Paris, Texas written by L.M. Kit Carson, based on a novel or short by Sam Shephard. Wim Wenders directed the film and the script was boring but somehow that interesting at the same time that I finished it - read it all. The film I watched much later and found it completely different and for my taste worse than the script. So, I didn't watch it completely.
Yeah Elisabeth there's a few scripts I stopped reading after page 5 because it didn't keep my attention lol. I agree Shaun, I just find it funny how some scripts will be set for one audience and when it's made they target another audience lol
Compare the original Jon Spaihts draft of PROMETHEUS to the Damon Lindelof draft they shot: completely different (and the Spaihts draft would have been a great film, unlike the Lindelof draft). Compare the 3000 script to PRETTY WOMAN, wildly different! Scripts go through a huge meatgrinder where everything changes, often on a whim. Backstory on the Ridley Scott ROBIN HOOD movie: http://sex-in-a-sub.blogspot.com/2010/05/robbing-from-poor-writer.html
Check out toy story 3 or even prometheus
I'll have to check it out, I'm reading Megamind and I didn't realize how much changed lol.
Paris, Texas written by L.M. Kit Carson, based on a novel or short by Sam Shephard. Wim Wenders directed the film and the script was boring but somehow that interesting at the same time that I finished it - read it all. The film I watched much later and found it completely different and for my taste worse than the script. So, I didn't watch it completely.
Filmmaking is an evolution. Virtually all films will differ from the screenplay - sometimes for better, often for worse.
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Yeah Elisabeth there's a few scripts I stopped reading after page 5 because it didn't keep my attention lol. I agree Shaun, I just find it funny how some scripts will be set for one audience and when it's made they target another audience lol
though creative, screenwriting is a mechanical and tedious process...its more or less a purification process from script to screen
Whiplash changed a bunch.
Compare the original Jon Spaihts draft of PROMETHEUS to the Damon Lindelof draft they shot: completely different (and the Spaihts draft would have been a great film, unlike the Lindelof draft). Compare the 3000 script to PRETTY WOMAN, wildly different! Scripts go through a huge meatgrinder where everything changes, often on a whim. Backstory on the Ridley Scott ROBIN HOOD movie: http://sex-in-a-sub.blogspot.com/2010/05/robbing-from-poor-writer.html