Night of murders in tel aviv - call - a job post by Guy Haliwa
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NIGHT OF MURDERS IN TEL AVIV - CALL
| Seeking | Producer |
|---|---|
| Location | Paris, France, New York City, New York, Tel Aviv, Israel and London, England |
| Status | Post-production |
| Type | Short film |
| Genre | Film-Noir |
| Date Added | Apr 21, 2026 |
|---|---|
| Date Updated | Apr 21, 2026 |
| Deadline | Jun 1, 2026 |
About the job
looking for an investment of 3000$ / 10000 ils for a 16mm short film on a budget of 15k, in exchange for first recoupment of the initial investment, followed by a 7.5% share of the film’s gross revenues. it is already shot and the cast involves professional dancers. it is a silent noir film taking place in the 1940's in Tel Aviv, shot entirely on film. A short dramatic series of events involving choreography by Bat Sheva and an original soundtrack.
The film is already an applicant of various film-festivals. It is a highly art-film made. Independent Tel-Aviv production.
This is a high value, low-entry investment opportunity in an independently produced 16mm short film. and an investment in Israeli films.
we are seeking for the investment to push the film distribution and marketing.
for further details
and serious inquiries contact Guy Haliwa (Director and producer)
gyhaliva@gmail.com
+972503678839
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Hello Guy,
Your project sounds visually striking and very distinctive, especially the use of 16mm film, the silent noir structure, professional dance choreography, and the 1940s Tel Aviv setting. It clearly carries strong artistic and festival potential, especially with festival submissions already in motion.Beyond private investment, I also wanted to highlight that there are several grant and film funding opportunities that projects like yours may be eligible for, particularly within categories such as independent cinema, experimental film, cultural storytelling, and international co-productions. Many filmmakers overlook these pathways or don’t fully optimize their applications, even when their work is a strong fit.I also help with visibility strategy and positioning, ensuring that films are not only completed, but also strategically presented for festivals, distribution conversations, and audience reach. This includes shaping how the project is framed for selection committees, potential partners, and marketing/distribution outreach.If you’re open to it, I’d be glad to connect and discuss how your film could be supported through both funding pathways and visibility strategy to strengthen its distribution and post-festival impact.Looking forward to hearing from you.