There are few screenwriting contests worth entering. Basically the Nicholl Fellowship, the Austin Film Festival screenwriting competition, and, maybe, Final Draft's Big Break Contenst and/or Scriptapalooza. The first two are the big ones anyone really cares about about from what I've seen and heard. To answer your question: I personally have never heard of StoryPros.
Thanks for the input, Kevin. My co-writer and I entered the Nicholl Fellowship with one of our scripts, the Stage 32 contest with two, and the Screencraft Comedy contest with two this year. We tried Austin a long time back and Final Draft's and Scriptapalooza both last year.
With Story Pros, you get money (always nice) and read requests (better than money). The guys who run it are great. I like that contest and have had good success with it.
I've entered a lot of contests, one gave a short screenplay I entered a scathing review and comments. That short went on to be produced by a company in the UK and has been shown around Europe and now the US. The Rooster Must Die! Yes, I am not BS'ing you. Take a look at some of the winners and compare how they did in other contests. I've seen where they win, but don't place in another. Really, there is a lot of luck involved.
I entered a screenplay a couple of years ago just for the feedback... wasn't sure it was commercial enough. The reader provided insightful--and quite plentiful--notes, which I felt were worth the price of entry.
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There are few screenwriting contests worth entering. Basically the Nicholl Fellowship, the Austin Film Festival screenwriting competition, and, maybe, Final Draft's Big Break Contenst and/or Scriptapalooza. The first two are the big ones anyone really cares about about from what I've seen and heard. To answer your question: I personally have never heard of StoryPros.
Thanks for the input, Kevin. My co-writer and I entered the Nicholl Fellowship with one of our scripts, the Stage 32 contest with two, and the Screencraft Comedy contest with two this year. We tried Austin a long time back and Final Draft's and Scriptapalooza both last year.
How far did you get at Austin? I submitted there and I'm curious.
We didn't progress at Austin. It was long before we learned a lot about screenwriting and did many rewrites...
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With Story Pros, you get money (always nice) and read requests (better than money). The guys who run it are great. I like that contest and have had good success with it.
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Here is how Moviebytes rates Storypros: Report Card Overall: 4 stars (4.1/5.0) Professionalism: 4.5 stars (4.4/5.0) Feedback: 3 stars (3.2/5.0) Significance: 3.5 stars (3.3/5.0) Report Cards: 43
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I've entered a lot of contests, one gave a short screenplay I entered a scathing review and comments. That short went on to be produced by a company in the UK and has been shown around Europe and now the US. The Rooster Must Die! Yes, I am not BS'ing you. Take a look at some of the winners and compare how they did in other contests. I've seen where they win, but don't place in another. Really, there is a lot of luck involved.
2 people like this
I entered a screenplay a couple of years ago just for the feedback... wasn't sure it was commercial enough. The reader provided insightful--and quite plentiful--notes, which I felt were worth the price of entry.
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Thank you all for the input! Greatly appreciated. :)
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@Phillip H. Does Moviebytes rate all the contests like that? Sounds really helpful.
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Becca: yes, most established contests are rated.
Hmmm... I may submit to this one then. $100 for entry and coverage seems a bit steep.