Screenwriting : Can You Overwrite Your Spec Screenplay? by Phillip E. Hardy, "The Real Deal"

Phillip E. Hardy, "The Real Deal"

Can You Overwrite Your Spec Screenplay?

When I had been writing scripts for about a year, I met a person online at the now defunct Trigger Street Labs. We exchanged scripts and I gave him an early draft of a screenplay he hated and savaged for all the rules I had broken. I informed him it was a first draft and he was appalled that I even gave it to him to read. Fair enough. He sent me a script that had won a contest and when I asked him how many drafts he had written, he told me forty. About five months later, the script I had exchanged with my fellow reader placed at the Screencraft, action contest along with two other scripts I had recently written. A few days later, Screencraft interviewed me about my unconventional approach that helped me get three placements in their contest. Within a few months, this same screenplay also placed at two other contests.

The philosophy of rewriting is writing is accepted by throngs of screenwriters. Nowadays, I use the Irving Ravetch and Harriet Frank Junior method of writing and polishing as I go along and then rewrite and edit a second draft. I have also written as many as four drafts for scripts that have been optioned. Typically, I never write more than two drafts for spec screenplays that are not optioned. However, I have revisited several (not optioned) spec scripts multiple times and added and edited things over the years. But the thought of doing forty or even ten drafts of a screenplay seems ludicrous to me unless it was for a major film project with lots of money at stake.

IMHO, I think one can easily overwrite their screenplays based on professional and peer feedback and distill the creativity out of their work. By the way, Earnest Hemingway didn’t say “The first draft of anything is shit.” But even if that’s true, I’ve read scripts with multiple rewrites that are also pretty heinous. So I don’t think you can put a rewrite number on what it takes to generate an original, creative work.

What say you forum dwellers? Lay it on me!

https://screencraft.org/2014/02/10/spotlight-5-questions-screenwriter-ph...

Gustavo Freitas

Nice interview!

Phillip E. Hardy, "The Real Deal"

Pamela: Here is the link for the interview with Irving and Harriet not too long after they wrote the classic Martin Ritt directed film "Hud".

https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive...

Phillip E. Hardy, "The Real Deal"

Thanks CJ: Very thoughtful post.

Thanks Gustavo.

Bill Costantini

Aray....I agree with you. I had twelve drafts with Phillip once....eight darks and four lights, and we started in Texas.....when I woke up the next morning....I was on a Tijuana sidewalk...naked....and one of my kidneys was missing. I'm not saying don't trust that Phillip..but I'm just sayin'..I'm just sayin'...and he's a drummer to boot...I would be better off hanging out in the house in the Blair Witch Project...than hanging out with drummers..man..those drummers..I swear..never trust a drummer...no ma'am...never trust a drummer.....

Phillip E. Hardy, "The Real Deal"

Bill C: You told you had fun that night.

Kevin Carothers

I'm gonna say it depends on the genre and story.

If you have seven nations duking it out over some super-secret McGuffin, it might be a lot harder than some rom-com; But maybe, vice-versa.

Eric Christopherson

If it's a pig, the lipstick won't help, but if it's starting to look like the biblical David, keep going, Michelangelo, until you nail it!

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