Hi Stephen. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
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Exactly Ryan!
Nice talking to you thanks for sharing and success with your work
Thanks for the response and info Ryan! I agree recommendations and word of mouth are the most fruitful ways to get work. It's how I've gotten most of my work in film scoring (and most of all other mus...
Expand commentThanks for the response and info Ryan! I agree recommendations and word of mouth are the most fruitful ways to get work. It's how I've gotten most of my work in film scoring (and most of all other music and non-musical work). And yes, there are soooooo many composers out there!!! But, like many other saturated fields, there are less composers who are reliable and have thorough compositional abilities in many genres. And even less need for composers with the continual inundation of sample packs, so-called "royalty-free" library subscriptions, and now A.I. But I digress from all that. It's up to us as composers to move with the times and figure out how to continue being relevant.
So my follow-up question, do you have any advice on making the move from no budget indie short films to actual films with music and composing budgets? How can I utilize my current short film credits and indie filmmaker recommendations into "word-of-mouth" work in funded films?
Hi Ryan, did you do the camera work on "War Pigs"? That was a great looking flick.