Has anyone tried to outline a script starting at the end?
https://www.networkisa.org/articles/view/the-end-is-just-the-beginning
Has anyone tried to outline a script starting at the end?
https://www.networkisa.org/articles/view/the-end-is-just-the-beginning
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An interesting article Maurice Vaughan , thanks for sharing :) I don't start outlining at the end, but I do know the end before I start outlining/writing, if that makes sense! Cheers.
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You're welcome, Joanna AY. I don't start outlining at the end either. I know the ending before I start the script though.
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I never outline. My screenplay was completed by tapping into my creative juices visually.
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I write a hot hook opening first, then I write the denouement. The outline comes next as I try to find my way from beginning to end. Typically, they all change during the process.
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I jump around a lot when I outline. But I will quiet often see an ending first.
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U usually need to find a good opening and good ending....then dot 'em up...
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You making Memento 2?
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I think that most competent writers know their ending at least vaguely before starting. I know some writers who just adlib from page one and the results are like watching someone trying to thread a needle by holding the wrong end of the piece of string.
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Great responses, everyone!
Next question: Do you write from the first scene to the last scene in a script, or do you jump around writing different scenes (Example: Writing a scene in Act Two, then writing a scene in Act Three)?
Most of the time I write from the first scene to the last scene (unless I get stuck on a scene, then I jump around writing different scenes).
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For those that outline, this article adds extra insight as to how stay "on the path." As was stated, character growth must be earned step by step--believably for this particular character in this particular story.
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Additional two cents. Some (many) writers do NOT outline first. And some of them are bankable writers.
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Thanks Howard. My screenplay has received good feddback from a working American screenwriter and Australian martial arts Actor Richard Norton. Richard has done a couple of movies with Jackie Chan and is best friends with Chuck Norris. He is a pioneer martial artist here in Australia. I'm lucky Richard gave my screenplay the time of the day. I've been a big fan of his for years and for him to say he likes what I done is an amazing feeling.
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Thanks Mark. Wow, some good connections you have there. I wish you the best!
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Thank you Howard. I will get there. It's just a matter of when.
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Thanks for commenting, everyone. I wanted to add that sometimes an ending will change as you write a script, but having an ending in mind before writing a script gives you a clear destination. It keeps you from getting off track or going down rabbit holes.
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I start off by writing the scenes I already have in my mind. Then I start at the beginning of the script and try to go straight through. I will jump around sometimes though, depending on how my writing is going.
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The book "Backwards & Forwards" by David Ball was based on his work at the Guthrie making sure plays were stageworthy - working the logic of a plot from back to front, and then reverse-engineering the emotional growth forwards works brilliantly for the screen as well.
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I quite often have a cool ending and write toward it. I see the image is Guy Pearce from Momento. Here is a video of Nolan explaining the Bobby-Pin method that made that movie https://youtu.be/tYScJZWhaHA
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I do that for most of my scripts, Lisa Lee.
Thanks for the book reference, Fred.
Thanks, Craig D Griffiths. I'm going to check out the video.
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Fred Gooltz, thanks for that interesting share:)
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Maurice Vaughan, as others have said, I think the ending is vital. After I write the 8-15 big-picture sections of my story at a 10,000 ft view (I use www.scriptoutliner.com ) like Lisa Lee, I also jump around from scene to scene. Once I have a SHORT description of all the scenes, then I do a talking draft because making an outline just gets the movie clear in my head. Once it can play in my mind's eye, I can just close my eyes and dictate it using the Howard Hawks Method.
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I actually wrote my first two scripts by figuring out what I wanted the ending to be and working backwards. For some stories to me it works better.
Thanks for the Talking Draft link, Fred. I might use it for my next project.