On Demand Webinar - Available for immediate viewing and unlimited access.
On Demand Webinar - Available for immediate viewing and unlimited access.
Liliana Granados was recently the Creative Executive at Viola Davis' JuVee Productions where she executed her passion for developing projects that celebrate culture and diversity. Most notably, Liliana participated in the development of TriStar’s WOMAN KING as well as helped shepherd Amazon and MRC’s upcoming G20 film. She also served as the Director of Development at Eugenio Derbez’s 3Pas Studios, where she helped build the film drama department. Liliana’s mission is to build and guide the next generation of diverse storytellers. Her goal is to stay at the forefront of changes happening in entertainment and produce socially empowering films that inspire audiences globally. Liliana began her career with NBC Casting, 3 Arts Entertainment, and Sofia Vergara's Latin World Entertainment, CAA and worked in international film sales and financing at Sierra Affinity. Full Bio »

In recent years, studios and streamers have created production shingles with top on-screen talent at a furious pace. They rely on this big name talent to bring them ideas so aligning yourself with one of these A-Lister's companies can increase the odds of your project happening. And all of these production companies have development executives and are open for business.
Learn how you can get the attention of an A-list star's production company for your next film or television project from esteemed executive Liliana Granados, who was Creative Executive at Viola Davis' JuVee Productions and Director of Development at Eugenio Derbez's 3Pas Studios!
One way to put your project on a successful path is to set it up at an A-List star's production company. In the lest several years, the big studios and streamers have made deals with A-List stars and rely on their production companies to bring in ideas and fulfill the terms of their deals. The studios and streamers are incentivized to work with the stars they have in deals. And each of these companies has development executives and are open for business. Sometimes setting your project up with them is is the easiest path into the big streamers and studios.
So how do you capture the attention of these star-led production companies? How can you craft a pitch that not only grabs their interest but also aligns with the aspirations of the actors they seek? We’re here to help.
In this exclusive Stage 32 webinar, you will learn how you can attract the attention of an A-list actor’s production company for your film or television project. You will learn the indispensable elements necessary to captivate star-led production companies, including aligning your project with the company’s brand and how to approach the project from an actor’s perspective.
Teaching you everything you need to know to successfully approach a star-backed production company is esteemed film executive Liliana Granados, whose illustrious career has woven through the corridors of entertainment alongside luminaries like Viola Davis, Sofia Vergara, and Eugenio Derbez. Liliana worked as a Creative Executive at Viola Davis' JuVee Productions where she executed her passion for developing projects that celebrate culture and diversity. Most notably, Liliana participated in the development of TriStar’s WOMAN KING as well as helped shepherd Amazon and MRC’s upcoming G20 film. Recently, Granados served as the Director of Development at Eugenio Derbez’s 3Pas Studios, where she helped build the film drama department.
In an information-packed 90 minutes, Liliana will draw from her rich professional experiences to unravel the intricacies of crafting a compelling pitch tailored to these star-led entities, sharing insights into what actors truly seek in projects. You will walk away from this webinar with the tools and knowledge you need to navigate this current landscape and understand the pulse of what captures the imagination of both actors and the entities they helm.
PLUS! You'll receive exclusive handouts to help you get the attention of an A-list actor's production company.
"As an executive with extensive experience across multiple actor-led companies, I've had the privilege of evaluating numerous pitches and contributing insights at various film festival panels, guiding filmmakers through the intricate art of pitching. Whether engaging with emerging creators or seasoned artists, I've witnessed firsthand how crafting a compelling pitch stands as the pivotal selling point for any project.
Throughout my career, I've gathered invaluable insights into what resonates with actors when assessing potential projects. This knowledge has been honed through years of immersive industry exposure, enabling me to discern the elements that truly captivate actors and align projects with their aspirations.
Now, I'm thrilled to distill this wealth of knowledge into a concise and actionable framework. My aim is to empower you with the strategic tools and insights necessary to elevate your pitch, significantly enhancing your project's potential for success. Together, let's navigate the nuanced landscape of pitching to ensure your project stands out and captures the attention it deserves." - Liliana Granados

Liliana Granados
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Learn how you can land meetings with influential Creative Executives and maximize the results of those meetings with esteemed executive Liliana Granados, who was a Creative Executive at Viola Davis' JuVee Productions and the Director of Development at Eugenio Derbez's 3Pas Studios! PLUS! You'll receive an exclusive "Informational Meeting Questions” handout to help prepare you for your meeting with a Creative Executive! ***Flexible Learning: if you cannot attend any of the sessions live don't worry - you will be sent the links to the recordings of each session within 48 hours of the live session and you will have direct access to Liliana Granados on email to ask her any questions so you can keep up at your own pace and schedule.*** Payment plans available - contact edu@stage32.com for details As a writer, director, or producer of film and/or television, you will inevitably spend countless hours working with the Creative Executive at the company or studio where your project is set up. Creative Executives play a critical role in getting your project off the ground and are involved in the early stages of project development, script evaluation, casting, budgeting, scheduling, market research, and more. Your Creative Executive can be your best friend, but it’s critical you know how to work with a Creative Executive in order to ensure you get the most out of the relationship. In this exclusive Stage 32 2-part class, you will learn directly from a top Creative Executive on how to approach specific production companies, land meetings with Creative Executives, and how to foster meaningful and productive working relationships with a Creative Executive so your project succeeds. Teaching you everything you need to know to best work with Creative Executives is Liliana Granados, whose illustrious career has woven through the corridors of entertainment alongside luminaries like Viola Davis, Sofia Vergara, and Eugenio Derbez. Liliana worked as a Creative Executive at Viola Davis' JuVee Productions where she executed her passion for developing projects that celebrate culture and diversity. Most notably, Liliana participated in the development of TriStar’s WOMAN KING as well as helping shepherd Amazon and MRC’s upcoming G20 film. Recently, Granados served as the Director of Development at Eugenio Derbez’s 3Pas Studios, where she helped build the company's feature film drama department. Over the course of two highly interactive sessions, you will learn the art of crafting a compelling email, understanding the crucial elements that captivate Creative Executives, and how to maximize the impact of your meetings. Liliana will teach you how to delve into the strategic importance of researching a Creative Executive's businesses, identifying causes they are passionate about, and uncovering studio deals and partnerships that align with your projects. You will learn how to navigate your meetings with a Creative Executive with confidence and how to follow up strategically to keep your relationship moving forward. PLUS! You’ll receive an exclusive "Informational Meeting Questions” handout to help prepare you for your meetings with Creative Executives! If you’re interested in bringing your film or television series to life with a reputable production company, that means working closely with Creative Executives, and this class is something you do NOT want to miss. "As an executive with extensive experience across multiple actor-led companies, I've had the privilege of evaluating numerous pitches and contributing insights at various film festival panels, guiding filmmakers through the intricate art of pitching. Whether engaging with emerging creators or seasoned artists, I've witnessed firsthand how crafting a compelling pitch stands as the pivotal selling point for any project. Throughout my career, I've gathered invaluable insights into what resonates with actors when assessing potential projects. This knowledge has been honed through years of immersive industry exposure, enabling me to discern the elements that truly captivate actors and align projects with their aspirations.Now, I'm thrilled to distill this wealth of knowledge into a concise and actionable framework. My aim is to empower you with the strategic tools and insights necessary to elevate your pitch, significantly enhancing your project's potential for success. Together, let's navigate the nuanced landscape of pitching to ensure your project stands out and captures the attention it deserves." - Liliana Granados
It is clear that this is the golden age of television with one incredible series after another coming out on cable, streaming and network. If you're interested in breaking into the world of television, there is one key position that you must know the ins and outs of in order to understand the set - a TV Executive. An TV Executive plays a huge role in a television production, serving as more than a key developer of story, but also a liaison between various departments on set. We've brought in veteran executive Stuart Arbury from Ramo Law (Ramo Law has worked on Netflix's Altered Carbon & Chef's Table, ABC's This Isn't Working, Hulu's Battleground and more). Stuart himself began his career at Captivate Entertainment, Dimension Films and Canvas Media Studios. Arbury was the on-set TV executive for MTV's Scream TV series for two seasons, which was based on the classic horror film franchise. In this webinar, Stuart will walk you through an explanation of the television eco-system and share war stories of his time during Scream. Having worked with various department heads, Stuart will also share tips on getting started in Hollywood on a television production. You will walk away with a clear understanding of a TV executive's role and how it relates to your part of the business, whether you're a writer, producer, director, actor or crew.
Learn From A Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and more! "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G. The market for historical dramas is hot. Shows like The Crown, Genius: MLK/X, The Law According To Lidia Poet, The Great, Babylon Berlin, The Empress, Call the Midwife and more are dominating with controversial plot lines and riveting characters. But to sell a historical drama, you first need to know the specifics of writing this specialized genre. You need to understand what type of intellectual property makes for a compelling story and then have the skills necessary to turn this historical piece into a modern, binge-worthy series that speaks to today's audiences. In this exclusive Stage 32 on-demand webinar, industry veteran Anna Henry who has worked as a development executive and producer and has shepherded numerous projects through networks and streamers is here to show you how. Anna is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, and more. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. If you are developing a historical drama or ever want to try, this information-packed webinar is a must! Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F.
Learn the best way to organize, prepare and pitch your film or television project to buyers in today's market with top literary manager Spencer Robinson of Art/Work Entertainment! PLUS! You'll receive an exclusive FEATURE DEALS list to help you navigate buyers in today’s market. We all have that film or television series that we know needs to be on the screen. Your project is fresh, exciting, and will resonate with millions of people. But how do you get your project out there? What do you even present to decision makers to move the needle forward on your project? Apart from actually getting the meeting with buyers, producers, and investors, you need to know what to pitch and when is the best time to do it. Sometimes your entire script should be written, whereas other times you should only come into a meeting with a concept. How do you know what the best way to move forward is? We’re here to help. In this exclusive Stage 32 webinar, you will learn how to best prepare and plan your film or television series pitch to maximize your chances of getting it through to production. You will learn everything from how and when to pitch your film and/or television series, what materials you need to pitch your project, how to get your pitch meeting, and how to use your pitching materials effectively to entice your audience. Teaching you everything you need to know to successfully take your project out to the market is Spencer Robinson, a literary and talent manager at Art/Work Entertainment who's been in the industry for over 20 years. He represents writers, actors, producers, and also a full book publishing company. Spencer’s writer clients have been on the writing staff of shows for Netflix, Amazon, Max, HBO, Comedy Central, and many more. He’s also sold clients’ features to studios as well as brought in financing for independent projects. Spencer’s actor clients have been in films with directors Quentin Tarantino, Steven Soderbergh, Clint Eastwood, Gore Verbinski, Jeff Nichols, and more. In the TV world, his clients have been regular cast members on shows for Netflix, HBO MAX, Amazon, Disney+, HULU, The CW, NBC, FX, Starz, Nickelodeon, EPIX, and more. Spencer’s clients have also recurred on series for Peacock, Netflix, Freeform, TNT, AMC, Showtime and many more. Successfully bringing your project to market to get a deal requires a great deal of finesse and industry knowledge. You have to understand how the system works and what decision makers are looking for in a pitch. You will walk away from this webinar with the knowledge and skills to do just that, and put yourself in the best position possible to get your project made! PLUS! You’ll receive an exclusive FEATURE DEALS list to help you navigate buyers in today’s market. Praise For Spencer's Stage 32 Teaching "I thoroughly enjoyed Spencer's teaching style. Not only is he conscientious and thorough, but he really cares about all his students. I recommend taking any course he is offering, you won't regret it!" -- Nathan M. "Spencer Robinson's "Writing Descriptions" webinar filled in a whole lot of blanks for me and shone a light on most of the newbie mistakes I have been making when writing/formatting my screenplays. A valuable lesson! Thank you Spencer, and Stage 32." -- Margaret A. "This webinar was very informative! Spencer Robinson presented the material clearly. He was also very generous with his knowledge about the business." --Carmen R.
The Ultimate Guide to Getting Distribution For Your Indie Feature Film Learn how you can navigate the complex world of independent feature film distribution to get your film on Netflix, Amazon, Hulu, iTunes, and more, from a producer who has worked on over 25 feature films! Are you ready to secure distribution for your independent feature film? There are more opportunities today than ever before for you to find distribution for your independent feature film. Theatrical releases are making a big comeback with companies like Apple getting into the game, streamers like Amazon, Netflix, Hulu are hungrier than ever for content and digital platforms like iTunes, GooglePlay (and more!) are all avenues to distribute your film. There are literary dozens of homes for your film in today's marketplace. So how do you choose the right distribution platform for your film, and how do you make sure that you get the best deal once you do? First, it is critical that you understand the distribution landscape immediately as you begin your film's journey, as it will allow you to make the best decisions in setting your budget, development plan, and the scope of your production. Distribution will have major implications for your shoot, so it is crucial that you don’t wait until the film is done to start looking for distribution… you need to start now! The trick to securing the best possible distribution for your film comes down to understanding the distribution process and current global film market. As a filmmaker and producer, you have control over a number of essential aspects in the dissemination of your film, from finding the right distributor for your film (much more on this) to understanding distribution contracts and what you can negotiate to protect yourself and the lifetime rights of your film. In this exclusive Stage 32 on-demand 4-Session Class, Michelle Alexandria - a producer who has worked on 25 feature films with budgets of $6MM and less - will teach you the ins and outs of today's complex distribution landscape to ensure you are in the best position possible to secure a great distribution deal for your independent film. Don't miss this chance to learn how to get distribution and the best deal for your movie! Praise for Michelle's Talent & Knowledge: “Michelle's expertise and experience has been invaluable to my work as a filmmaker! I can't recommend working with her enough.” – Stacy L. "As an indie filmmaker who has always had trouble AFTER my film was made, working with Michelle was truly helpful. Thanks, Stage 32." - Nick M. "Michelle Alexandria!! BRILLIANT! And gracious with the info...so easy to follow and understand! Truly ...thank you!" -Tina-Marie
**Only 5 Spots Left** Get Guidance in Rewriting and Improving Your Half Hour Pilot Script with Experienced TV Writer Meghan Pleticha (SILICON VALLEY) Support Your Fellow Writers As You All Work Together To Hone Your Scripts Before you send your half-hour TV pilot to that representative or exec, is the story in the very best place it can be? Rewrites are truly where a good script becomes exceptional. Yet too often, writers neglect to review their scripts because they don’t want to kill their darlings or reshape their scenes. If you’re truly serious about getting your own series and vision off the ground, though, it won’t happen until you invest in rewriting your work. Meghan Pleticha is television writer with ten years of entertainment industry experience who has most recently worked as a staff writer on HBO’s Emmy nominated comedy series SILICON VALLEY. Her work has also appeared on Cartoon Network’s POWER PLAYERS, and in Escala, AeroMéxico’s official in-flight magazine. Previous to being staffed on television shows, she worked as a writer’s assistant and script coordinator for shows like FX’s MARRIED, ABC’s CHARITY CASE, and VH1’s HIT THE FLOOR. Over 8 weeks, Meghan will help you rewrite your own half hour pilot script by walking you through the entire process and offering support and mentoring throughout. Using her own unique and tested rewrite process as well as a series of thought through and tested homework assignments and exercises, she will help you tackle your own project the right way and leave with a stronger pilot script than what you started with.