Hi Vladislav. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
Please take a moment to follow and like our other social media accounts.
3 people like this
fyi, I think Emi has the right solution. I'm literally reading a pilot script now with a beat about a vision problem, and I thought about your sound note. For example: INT. TRAIN STATION - MORNING A train rumbles loudly by. IN JOHN'S POV - Silence.
4 people like this
And please, no one say that a screenwriting book disdains the format I suggested. This script I'm reading as we speak was written by a writer on a TV show on one of the major broadcast networks, and s...
Expand commentAnd please, no one say that a screenwriting book disdains the format I suggested. This script I'm reading as we speak was written by a writer on a TV show on one of the major broadcast networks, and she is repped by one of the top 3 talent agencies. No one in Hollywood would have lifted an eyebrow if they saw this format. But is it the only format that works? No. William Martell: "There are no rules, only tools."
Great thread! I learned something new. Thanks all. @Sandra... because you wrote it twice... it's scenes... not sceens. :-)) All the best to you.