About the Project:
We are assembling a high-quality film or TV production with plans to shoot this summer and premiere before the season ends. Our director has a committed crew, production budget, and equipment in place—now we’re looking for additional screenwriters (including actor-writers) to refine or contribute scripts, as well as investors who can help elevate the project’s scale.
If you’re a SAG-AFTRA producer looking for writers or a screenwriter with strong material (or an actor who also writes), we want to hear from you. Likewise, if you know SAG producers seeking projects, we welcome referrals.
What We Have Ready:
✔ Director & Core Crew – Experienced, with equipment and a production plan.
✔ Production Budget – Initial funding secured; seeking additional investment.
✔ Summer Timeline – Fast-tracked development, aiming for a late-summer premiere.
What We Need:
Screenwriters – For rewrites, punch-ups, or original scripts (especially those with producible, low-to-mid-budget concepts).
Actor-Writers – Talent who can contribute creatively while also performing.
Investors – Partners who can help expand the budget for higher production value.
SAG-AFTRA Producers – To collaborate on packaging, funding, or distribution.
Full Crew & Cast Needed (Current + Future Roles):
PRODUCTION CREW (Filming Phase)
A. Above-the-Line (Key Creative & Decision Makers)
Showrunner (Oversees creative direction, scripts, production)
Executive Producer (EP) (Secures funding, high-level decisions)
Director (Responsible for filming)
Writer(s) (Scripts, dialogue, story arcs)
B. Production Department
Line Producer (Manages budget & schedule)
Production Manager (Logistics, permits, daily operations)
Production Coordinator (Schedules, paperwork, crew coordination)
Assistant Director (AD) (Manages set, calls shots, keeps schedule)
1st AD (Runs set, ensures safety)
2nd AD (Hands out call sheets, manages extras)
C. Camera Department
Director of Photography (DP/Cinematographer) (Lighting, camera style)
Camera Operator (Handles the camera)
1st Assistant Camera (1st AC) (Focus puller)
2nd Assistant Camera (2nd AC) (Slate, camera logs)
DIT (Digital Imaging Tech) (Manages footage backups)
D. Sound Department
Production Sound Mixer (Records dialogue & sounds on set)
Boom Operator (Holds mic, captures clean audio)
Sound Utility (Wireless mics, assists mixer)
E. Lighting & Grip
Gaffer (Head electrician, designs lighting)
Best Boy Electric (Assists gaffer, manages power)
Key Grip (Rigging, camera support)
Grips (Set up dollies, rigs, stands)
F. Art Department
Production Designer (Overall visual style, sets)
Art Director (Executes production design)
Set Decorator (Furnishings, props)
Prop Master (Manages all props)
G. Hair, Makeup & Wardrobe
Costume Designer (Outfits for characters)
Wardrobe Supervisor (Maintains costumes)
Hair & Makeup Artists (Styling actors)
H. Additional Crew
Script Supervisor (Ensures continuity)
Stunt Coordinator (If action scenes)
Extras Casting Director (Background actors)
Catering (Feeds the crew)
POST-PRODUCTION CREW (Editing & Finishing)
A. Editorial Department
Editor (Cuts footage, assembles episodes)
Assistant Editor (Organizes media, syncs sound)
B. Sound Post-Production
Sound Designer (Creates/edits sound effects)
Foley Artist (Records custom sounds)
ADR Mixer (Re-records dialogue if needed)
Re-Recording Mixer (Balances final audio mix)
C. Visual Effects (VFX)
VFX Supervisor (Oversees effects)
VFX Artists (Compositing, CGI, cleanup)
D. Color & Finishing
Colorist (Grading for consistent look)
Online Editor (Final conform, deliverables)
E. Music
Composer (Original score)
Music Supervisor (Licenses songs)
Next Steps:
If you’re a producer, writer, actor-writer, or investor interested in joining this fast-moving project, please reach out with:
Your background/credits (if applicable)
Script samples (for writers)
Funding capacity (for investors)
Referrals to SAG-AFTRA producers (if available)
Let’s make something great this summer—time is of the essence!
Contact:
1(608) 354-6305
