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I'm a college student, and so over the summer I've spent my time learning how to write scripts, amongst other things as well. I'm trying to construct a fight scene in the opening of my script, but I don't know if I should choreograph the fight scene inside the script or not. I bought a few books ove...
Expand postI'm a college student, and so over the summer I've spent my time learning how to write scripts, amongst other things as well. I'm trying to construct a fight scene in the opening of my script, but I don't know if I should choreograph the fight scene inside the script or not. I bought a few books over screenwriting and have taken notes and read them completely. My first book suggested against choreographing fight scenes, and to leave it to the director. How does everyone construct their fight scenes? I'm curious how to begin this.
Nothing should make the reader lift his head from the story he/she's reading. The reader should be 'seeing' the action as it unfolds. You have to write what is taking place in the script. Remember, if...
Expand commentNothing should make the reader lift his head from the story he/she's reading. The reader should be 'seeing' the action as it unfolds. You have to write what is taking place in the script. Remember, if you are ever fortunate enough to have a director bring your script to life, he/she isn't going to stick religiously to your fight choreography. But for the purpose of gaining interest in the screenplay, write what's happening and make it convincing.
Thank you all so much!
This was choreographed on site as the surroundings made a huge difference. And to some degree that will always be true. https://www.youtube.com/watch?v=v3SHLU5sFgc We had no way to really get a bunch...
Expand commentThis was choreographed on site as the surroundings made a huge difference. And to some degree that will always be true. https://www.youtube.com/watch?v=v3SHLU5sFgc We had no way to really get a bunch of detail in until we were in the space. The only detail we had was that he puts him down and walks out at the end.
So I'm writing my first script ever, and I'm working on creating my characters. It's tough work creating believable characters, but SO much fun! However, I'm feeling maybe I'm going a bit overboard on their details? I feel their creation, or bio, should be like creating a human, and knowing every si...
Expand postSo I'm writing my first script ever, and I'm working on creating my characters. It's tough work creating believable characters, but SO much fun! However, I'm feeling maybe I'm going a bit overboard on their details? I feel their creation, or bio, should be like creating a human, and knowing every single detail about them. This process is taking quite some time though, and I'm afraid I'm putting in so much focus on creating a great protagonist that I may be wasting time? What does everyone else think? Any suggestions? Opinions?
The Screenwriter's Bible has lots of good advice for beginners, and suggests spending time developing worksheets with backstory for your characters. While all of the details don't appear in your scrip...
Expand commentThe Screenwriter's Bible has lots of good advice for beginners, and suggests spending time developing worksheets with backstory for your characters. While all of the details don't appear in your script, by knowing a lot about your characters initially helps you show through their actions and dialogue who they are. And on a really excellent writing day, sometimes the characters do the hard work while you are their scribe :)
Lots of people have already given good advice. The process does vary for people, as some people define as they go, others need a great deal of detail from the beginning. I will say that, when fully fl...
Expand commentLots of people have already given good advice. The process does vary for people, as some people define as they go, others need a great deal of detail from the beginning. I will say that, when fully fleshed out, characters tend to come out stronger, their dialog more unique, and their perspective more realized within the world they inhabit. With a solid outline and research, writing tends to fly by on the first draft. Something I've done is try to think of what a conversation with the character would be like, sort of an internal acting exercise. If you can ask questions and get reactions in a way that makes them seem alive, you're doing pretty well. If it feels more like you're just talking to yourself, you may want to work on their personality more.
Thanks so much, everyone, for the great advice and suggestions :) I will always remember this and apply it immediately.
Hey everyone! My name is Devon Mathis, and I'm new to Stage 32. Screenwriting is a brand new endeavor for me, but I've always been a writer at heart, mostly poetry and short stories. I've spent my summer reading a book on how to screen write, and I'm starting on my first script now! I'm so excited to see this finished through :D
Hello!!! Stoked to see you apart of this community !!
Hi Devon. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 400,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like m...
Expand postHi Devon. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 400,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
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