Screenwriting : 7 Stages of a Beginner Screenwriter. Here are my stages. What about yours? by Nataly Kiut

Nataly Kiut

7 Stages of a Beginner Screenwriter. Here are my stages. What about yours?

7 Stages of a Screenwriter: From Stars to Seashells

(or how I write, learn, and write again)

Writing screenplays? Smile.

What do you think about these stages? Add your own :)

1. The Stage of Grand Cosmic Fantasy

“My first script is a dystopia where an AI‑mermaid saves humanity through shared hallucinations. But it was the dog’s dream.”

— I’m a genius! Cinema will thank me.

— A trilogy? Absolutely.

— Structure? I have feelings.

2. The Structural Panic Stage

“Why do I have 80 pages and all my characters still just drink coffee?”

— Who even is this ‘Midpoint’?

— What do you mean, ‘the hero has to want something’?

— Can I just… not think about logic?

3. The Theory‑and‑Notebooks Stage

“I read 12 craft books. I bought index cards. I color‑coded emotional arcs.”

— Finally! Now I know exactly how not to write.

— Living inside Save The Cat.

— My dialogue got worse. How?

4. The Quiet Despair Stage

“Maybe I shouldn’t have started at all.”

— Why write if Nolan already exists?

— Voice? What voice?

— I’ll delete everything. Or not. Or yes.

5. The Small Honesty Stage

“Let the scene be tiny — but let it be true.”

— Less fireworks. More breathing.

— My character is silent. So I listen.

— Cutting hurts… but it’s right.

6. The Playing‑With‑Fire Stage

“What if she disappears in the middle of the film?”

— I know the rules. Now I can break them.

— I’m not copying anymore — I’m exploring.

— Strange scene… but it works.

7. The Home Stage

“I’m not proving anything. I’m simply writing.”

— Not as scary now.

— Sometimes easy.

— Sometimes painful.

— Always alive.

Meriem Bouziani

Same here — it’s a duplicate of what I feel in my own worlds.

Sometimes I think, “Oh my God, this is genius,” and then suddenly it feels completely nonsensical.

Actually, I’ve run into a new problem. Even though I’ve written my first schema, I still feel that something is missing — something beyond the events or structure.

I’m trying to make it puzzle-like, where the audience never understands the full story until the very end.

The stakes keep rising, and I honestly can’t seem to organize all this chaos.

Nataly Kiut

Hi, Meriem Bouziani. Absolutely feel the same. Reading other scripts really helped me — The Fifth Element and Inception especially.

And on StoryPeer, I once read a script anonymously — and it gave my project a huge push forward.

That spark changed everything.

Meriem Bouziani

Yeah, that’s a good point — working with a co-author can really help and bring fresh inspiration.

Nataly Kiut

Maurice Vaughan

That's basically how it is for me, Nataly Kiut. And add "The Stage of Grand Cosmic Fantasy" again for Stage 8.

Elle Bolan

This hasn't been my experience as a new screenwriter but I also didn't begin writing as a screenwriter. My first five stages are something like "I dunno why I thought I could do this. Eff it, I'm going back to prose." Stage 6 is no, eff that. I'm going back to poetry. Stage 7 - "oh okay. I'm on the last scene. I guess it's fine then." Stage 8 - "well, now what?"

I'm always stuck at stage 8. Even if I get coverage. Even if I workshop it. Stage 8 is my home. We like it here. Not really, but that's where we are at with four teleplays and one feature script

Meriem Bouziani

There’s another stage for me — the jumping stage.

It goes like this: “Okay, I’ll work on The Silent PFC War… no, wait, there’s a new twist for The De-Evolution Game… but how do I solve The Oceanic War?”

And suddenly, a whole new story appears out of nowhere.

It’s so hard to focus on just one story.

Even when I try, my mind keeps thinking about the others unconsciously.

Elle Bolan

@Meriem - I do this too. I can't just write one project at a time. I'm always writing at least two scripts and one prose effort.

Meriem Bouziani

Excellent. I hope you finish them all. Elle Bolan

Elle Bolan

Thanks, @Meriem. I hope you do too!

David Austin Veal

This is a brilliant thread, I love the idea of stages. This is how it usually goes for me.

1. I'm Driving Stage

- A few stories play through my mind.

- Hey Siri, take notes.

- Return focus on the driving.

- Repeat.

2. A Week Later Stage

- Find these notes.

- Copy paste to files.

- Meditate or watch news.

3. Wife Stage

- Morning coffee.

- Reinventing stories on the fly.

- Eye rolling from wife.

- Continue talking about stories after she's left.

- Take out trash.

4. Write It Stage

- Bring snacks to studio.

- Write several stories out.

- Meditate. Write. Repeat.

5. Find The Bodies Stage

- Determine what medium is best.

- Move story files accordingly.

- Rewrite in formats.

6. Wife Stage Number Two.

- She edits grammar and spelling.

- I listen.

- I roll my eyes.

- She's a pro.

7. A Child Is Born Stage

- I have others give notes.

- I forgive them and fix accordingly

- I have snacks. Happy.

- I drive.

I do have some doubts here and there about the quality of the stories. But I have always seen this as transcribing. I think of stories as self made things, even if I do some research and edit some of the dialogue the characters have given. Even if I take some notes or bend to some structure. I know very little about the stories anyway. Until they are done. Then I find out what I meant. I drive a lot too.

Nataly Kiut

Maurice Vaughan. Haha, fingers crossed — by Stage 28, it’ll be our very own Star Wars.

Nataly Kiut

Elle Bolan, your stages are beautiful — prose and poetry…

It made me think:

autumn is perfect for writing poems beneath falling leaves,

summer — for fast-paced screenplays on the move,

and winter — for long, quiet nature descriptions by candlelight.

That’s a kind of structure too.

I hope you and your Stage 8 make peace someday.

I’ve recently found myself truly enjoying the act of writing scenes:

listening to the wind inside a scene,

watching how the light falls,

noticing what sticks to a character’s shoe.

Maybe Stage 8 isn’t purgatory at all —

maybe it’s a porch.

A quiet “in‑between,” right before the leap.

Nataly Kiut

David Austin Veal. Your stages are such a delight. Snacks, meditation, morning coffee, and driving — wonderful creative hacks. And the way you describe your writing process feels like music: rhythm, family, stories that shape themselves. Truly inspiring!

Ron Reid

Stay alive in writing with these hints and elevate your writing!!

Nataly Kiut

Thanks Ron Reid — I’m not giving up (just) yet!

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