Philippe Deseck has been involved in the film industry for over twenty years as a Stunt Performer and Stunt Coordinator earning him a Screen Actors Guild Nomination for outstanding performance by a stunt ensemble in motion picture Shang-Chi and the Legend of the Ten Rings. Having worked on nearly 50 films & TV shows, some of his notable credits include Street Fighter, The Chronicles of Narnia: The Voyage of the Dawn Treader, Killer Elite, Spartacus, San Andreas, Kong Skull Island, Pirates of the Caribbean: Salazar’s Revenge, The Meg, Aquaman, Mortal Combat, The Tidings for Netflix and his SAG Nomination for Shang-Chi and the Legend of the Ten Rings and many more. He is regularly commissioned for major motion pictures to create the Previs where he recreates the live action sequences required in the script of the movie. He has hosted stunt workshops around the world for actors and is dedicated and passionate about a life in film and televison. Full Bio »

Learn everything you need to know about how prep and shoot a world-class action sequence in your films or TV shows from a SAG-nominated stunt performer and coordinator on THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS and more!
Action is a universal language in film.
A well designed and well shot action scene in a movie can define a film and be the most memorable part, whether its Steve McQueen's car chase in BULLITT or Tom Cruise's motorcycle jump in MISSION IMPOSSIBLE - DEAD RECKONING PART ONE. However, film schools tend to shy away when it comes to teaching students on how to shoot an action sequence. It’s either too dangerous, too expensive, stunt coordinators are required, insurance does not cover action sequences, or a myriad of other. reasons. As such, many filmmakers only focus on drama as they do now know how to craft and execute an action sequence in a professional and safe manner. The result is most filmmakers miss out on the opportunity to expand their film making skills when it comes to shooting action. On independent films, more often than not, action is usually the first thing producers will cut out of a script in order to meet their budget criteria.
In this exclusive Stage 32 webinar, stunt performer and coordinator Philippe Deseck will take you through the fundamentals of how to shoot an action sequence like a pro. Philippe has been involved in the film industry for over twenty years as a Stunt Performer and now Assistant Stunt Coordinator. Some of his films include THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS, SAN ANDREAS, KONG SKULL ISLAND, PIRATES OF THE CARIBBEAN: SALAZAR’S REVENGE, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, SHANG-CHI, and many more… In addition to his credits as a Stunt Performer, Philippe is gets involved in directing and editing, giving him expert perspective on how to create masterful action sequences from all sides. His skill has also taken him to performing safety on set and writing safety reports for action sequences. Philippe has also taught action workshops for actors and has taught stage combat at the New York Film Academy in Australia.
Philippe will teach you everything you need to know about shooting action sequences. He will demonstrate the basic fundamentals which can be applied to any action sequence and he will show you how to bridge the gap between a stunt coordinator and a director so they get the most out of every opportunity together. Building productive, effective and trusting relationships is an important part in any filmmaking process and it is critical when it comes to filmmakers and stunt coordinators.
In this information-packed webinar you will learn how to design an action sequence from script to final print on film and how you can collaborate with all relevant departments in order to get the shots required and piece them together to take your audience on a ride they will never forget. You will walk away with a comprehensive understanding of the different filming styles that are used in Hollywood and around the world, and you will get a true sense of how to create the illusion of action safely.
This webinar is a rare opportunity to educate yourself and open your mind to new possibilities of how to design your action sequences, shoot them and have them shown on the silver screen.

An Introduction to Stunts/Action
What are the different hierarchy systems used in Hollywood and Asia
Designing your Action Sequence from Script to Final Product
Filming an Action Sequence
Previsualization
Editing an Action Sequence
How to Practice Shooting Action Sequences
Q&A with Philippe
Philippe Deseck
Q: How do I watch my webinar live?
A: If you received a confirmation that your webinar is on Go to Webinar, you will receive an email from Go to Webinar with further instructions for participating in the live webinar. You can also access your webinar link in your purchase history located under settings in the top right-hand corner of your Stage 32 profile.
If you received a confirmation that your webinar is on Zoom, you will receive a separate email from Zoom with further instructions for participating in the live webinar. Your login link will not be in your Stage 32 profile. If you did not receive your link via Zoom please email support@stage32.com.
Q: How do I watch my webinar on demand?
A: You will be able to watch your webinar on demand as many times as you’d like inside your Stage 32 profile. The recording is processed and posted between 24-48 hours after the webinar concludes. You can follow the instructions below.
YOU MUST HAVE A STAGE 32 PROFILE TO WATCH YOUR VIDEO – STAGE 32 IS FREE TO JOIN
If You Already Have a Stage 32 Profile:
Q: What is the format of a webinar?
A: Stage 32 Next Level Webinars are typically 90-minute educational broadcasts that take place online using a designated software program from Stage 32. Your webinar will be taught by a working industry professional with in-depth teaching on a topic. If you are able to attend live you will be able to ask your Stage 32 Educator questions during Q&A.
Q: What are the system requirements to watch my webinar live?
A: You will need to meet the following system requirements in order to run the webinar software: Windows 7 or later Mac OS X 10.9 (Mavericks) or later.
If you have Windows XP, Windows Vista and Mac OS X 10.9 (Mountain Lion): The webinar software does not support these operating systems. If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. Upgrade your Windows computer / Upgrade your Mac computer.
Q: What if I cannot attend the live webinar?
A: If you cannot attend a live webinar or purchase an on demand webinar, you will have access to the entire recorded broadcast, including the Q&A.
Q: Will I have access to the webinar afterward to re-watch?
A: Yes! Like all Stage 32 education, after the purchase of a live or on demand webinar, you will have on-demand access to the recording.
Q: How do I get a copy of the handouts provided?
A: If the webinar you take included handouts you can find them as downloads underneath your on demand video. You must be logged into your Stage 32 profile to view the video and get the handouts by clicking settings in the top right hand corner, then clicking purchase history.
Q: What if I need accessibility and accommodations?
A: Email support@stage32.com to request accommodations.
Thanks for your loyalty to Stage 32 Education. We value having you in the Stage 32 community.
If you have any further questions, we are always happy to help. Please contact Stage 32 support at support@stage32.com.
So you want to direct. You've been bitten by the filmmaking bug and now all you can think about is making a film. You've got a script (or the concept for one) and have envisioned exactly how you want to see it on the screen. And, now more than ever, with equipment more accessible, the costs of shooting affordable, the barrier of entry lower than it's every been, and the options for distribution growing seemingly by the minute, you know the path from script to screen has never been more viable. We get it. As a director you are the lynchpin of a production and the commander of a creative army in service of your vision. But, in order to truly realize that vision, you have to know everything there is about development, pre-production, physical production, and post production. Even though you can clearly see the film in your mind that's only a small part of the process of being a director. It takes hard work, discipline, and wearing many hats to be able to execute every aspect of developing and filming a movie - and to do it in a way that holds the entire production together. What you do (or don't do) in pre-production will set the tone for the entire shoot, good or bad. How you command the set on the first day will determine whether your cast and crew put forth their best effort or zone out. You have to be cognizant of shooting time/days, your budget, and assuring that your are delivering on every promise. But you're not done when you shout "That's a wrap!" There's still more to do when you get to post-production, working hand in hand with your editor, colorist, sound designer and more. It sounds overwhelming, but we're here to tell you it's not only a manageable environment, but one you can thrive in. Stacia Crawford started as an actress, but had the overwhelming desire to manage and film projects. So, she moved into producing and directing. Last year alone, she had two feature films that premiered on Netflix and Lifetime. With the success of those films, she has been hired to direct two more features this year. Stacia has worked with NBC, The History Channel, A&E, AMC, Spike and more, and has used her experience to make sure she runs a tight and efficient set. She's a pro at managing a project from the script phase through seeing her work on screen and beyond. Stacia will guide you through the entire directing process so you can understand what your responsibilities will be through pre-production, physical production and post-production. She will help you understand what to look for in your contract before you even get hired. She will teach you best casting strategies, how to find and enlist the help of your creative departments, and how to choose the right DP and AD (beyond important!) You'll also learn how to prepare your shot list and how to confidently run your set by learning how to work with actors, producers and your crew and keep them all happy. She'll teach you about your dailies and picking up scenes if the schedule shifts. Finally, she'll take you through post-production and how to work seamlessly and diplomatically with your editor, composer and your color and audio team. You'll be well-armed with all the pertinent and vital information you need to manage every aspect of being a film director. Stacia will remove your anxiety and fears by giving you the tools to succeed, thrive and have your cast and crew looking to work with you again and again. PRAISE FOR STACIA'S TEACHINGS: "If you are thinking of going into the industry it was amazing, hit all the points, and she went above and beyond when she expanded on a lot of her points...like making sure you get your insert shots (which I've been a victim of.). Overall she was great, clear and to the point." - Ryan H. I'm a screenwriter and always wanted to direct, but found the idea of it daunting. Stacia not only lifted my fears, but gave me so many "I can do that!" moments that I'm already kicking myself for not doing it sooner. She's a marvel. - Monica R.
4-PART IN-DEPTH CLASS (OVER 8 HOURS OF EDUCATION) Learn from a professional showrunner who's worked with Norman Lear, the creators of FRIENDS, TBS, Hulu, Sony, and more! For many television writers and creators, becoming a showrunner is the dream job. And the role seems fairly straightforward: deliver quality episodes on time and on budget. But anyone who has been or worked with a showrunner knows that goal is easier said than done. A showrunner must straddle both the creative and business sides of television. They manage the writers’ room, talent, and directors, and they help keep a unified vision of the show while also managing budgets, schedules, the crew, and executives’ expectations. With so much to learn and understand, it seems crazy that most showrunner’s learn the position on the job! But in this exclusive Stage 32 class, you’ll learn everything you need to know about what a showrunner does, how they do it, and how you can excel at it. Over his 30-year entertainment career, John Lehr has worked under amazing showrunners, from legendary Norman Lear to FRIENDS’ creators Kevin Bright, David Crane, and Marta Kauffman. John has also created and served as showrunner on his own series for TBS, Sony, and Hulu. Over four sessions, John will show you what it takes to be a showrunner and, ultimately, everything that goes into making a television series. You’ll cover the differences between creator and showrunner, how seasons and episode budgets differ, overseeing departments so that you’re not micromanaging, handling production setbacks, working with network executives, and more. By the end of these four sessions, you’ll have more information about showrunning than many first-time showrunners. Whether you’re looking to become a showrunner or team up with one for your project, this class is an invaluable opportunity to learn how it’s done from a professional showrunner.
Learn from a producer and financier who has been involved in the production of over 500 hours of content for film and television, with a total production value of over $250 million! As streamers like Max, Netflix, Disney+ and Amazon continue to put a tremendous focus on acquiring quality, star-driven independent films, the opportunities for financing and producing your film between $15-$30MM have never been better, so long as you know exactly where to look and what the path for it is. You'll need to know how to pick the right script, break down every aspect of your budget through distribution, understand distribution options, and how to structure your finance sources to optimize your returns. The best way to get all the information you need is to get support from someone who's done it before, and who better than someone who's worked on over 45 film and television projects with every major studio in town? In this exclusive Stage 32 on-demand webinar, Jeanette Milio shows you the financing and producing side of putting together a film for $15 to $30 million. Jeanette has worked with Netflix, Disney, Warner Bros., Sony, Paramount, HBO, Showtime, and more. She's also produced films starring Academy Award-winning performers, including Halle Berry, Adrien Brody, Forest Whitaker, and Mickey Rourke, and knows how to package a film to attract investors. As a member of the Producer's Guild of America, Women in Film, and the Cannes Film Festival Producer's Network, Jeanette has deep industry knowledge for domestic and international markets at every budget level. Jeanette brings over 25 years of experience in domestic and international productions to this webinar for your benefit. If you have a higher-priced concept and don't want to wait for someone else to give you the green light, then this webinar is what you need to know how to make your production happen. Jeanette will show you how to produce and finance your project using her unique experience with $15 to $30 million budgets and how to get the best return on investment. You'll walk away with handouts from Jeanette to benefit your production, including: Excel Finance Plan Template Sample CAMA (revenue/profit) agreement Sample story rights agreement (option) Sample talent offers for director and cast (pay-or-play) PRAISE FOR JEANETTE'S TEACHINGS: "Jeanette has invaluable knowledge and made me feel like seeing my movie on the big screen was possible." - Phillip F. "Excellent! Jeanette Milio is awesome, She covered every aspect of the process of financing." -Roberta J. "Jeanette is great and is the reason why I took this class. Super helpful in understanding all of the layers that go into financing films." -Jason O. "Jeanette is wonderful! This is my second Seminar with Jeanette, and she gives you all of her experience and knowledge in a clear and precise easy to understand presentation. I love her grasp of the knowledge and the pitfalls to avoid that can tank your movie." -Leemon P. "Tremendous amount of detailed information. Jeanette gave a clear and concise presentation on what concrete steps you need to take in order to secure financing for a film and most importantly how to increase your chances at being a successful producer." -Peter H. "Fantastic information, thorough, well structured, great examples. Jeanette Milio is and enthusiastic and knowledgeable instructor." -Brian M.
Learn everything about the state of the adult animation industry from the Emmy award-winning producer behind ARCHER. Join the webinar and receive exclusive handouts, including scripts from the shows ARCHER, RICK AND MORTY, and BOJACK HORSEMAN. BIG MOUTH, RICK AND MORTY, UNDONE, SOUTH PARK… the demand for adult animation projects has never been hotter. These formats are only becoming more daring and pushing the boundaries of storytelling, visuals, and subject matter. To sell in this market with your adult animated project, you’ll need to understand the industry's current state, where it’s headed, and how to develop a great show that audiences will love. We’re covering all this and more in this exclusive Stage 32 on-demand webinar with industry professional Jeff Fastner. Jeff has worked in the animation industry for over 25 years and has been the Art Director, Producer, and Director at Floyd County Productions for 14 years. You’ll recognize Jeff’s work best in the hit FX series ARCHER, which nabbed him a Primetime Emmy Award for his work on the 7th season as a producer. Recently, he completed work on his first feature film, AMERICA: THE MOTION PICTURE, now streaming on Netflix, and served as Supervising Director and Producer for an installment of the FXX anthology series CAKE. He is currently developing and producing a new project for FX Networks. In this webinar, Jeff will cover the different styles, formats, and demographics of adult animation, as well as the key elements you must consider when developing and pitching your project. Jeff also covers the animation software you need, how to hire the right artists for your vision, current trends in the adult animation marketplace, and more. You’ll even discuss how to produce your project cost effectively by working globally to make your project more appealing to buyers. Learn from Jeff and his decades of animation experience exclusively here on Stage 32 as you develop your adult animated project and discover the best way to produce your project in today’s market. PRAISE FOR JEFF'S ENTERTAINMENT EXPERIENCE AND KNOWLEDGE: “What Jeff Fastner does not know about making cartoons is not worth knowing. In the past few years alone, he has co-directed a major motion picture for Netflix, produced an award-winning TV show for FX, and art-directed multiple animated sequences for Hulu. His success is based on years of hard earned experience that gives him the knowledge to do any job up and down the pipeline. But his secret weapon is the kindness he displays in managing those on his team, making each artist better through his clear and thoughtful direction.” -- Matt Thompson Executive Producer and Owner of Floyd County Productions
If you're a filmmaker, producer or any creative/professional looking to incorporate music into your film & television, advertising or digital project, you'll need to understand the basics steps of how to secure the rights for the music you desire to use. From well known hit songs from major recording artists, to indie bands, to public domain, to original compositions and cover songs of historical and iconic music hits, you need to be armed with all the knowledge of clearing the rights to that music for your project to protect yourself legally and in order for it to play at festivals, screen theatrically, stream on the internet or be released on DVD/VOD. The memorable song you heard on the internet. You can't get it out of your head. You would so love to use it in your opening credits. Is it available to be used and licensed if you want to screen your film theatrically? What type of rights will you need to obtain if you plan on distributing your project globally? What about that jukebox song your editor temped into the background during one of your bar scenes - is that okay to use? And for how much will the licensing fee be for the rights you need? (You may just be surprised to the upside!) These are just some of the need to know details and nuances you need to know to be sure you can secure the music that can make or break your film, but also protect yourself legally. Anna Grannucci, a Los Angeles-based film producer and Yale School of Drama graduate who has more than a decade of experience working as the Music Supervisor on films such as WHIPLASH (nominated for 5 Academy Awards, winning 3), written and directed by Damian Chazelle, STICKY NOTES starring Ray Liotta, GHOST HOUSE, DIRTY, UZLA, KISS ME and many more. She currently owns song copyrights, and has become a beckoning music publisher which includes controlling the music rights to WHIPLASH. She has also recently collaborated with the Academy Award Winning Italian Maestro Ennio Morricone and his son Andrea Morricone on musical material for film in Rome, Italy. With her vast experience in producing and music, she is the go-to source when it comes to music clearances. Anna will teach you a variety of valuable information starting with the types of other source music available for film, television, advertising, video games and every other digital media source, which also includes public domain music, royalty free, original composition, and score. You will learn how to gauge what songs are licensable or not for use in your film or project. Once you've chosen your music, you will learn music rights, the clearance process, the difference between festival, theatrical, DVD/VOD and advertising clearances and more! You will have a clear understanding of how to obtain and clear music to assure the key moments in your project have the feel and sound you desire and make your film's soundtrack a memorable success! PRAISE FOR ANNA'S TEACHINGS: "Very good breakdown of how to clear music for your film. Thanks for your time and wealth of expertise Anna!" -- Gershom H
Work Directly With An International Producer & Berlinale veteran to perfect your Berlinale pitch! Only 4 Spots Still Available - Grab Your Spot Now You've bought your Berlinale pass and created your pitch deck, but how confident are you with your verbal pitch? Berlinale moves fast. Distributors, investors, and producers have meetings scheduled back to back. You need a compelling verbal pitch that sells you and your project in under five minutes. In this exclusive 2-part Stage 32 workshop, a select group of only 10 attendees will work one-on-one with international producer/distributor Alexia Melocchi to craft your perfect five-minute pitch. Alexia has had recent distribution projects with clients like Lionsgate, STX, Lakeshore, TF1, The Asylum and Mister Smith, and projects such as ANNA, PEPPERMINT, THE BOY 2, and SHAUN THE SHEEP. Alexia has placed over 100 titles in the last 5 years. In the first session, Alexia will work with each attendee and offer feedback to strengthen their pitch. In the second session, a few days before Berlinale, each participant will pitch Alexia again, having honed and made their pitches stronger and more effective with her guidance. If you've spent the time and expense to attend The Berlin Film Festival, you do not miss this rare opportunity to make sure your five minute pitch sells you and your project effectively. Check out the recent success story from Alexia's AFM pitching class that resulted in a member getting financing here! Praise for Alexia's Previous Stage 32 Education: "Really great. Actually useful, practical advice. Wasn't full of bullshit platitudes, Alexia shot straight with us." - Max W. "Alexia did a fantastic job of making it all relatable and cutting through the noise." - Clint G. "Alexia is clearly very experienced & she is so gracious in sharing her wisdom with all of us. I'm truly grateful that you all put on this class!" - Becca G.