RJ Collins is an award-winning writer/director, renowned for founding the trailblazing directing collective Everdream. Their viral Tesla spec commercial revolutionized branded content, demonstrating the immense potential of young filmmakers. His unique talent for blending narrative depth with commercial appeal quickly established him as a preferred director for top-tier brands, elevating the art of storytelling in the advertising industry. RJ has perfected the art of winning commercials through his unique approach to treatments and pitches. His creative prowess carried into narrative with his Streamy-nominated mini-series "Simi Valley," a personal reflection of his upbringing, and his acclaimed sci-fi script "Vapor," which won the ScreenCraft Grand Prize and earned praise from Oscar-winner Diana Ossana. He's also behind the buzzed-about horror-adventure short "Dropping," featuring talents like Reign Edwards, Devin Druid, and Mia Threapleton, with plans for a feature adaptation. Currently, RJ is working on his pioneering debut feature, "Left Alone," a screenlife thriller starring RJ Mitte, aimed at transforming disability representation in film. Full Bio »
A-List filmmakers such as David Fincher and Ridley Scott started their careers directing commercials. Directing commercials can be a great way to make a living, gain valuable experience working with cutting edge technology and prepare yourself to direct movies.
Plus! Receive an exclusive handout that will help you build your commercial directing career!
Whether you're an aspiring filmmaker, a seasoned director looking to transition into the lucrative field of commercials, or someone simply passionate about visual storytelling, directing commercials is an exciting and fruitful creative career path.
Many of the most well known film directors started working in commercials and honed their craft working on branded commercial content. And some directors have built long lasting and successful careers only directing commercials for an array of clients. However, how do you break into the commercial directing industry? And once you’re in, how do you forge a successful career for yourself?
In this exclusive Stage 32 webinar, you will learn how to create and build your career as a commercial director from an industry leader who built his directing career from the ground up. Teaching you everything you need to know about the business and craft of directing commercials is RJ Collins, the pioneering mind behind Everdream and the viral Tesla spec commercial that redefined branded content.
RJ has built a career at the nexus of deep narrative and commercial sensibility, becoming the director of choice for top brands through his innovative approach. His foray into film and TV includes the Streamy-nominated "Simi Valley" and the ScreenCraft-winning script "Vapor," earning accolades from Oscar-winning screenwriter Diana Ossana. His latest endeavor, the buzzworthy horror-adventure feature film "Dropping", is on track to roll cameras in summer 2024.
As a commercial director, there is a constant balance between honing your pitching skills to book work and developing your directorial style so you perpetuate a lasting career in the marketplace. In a jam-packed 90 minutes, RJ will teach you not only how to develop your style, brand, and relationships to ensure you have a successful commercial career, but also how you can leverage your work as a commercial director to move into film and television work.
This course is a golden opportunity for you to learn how to become a go-to director for clients across the commercial industry and use that to propel your directing career.
PLUS! You’ll receive an exclusive Director Treatment Template to create winning pitches to help hone your commercial directing work.
If you’re a director in any medium with a passion for visual storytelling, this webinar is a must!
RJ Collins
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Learn the fundamentals of shot coverage from a script supervisor who has worked on major blockbusters like FURIOUS 7, CAPTAIN AMERICA: THE FIRST AVENGER, JURASSIC PARK 3, and more! Making movies is filled with stressful moments and on-the-spot choices and decisions, all with a ticking clock. The last thing you want as a filmmaker in post production is to have to compromise your visual story because you didn’t get that one shot you needed. Yet this is incredibly common and one of the main reasons for reshoots, delays in a film’s release, and ultimately going over-budget. This is why having a full understanding of shot coverage and what constitutes the bare visual minimum for any type of scene is essential to making a compelling movie. Everything begins with a visual plan. But as a director, DP, AD, or script supervisor, how can you design shots before you have blocked a scene? How many shots do you actually need? And how do you know when it is time to move on when you are running out of filming time? It’s a difficult balance, but skillfully navigating when and when not to spend a few more precious moments on an unplanned shot separates wise filmmakers from the pack. It requires a vision, visual literacy in storytelling, and a willingness to communicate and collaborate with your coverage team while maintaining your role as visionary on the set. Brenda Wachel is an accomplished and sought after script supervisor with over 30 years of experience and credits on some of the biggest films of all time, including JURASSIC PARK 3, OCTOBER SKY, BRIGHT, COLLATERAL, FURIOUS 7, and CAPTAIN AMERICA: THE FIRST AVENGER. She has worked with countless directors like Paul Haggis, Joe Johnston, Michael Mann, David Ayer, Tim Robbins, and Terry Gilliam and continues to serve as script supervisor for projects like Netflix’s just released mockumentary feature DEATH TO 2020, written and directed by BLACK MIRROR’s Charlie Brooker and starring Hugh Grant, Samuel L. Jackson, and Lisa Kudrow. Brenda has overseen shot coverage on countless films and television shows and knows how this process can save or destroy a project. Now she’ll share her experience with the Stage 32 community. Brenda will give essential and helpful tools to allow you to best prepare for your film or project’s production and ensure you get the footage you need the first time around. She’ll outline the different tools the directors have and the choices they have to make, including shot sizes, angles, lens choices and focus choices. She’ll next delve into the tools to use for successful shot coverage. She’ll explain how to build a strategic shot list and how to use storyboards and look books. She’ll explain how to collaborate with your core coverage team (the director, DP, script supervisor and AD) to ensure you’re getting the footage you need in the moment. Next, Brenda will give a deep dive into what to do to cover basic scenes, including dialogue scenes between two people, dialogue scenes with three or more people, walk and talk scenes, and interior car scenes. Finally, Brenda will offer a live case study by showing a scene from a notable film and reverse engineering the shot list to demonstrate how the filmmakers got the coverage they needed to make the scene work. And the best part - this webinar is available to watch on-demand right now! With the tools and knowledge Brenda is providing, you’ll be able to attack your next production more strategically and ensure you wrap production with exactly what you need. Praise for Brenda's Previous Stage 32 Teaching: "Loved the level of expertise. I often take webinars and find that I'm as knowledgeable as the instructor, but this one was exceptional." -- Scott F. "Brenda was clear and generous in sharing her knowledge." -- Kathleen O. "I loved Brenda's talk! She provided a ton of work-related experiences that can be applied to the job, many that you cannot find in a book. She was very enjoyable to listen to and she was open and honest. I loved it!" -- Allish S. "Brenda’s wealth of working knowledge was amazing." -- Pamela F. "Brenda is a phenomenal teacher and film industry expert. I recommend any course she teaches!" -- Ana N.
"Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B. When you are putting together a deal as a writer, producer or filmmaker there are many things to think about when it comes to your contracts - between option agreements, purchase agreements and negative pickups it's important you understand what deal you're getting yourself into before you start development. Your Stage 32 Educator is entertainment attorney Jordan Barel, who's a California attorney that has worked with AMC, New Line Cinema, Generate and Alloy. He is also a producer who develops projects based off IP and started out as the television coordinator at Verve Talent & Literary Agency. You will cover three different types of contracts: purchase agreement, option agreement, and negative pickup. Jordan will discuss terms in both a legal and practical matter so that you get the information needed to be prepared to negotiate your next agreement. Such things will include material and boilerplate terms, what can or can't be negotiated, and how lawyers themselves will be reading and reviewing your agreement. This will be an in-depth, but accessible, legal discussion walking you through each part of a standard purchase and option agreement. Plus! You'll get 5 contract templates to download! Whether you're a producer, filmmaker or writer learn the overview of contracts to give you a competitive advantage in your next negotiation! **All materials have been prepared for general information purposes only to permit you to learn more about certain types of contracts within the entertainment industry. The information presented is not legal advice and is not to be acted on as such, please consult your lawyer for issues specific to your contract. PRAISE FOR JORDAN'S TEACHINGS: "Very informative and complex concepts were broken down so folks without a law degree could understand them." - Elisha B.
SEE FREQUENTLY ASKED QUESTIONS BELOW Netflix and Stage 32 have partnered on an exclusive global education series in an effort to democratize the worldwide entertainment industry. Together, over the course of 5 webcasts Stage 32's world class educators will bring their knowledge of what it takes to write, develop and produce today's television for the Stage 32 and Netflix creator community. These global webcasts have been seen by hundreds of thousands of creatives worldwide with a 100% satisfaction rate! In our third webinar in this exclusive "Creating Television Content for a Global Marketplace" series, we are going to talk about how you can effectively write comedy screenplays for streaming television. We're in an exciting time as we watch more and more comedies cross borders.The ability to bring humor to your storytelling is key to help you bond with a global audience. And, with streamers like Netflix looking for new, exciting, original funny stories from all over the world to produce, you have to put yourself in the best position to make sure your comedy stands out. Shows like The Office have brought us together realizing that we all go through the same mundane work issues. Shows like Everybody Loves Raymond have helped us see that we all experience the same family dynamics and can laugh at them. Do you find humor in everyday things? Or, do you have a creative mind that invents humorous situations? If so, then comedy television writing is for you and Stage 32 and Netflix are going to teach you the ins and outs of writing great comedy screenplays. To help you learn how to write great comedy television is Vijal Patel, an Emmy-nominated and Peabody Award-winning writer and producer who has written for many award-winning comedy series including Black-Ish, The Middle, The Kids Are Alright, The Mayor and more. Vijal has built his career on writing comedy and using it to explore race, family, religion, politics, and class struggle. He is currently working on a show for Netflix. Vijal will go into more detail on nuances of comedy, how your pilot will set you up for your season and how to make sure that you are breaking your story correctly to fall in your story lines. The case studies he's going to go over in the webinar are: Black-ish The Middle Seinfeld Schitt’s Creek Gilligan’s Island Silicon Valley Everybody Loves Raymond The Office Insecure Vijal will provide you 5 handouts: Chart of basic TV Comedy Genres with their respective traits Handy Dialog Tips Creating Characters Checklist 3 Act Pilot Structure and what each act does 3 Act Breakdown of "Black-ish" Pilot (simple) Note: You will receive the Zoom link to login by the morning of the webinar. If you are not yet a member of the Stage 32 community, we encourage you to join the community today at www.stage32.com, it is FREE! You will instantly connect with over 800,000 creatives and professionals in the entertainment industry from all over the world who use Stage 32 to network, find work, learn and develop their projects. YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO.
Learn From A Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and more! "It was amazing, enlightening - completely. I learned soooo much - especially as a feature writer who's been asked to turn a feature script into a pilot!! Thank you soooooo much." -Kristin G. The market for historical dramas is hot. Shows like The Crown, Genius: MLK/X, The Law According To Lidia Poet, The Great, Babylon Berlin, The Empress, Call the Midwife and more are dominating with controversial plot lines and riveting characters. But to sell a historical drama, you first need to know the specifics of writing this specialized genre. You need to understand what type of intellectual property makes for a compelling story and then have the skills necessary to turn this historical piece into a modern, binge-worthy series that speaks to today's audiences. In this exclusive Stage 32 on-demand webinar, industry veteran Anna Henry who has worked as a development executive and producer and has shepherded numerous projects through networks and streamers is here to show you how. Anna is a Producer and Development Executive who has worked at CBS, ABC, Nickelodeon, and multiple production companies, as well as a manager at Andrea Simon Entertainment. Her clients have worked on shows such as THE DEUCE, POWER, IN CONTEMPT, TOMMY, VIDA, SEVEN SECONDS, HUNG, CHICAGO FIRE, FEAR THE WALKING DEAD, THIS IS US, and THE FLASH, and have set up projects at AMC, Amazon, Starz, HBO, Sony, Fox, EOne, and more. Anna has projects currently in development around the world and is incredibly familiar with what goes into a great television pilot. If you are developing a historical drama or ever want to try, this information-packed webinar is a must! Praise for Anna's Stage 32 webinar: "The webinar was fantastic. I am writing my first one hour drama pilot so this webinar was packed with the exact information that I will be immediately putting to use in my rewrite. The slides were clear, concise and informative. The speaker was excellent at conveying the information I needed." -Bobby C. "It was really great information. Anna was a terrific host, very knowledgeable and shared a lot of information and tips." -Marla H. "Comprehensive, insightful. Combined a lot of material I had heard snippets of on character, world dev, etc. but artfully stitched together in one presentation." -James F.
Have you ever been asked, “what are the comps” for your project? Or, what’s the “this-meets-that”? Potential investors are always looking for the next big idea, and if your project aligns with past box office success in terms of story, genre, tone, budget, and more, you’ll be able to win those producers over. Having a Comps Report can provide real industry data to push your sales pitch over the top. Short for “comparable,” comps are films similar to your project that prove you have a viable idea to investors. So why can’t you pick a box office success as your comp and call it a day? Because it takes more than knowing titles. You need to understand different markets, different platforms, why those comparable films did well in some areas and not others, and more. An unrealistic report can even do more harm than good by driving away the people who could help your film produced. To walk you through creating your comp report is Bruce Nash, founder and President of Nash Information Services, LLC., the premier provider of movie industry data and research services, including comp analysis and international sales projects for feature films and real-time tracking of the industry through its OpusData service. Since its launch in 1997, Bruce and his team have served over 1,000 clients, with projects ranging from big-budget Hollywood hits to Oscar-winning dramas to low-budget films from first-time producers. In this webinar, Bruce Nash will teach you what quality analysis is, what comps are and how best to choose them, the four key questions to ask when compiling a comp report, and how to understand today’s market. Bruce will also include where you can find free online tools to help assemble your comp report. Don't miss this chance to learn from one of the best in the business.
Virtual Reality: The Next Frontier of Filmmaking - You've probably heard this mantra from anyone who's ever picked up a VR headset and they aren't necessarily wrong. New forms of media come along once every couple of decades and VR is the latest form to take shape since the advent of online video. If you're interested in learning what goes into the production of a spherical capture and VR you're in the right place! In this Stage 32 Webinar, Zeke Thomas, an executive producer at Ego 360 (clients include: Legendary Pictures, Nerdist Industries, VidCon, Youtube, Outside TV, and Paramount Pictures) will provide an overview of best practices for shooting a 360 video and spherical capture from concept to execution. He will cover the importance of storytelling in immersive environments, how your location will inform your production workflow, and the best way for consumers to interact with your content. Virtual Reality/spherical capture is a relatively new form of media that is being adopted by consumers at an incredible rate. If you're interested in throwing your hat in the ring, take advantage of Zeke's knowledge to learn about what works and what doesn't for immersive experiences. As an executive producer at Ego 360 and VR your host, Zeke has guided, budgeted, and executed a multitude of projects in immersive storytelling as well as managed client/studio relationships. He has been a filmmaker and storyteller in the digital space since 2007 and continues to produce in both framed and immersive environments.