I've run into this dilemma many times when it concerns acting and actors and maybe you all can give me your two cents! To me most true artists can't help but do their art, regardless of whether they make money or not. I have always kept busy and been paid for very little of the work. Being in a plac...
Expand postI've run into this dilemma many times when it concerns acting and actors and maybe you all can give me your two cents! To me most true artists can't help but do their art, regardless of whether they make money or not. I have always kept busy and been paid for very little of the work. Being in a place where you can make a living doing this is a luxury few people have - but at the same time there are others out there who are willing to exploit this "need" to express your art. I've done my share of unpaid work and certainly also looked for people to work for me where it had to be the desire to do something artistic that drove them (because I couldn't pay). But I've seen more and more negative comments towards unpaid "work". I say "work" because it's still your art and you're asked to do it for free - and if you say yes then you accept the terms. But I've experienced people hinting at how "unprofessional" it is to not be paid AFTER they have accepted to work without pay and I've heard the sentence "if you can afford to make a movie, you can afford to pay" many times. Though I on one hand agree, I also completely disagree with that statement as art - to me at least - is different from any regular job and for us the work really is often enough - and to be part of an artistic venture is extremely satisfying. I often seek out "jobs" that don't pay just because I love what I do and if they're a challenge and interesting - that's what matters to me. But what are your thoughts on this people?
Christopher Trastoy Is acting your full time profession or do you have a regular day job? Passion is great, but bills still have to be paid unless you live at home with your parents. That's just reali...
Expand commentChristopher Trastoy Is acting your full time profession or do you have a regular day job? Passion is great, but bills still have to be paid unless you live at home with your parents. That's just reality.
JD Hartman I can't believe I am just seeing this now. I do have a job that I work in aside from the arts that helps pay the bills, I do not think it is safe to assume that actors are living at home wi...
Expand commentJD Hartman I can't believe I am just seeing this now. I do have a job that I work in aside from the arts that helps pay the bills, I do not think it is safe to assume that actors are living at home with their parents.Bills having to be paid is a certain but in this profession, it is wise to take whatever opportunity, that comes your way . Would you turn down an amazing opportunity because it was unpaid?
Never did I say all actors.... Great that you're working while pursuing you real passion. Also great that you were able to find the type of job that gives you the freedom to audition and take off from...
Expand commentNever did I say all actors.... Great that you're working while pursuing you real passion. Also great that you were able to find the type of job that gives you the freedom to audition and take off from from work as needed. Not easy to find work like that, I know from experience, having worked on both sides of the lens.
First describe amazing? Does that include things like: I'll use you (next time) when I have a budget; great for your reel; award winning Director or Producer; a passion piece; to be entered in many festivals; deferred pay (no pay, ever), etc.
I've heard all the reasons/excuses, nothing worse than showing up to work on a no-pay gig only to find: rented 3 ton Grip and Lighting package, rented latest and greatest camera package; above the line team staying in Hotels while you drive home each night; etc.
Hello Quiona -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you w...
Expand postHello Quiona -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won't find anywhere else on producing, directing, financing, writing, packaging, acting and more.
Our Next Level Education has a 97% satisfaction rate and averages 4.5 out of 5 stars. Plus, we've had the honor to be called "LinkedIn meets Lynda.com for film, television and theater creatives" by Forbes Magazine.
I encourage you to take the next step to continue learning and expanding your career by clicking here, or clicking "education" on your top menu bar.
I'm grateful you've joined the Stage 32 community. Please let me know if you have any questions!
Amanda
Hi Amanda, thank you for the warm welcome. I look forward to my time here on the site! Continued Success, - Quiona
Look forward to chatting with you in the lounge here!
Hi Quiona. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like...
Expand postHi Quiona. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
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Hi RB, thank you for the warm welcome. I look forward to my time here on the site! Continued Success, - Quiona
Hello, Quiona! You are very welcome! I look forward to your contributions and to seeing you around the community!
Finding a good monologue is like dating for commitment. Once you find a good one, it can be one of the best parts of your acting career. With so many choices, what is the best way you managed to find your winning monologue?
Write your own monologue and talk to a dog! It always works! https://www.youtube.com/watch?v=rGo4B-y5oyk
Ok I finally have some time for the Stage32 lounge. Ok, I hope I'm not opening up a can of worms but here goes. After failing to find any decent monologue in one of those monologue books I bought that...
Expand commentOk I finally have some time for the Stage32 lounge. Ok, I hope I'm not opening up a can of worms but here goes. After failing to find any decent monologue in one of those monologue books I bought that turn out to be a waste of money, I would turn to Edgar Allen Poe, songs lyrics from Pink, Linkin Park, Shania Twain, Rihanna etc if absolutely necessary. In my case, it has been very difficult for me (mixed race Latina) to find good monologues that suit me. Sometimes it's just so much harder for women of color. Latina, Black and even Asian actresses don't always want the US based stereotypes thrown at us. All of us are our own woman. With that said, in my case I have to do what I can to bring some truth to that character. Ex: I believe I can offer my own opinion about Batman's arch nemesis The Joker. Give me a good monologue about him/her and I bet I can pull off an interesting new version of the character.
@Richards words ring true. "Obvious on the surface yet constantly overlooked". Enjoyment of the craft can move mountains with regard performance, even on stage, or being judged for exams. Identifying...
Expand comment@Richards words ring true. "Obvious on the surface yet constantly overlooked". Enjoyment of the craft can move mountains with regard performance, even on stage, or being judged for exams. Identifying personally with a particular character for monologue, unplumbs a unique yet believable version of the person portrayed. Ive done exams/auditions in the past where Shakespeare was compulsory and i always felt the male characters were more interesting/diverse, EG The domineering wife (Lady Macbeth) seemed the only alpha role and the various simpering women i played after were stale in comparison. Don't get me wrong....Im a fan of Shakespeare but i wanted to strangle or stab someone on stage along with my fellow actors. Ive also done Cat On A Hot Tin Roof Monologues for an audition, (as mentioned in above ) which my tutor advised against because i had no elocution in American accents, but i was passionate about Tennessee Williams writing. When choosing a monologue, the physical/verbal portrayal needs to come from inside out, not outside in.