this week (I'm a film composer). This is a great post

Thanks Hannah Woolmer . What are you working on currently? Do you have a home studio or do you go somewhere?

Libby WrightI just finished a huge project: a feature film that was packed with music in tons of different styles. After that intense stretch, I spent a couple of weeks resting and reconnecting with nature. Now, I'm excited to dive into some personal projects this week, which will be a great chance to experiment and try out new things before moving on to my next two films. What genre is your script?

Here's a stage 32 link to my personal take (a loop) of the music that might do this promo justice. I did it on my phone in a few minutes... probably like the promo, poster, marketing, social media... etc. Like Schultz from Hogan's Heroes "I know nothing!" I just pay the bills, scramble for footage and equipment, and try to keep the cast alive and away from my throat.

https://www.stage32.com/media/3891542334319373013

Honestly, I had no idea what I was getting into before launching into a production that turned out to be a broom-closet (or backseat) film school - that goes to extraordinary lengths to keep me out of the know.

But what the hell? Might as well have a little fun. As I say, if it's not fun, you're not doing it right!

Hey, let's hear some other musical stylings. You know, you can post them on your profile and link em into threads, like this one. Let's have some fun!

Morgan Aitken Ipg It's a Baldwin. And thank you! I don't do piano samples, only originals played by me. I add layers (strings mostly) sometimes, but I haven't done anything else with these improvs yet. And I haven't had any composing gigs yet, but people have synced my original music. - Good luck with the project that sounds like it's run away from you ;) I hope it turns out for you!

"No gigs yet." - worry not, Kat Spencer ! You're improvs are good. If you can get them down as score or midi you'll have a nice library of stuff to work from for scoring to spec. I like your use of minor keys - way more emotional space than major. Throw in some modulation and you'll yank the heartstrings that have prods reaching for their option-writing pens.

Have you thought about chopping together some short scenes from existing films, scrubbing the original audio, then scoring them with your own music? I've got to tell ya, it makes for an effective demo reel.

As for the project I signed onto... that puppy bit through the leash and got away! My bad. But you live and you learn.

soft piano, strings and timbal percussions at Vangelis´s style. Call me (not freebies).

Morgan Aitken Ipg it depends on what the director wants to communicate... This intro seems an introduction to a tense situation, so I would probably use strings: dissonant, with sordino (Alex North, Bernard Herrmann), no rhythm, just an interrogative atmosphere. I'd choose this approach instead of a "spoiling" cinematic track.

Good talk, thankfully I always passionately appreciate what I create. Cheers.

Maurice Vaughan 5, you are very welcome. I am glad I have some little bit of wisdom to share.

Wilhelmina Wells, you and me both. I only started on this journey in April and I am loving it.

I love your poems too.

Tahoura Sheikholeslami, I love that you are in love with my words.

Music inspires and connects with others emotions.

Wilhelmina Wells, so very true. I am happy when my music makes someone think, or smile or laugh or feel a bit better about life. I have written more than 400 songs so hopefully something for everyone.

You're right, Wyman Brent. Creativity thrives when we support each other. There's been times when other members suggested things for my scripts that I never thought about -- and vice versa -- and those things helped make my scripts better or helped me come up with ideas for scenes, characters, etc.