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Allen James Roughton is the Stage 32 Script Services Coordinator, a screenwriter, reader and development researcher who has consulted on over 100 projects, scripts, books, comics and films and conducted research on life stories, exposés, professions and locations for development at major production companies. Nick Assunto is part of the Stage 32 script services team and a repped screenwriter himself. He was previously a reader for the Austin Film Festival, a writer for the 2017 CBS Diversity Sketch Comedy Showcase, co-host of the Sunday show B.Y.O.T. at UCB, and dabbled in acting, having been featured on Late Night with Jimmy Fallon, an eHarmony commercial directed by Limp Bizkit's Fred Durst (for real), and is infamously known as Tony, the annoying party member from the 'Four Friends' Elder Scrolls spots. Full Bio »
A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
This month, we challenged you to rewrite or polish a scene where a major character is introduced in one of your scripts. You had to think carefully about the characters actual description, what they do in the scene, how others react to them and their presence, their first few lines of dialogue, and anything else that impact their introduction.
We discussed character introductions on the last Breakdown webcast, so be sure to watch that if you want to see how produced screenplays achieve great character introductions, and always remember that what makes a character interesting is the subversion of expectations (creating a unique character) and giving them nuance (most great characters contain both good and bad, and have their reasons for both).
We broke down some of the best submissions received from our writers and discussed best practices on how to break through the sticking points associated with the challenge.
The Write Now Challenge
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They say not to speak ill of the dead. What about when the dead speak ill of you? We challenged you to deftly write a 3 page scene conveying the nuances of character reactions to getting called out for being exactly who they are, but wish they weren't.
In this challenge, you were asked to use The Breakdown Webcast: What the *&%$ is a Dramedy? as a guide to write a short scene (1-5 pages) that uses all of the principles discussed. Make sure to watch the Breakdown Webcast for those tips! You can find that by clicking here. We received some excellent submissions that all attempted to ride that fine line of truly being a "Dramedy."
Using the principles learned in the Breakdown Webcast: Breaking the 4th Wall, this month members were challenged to write a short scene in which the character(s) break the fourth wall to drive the plot forward, reveal character and deliver exposition. As part of the webcast, Jason turns the microphone over to the writers to read their projects aloud for the other members in the group.
It's like 10,000 spoons when all you need is a knife...well, actually it's more like the Write Now Challenge Webcast: Isn't it Ironic coming at you this afternoon at 4pm (Pacific)! In this challenge, members were asked to write a short scene (no more than 5 pages) using one of the examples of irony from the Breakdown Webcast: Dramatic Irony. As a reminder the examples for irony are below: Dramatic Irony: A literary and theatrical device in which the reader or audience knows more about a situation, complication, or conflict than the characters they are following. Classical Irony: This term describes irony as it was used in ancient Greek comedy—to highlight situations in which one thing appears to be the case when, in fact, the opposite is true. Cosmic Irony: Cosmic irony highlights incongruities between the absolute, theoretical world and the mundane, grounded reality of everyday life. Socratic Irony: Socrates would feign ignorance of a subject and ask seemingly innocent—but actually leading—questions to draw out information he already knew. Socratic irony differs from verbal irony because it involves intentional deception. Verbal irony, on the other hand, does not connote insincerity or deception. Situational Irony: occurs when there is a difference between what is expected to happen and what actually happens. With situational irony, our discovery that our expectations haven’t been met are the same as the characters in the story. Verbal Irony: is when a character says something that is different from what he or she really means, or how he or she really feels. This is the only type of irony where a character creates the irony.
We're revved and ready to go for the final webcast of September 2020 in the Writers' Room during the Write Now Challenge Webcast: Black Limousine! In this challenge, you were asked to write a short scene (1-3 pages in length) using the prompt below as your opening. EXT. STORE PARKING LOT – LATE AFTERNOONA YOUNG WOMAN, 20's, stands in the parking lot of a shabby-looking grocery store. She wears a work apron beneath her winter jacket. Just about to light up a cigarette, she suddenlyfreezes. Peering ahead she sees a BLACK LIMOUSINE coming toward her. There were some fantastic entries from our members that took this prompt in every direction - from Comedy to Drama, Supernatural to Sci-Fi, and even Thriller! It was a fantastic showcase of our members' imaginations.
Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!