For hire: pitch deck designer available! - a job post by Raleigh Tomasi
FOR HIRE: PITCH DECK DESIGNER AVAILABLE!
| Seeking | Director, Screenwriter and Producer |
|---|---|
| Location | New York City, New York, London, England, Atlanta, Georgia and Austin, Texas |
| Status | Development |
| Type | Feature film |
| Genre | All genres, all formats. • All genres of TV • All genres of features • Filmmaker/Director |
| Date Added | Jan 7, 2026 |
|---|---|
| Date Updated | Apr 21, 2026 |
| Deadline | Jul 7, 2026 |
About the job
We specialize in creating killer pitch decks and eye-catching look books that stand out in today’s competitive entertainment landscape. Whether you’re pitching a feature film or a TV series, we’ve got you covered with professional designs that bring your vision to life!
Your pitch deck will be ready to go in just 2 weeks. Time to make an impact! ⏰
Most indie filmmakers lose investors before page 3 of their pitch deck.
For years, I’ve been helping creators create pitch decks that are visually dynamic and emotionally engaging investor presentations — the kind that actually get taken seriously.
A few lessons I’ve learned designing for film & TV projects: • Clarity beats flash — investors want to understand your film fast. • Mood & tone matter — design is part of storytelling. • One solid visual deck can open doors that a script alone can’t.
If you’re currently pitching or raising funds and want a pitch deck or a design refresh, email me back or check out https://oldhatdesigns.org/portfolio to see some examples.
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Hello,
Your point about clarity beating flash is absolutely right most decks fail because they overload visuals without articulating market positioning or narrative spine.
In my experience, the strongest pitch decks combine three layers:
• Story architecture clarity (what the film is structurally and emotionally)
• Market positioning (comparables, audience lane, distribution strategy)
• Visual tone alignment (design reinforcing theme, not distracting from it)
If you ever collaborate with writers or development editors, I’d be interested in discussing how narrative structure and visual packaging can integrate earlier in the process. A well-structured story makes the design exponentially stronger.
Open to connecting.