Just joined Stage32, so you've probably had your table read by now. How did it go? Were you putting together your own reading or was this a theater tackling your play?
Hey Jeremy. No theater involvement. It was for me to come up with some more rewrites. It was a great read and the Q&A with the actors really helped. After a few days reflecting on their questions, I decided to add a character, move the start of act 2 back, and add 30 pages of script. Have you had a play hit the boards yet? What's your experience with submissions to festivals and competitions?
Vincent - Most any play of mine I've seen on stage was through a festival or competition. I submit mostly to 10-min or one-act festivals. It helped me built a resume for when I applied to grad school. I think working with theaters on smaller festivals is a good way to network, meet potential collaborators, and build good will. I started submissioncalendar.com to help playwrights connect with new work development opportunities. All best.
Just joined Stage32, so you've probably had your table read by now. How did it go? Were you putting together your own reading or was this a theater tackling your play?
Hey Jeremy. No theater involvement. It was for me to come up with some more rewrites. It was a great read and the Q&A with the actors really helped. After a few days reflecting on their questions, I decided to add a character, move the start of act 2 back, and add 30 pages of script. Have you had a play hit the boards yet? What's your experience with submissions to festivals and competitions?
Vincent - Most any play of mine I've seen on stage was through a festival or competition. I submit mostly to 10-min or one-act festivals. It helped me built a resume for when I applied to grad school. I think working with theaters on smaller festivals is a good way to network, meet potential collaborators, and build good will. I started submissioncalendar.com to help playwrights connect with new work development opportunities. All best.