After many rounds of refining, rewriting, and polishing… we’re proud to say our pilot script is finally complete.
“Cold Spring” — a 1960s-set sci-fi pilot exploring friendship, disappearance, and a deeper mystery beneath the surface.
This project has been a journey for us — shaping the characters, building the world, and finding the emotional core of the story.
Now, we’re excited to take the next step and begin sharing it with industry professionals.
If you’re passionate about character-driven sci-fi with a strong emotional thread, we’d love to connect.
That is awesome, I love the title of your script so would love to collaborate in helping you bring your script or any other ongoing project to live.
I would love to hear from you.
Hello Paulina! I really like the short description! As a screenwriter with a purely cinematic and intuitive process, I specialize in Script Doctoring and high-stakes re-versioning. I have a knack for identifying where a story loses its rhythm and 're-imagining' endings to ensure they leave a lasting impact.
If you ever have a project that needs a fresh pair of eyes to elevate its dramatic tension, I’d be more than happy to collaborate.
Best,
Ludmila Guzzo
Hey Paulina Wróbel - what are some of your biggest takeaways from the rewriting process? Thanks for sharing!
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Congratulations! Finishing a pilot is no small thing, and a 1960s-set sci-fi with real emotional grounding is exactly the kind of material the market has room for right now. The comp space between STRANGER THINGS and DARK shows there is a genuine appetite for period sci-fi that leads with character.
When you are ready to start getting it in front of industry professionals, Stage 32 has pitch sessions and coverage options with executives actively reading in this space. The Success Team at success@stage32.com can help point you toward the right people for Cold Spring specifically. Reach out and tell them what you have.
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Leonardo Ramirez We’d say our biggest takeaway is not trying to put everything into the pilot.
For us, a pilot should feel like a glimpse — something that makes the audience want more, not something that gives them everything at once. If you overload it with too much plot or action, you risk losing that curiosity for what comes next.
Another important thing we’ve learned is to trust the feeling of a scene. When we can close our eyes and it feels natural — like the words, the rhythm, and the emotions all fit exactly as they should — that’s when we know the scene is working.
And honestly, not giving up is a huge part of it. Rewriting can be challenging, and you kind of have to find your voice along the way, but it’s definitely worth it.
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Geoffroy Faugerolas Thank you so much for your support, we really appreciate it.
We’re currently preparing to pitch our project to two industry professionals through Stage 32, but we’d also be happy to reach out via email as suggested.
Thanks again!
now that's a good blurb. i was excited to read the blurb and have a feeling i'd like the product advertised. if you had a storyboard, i'd watch it. if it were a movie, id google it with a view to watching it. Keep me updated please.
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Shamim Khaliq Thank you so much, that really means a lot to us.
We’re currently developing the project further and will definitely keep you updated!
Absolutely agree Paulina Wróbel - nicely said!
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Paulina Wróbel Congrats on getting the pilot to this stage that’s a huge milestone.
The concept sounds intriguing, especially with the 1960s setting and the focus on character-driven sci-fi. That combination can be really compelling if the emotional core lands well.
As you start sharing it, having a sharp logline and clear pitch will definitely help it stand out to industry professionals.
Wishing you the best with the next steps!