Philippe Deseck has been involved in the film industry for over twenty years as a Stunt Performer and Stunt Coordinator earning him a Screen Actors Guild Nomination for outstanding performance by a stunt ensemble in motion picture Shang-Chi and the Legend of the Ten Rings. Having worked on nearly 50 films & TV shows, some of his notable credits include Street Fighter, The Chronicles of Narnia: The Voyage of the Dawn Treader, Killer Elite, Spartacus, San Andreas, Kong Skull Island, Pirates of the Caribbean: Salazar’s Revenge, The Meg, Aquaman, Mortal Combat, The Tidings for Netflix and his SAG Nomination for Shang-Chi and the Legend of the Ten Rings and many more. He is regularly commissioned for major motion pictures to create the Previs where he recreates the live action sequences required in the script of the movie. He has hosted stunt workshops around the world for actors and is dedicated and passionate about a life in film and televison. Full Bio »

Learn everything you need to know about how prep and shoot a world-class action sequence in your films or TV shows from a SAG-nominated stunt performer and coordinator on THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS and more!
Action is a universal language in film.
A well designed and well shot action scene in a movie can define a film and be the most memorable part, whether its Steve McQueen's car chase in BULLITT or Tom Cruise's motorcycle jump in MISSION IMPOSSIBLE - DEAD RECKONING PART ONE. However, film schools tend to shy away when it comes to teaching students on how to shoot an action sequence. It’s either too dangerous, too expensive, stunt coordinators are required, insurance does not cover action sequences, or a myriad of other. reasons. As such, many filmmakers only focus on drama as they do now know how to craft and execute an action sequence in a professional and safe manner. The result is most filmmakers miss out on the opportunity to expand their film making skills when it comes to shooting action. On independent films, more often than not, action is usually the first thing producers will cut out of a script in order to meet their budget criteria.
In this exclusive Stage 32 webinar, stunt performer and coordinator Philippe Deseck will take you through the fundamentals of how to shoot an action sequence like a pro. Philippe has been involved in the film industry for over twenty years as a Stunt Performer and now Assistant Stunt Coordinator. Some of his films include THE MEG, AQUAMAN, MORTAL COMBAT, STREET FIGHTER, KILLER ELITE, SPARTACUS, SAN ANDREAS, KONG SKULL ISLAND, PIRATES OF THE CARIBBEAN: SALAZAR’S REVENGE, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER, SHANG-CHI, and many more… In addition to his credits as a Stunt Performer, Philippe is gets involved in directing and editing, giving him expert perspective on how to create masterful action sequences from all sides. His skill has also taken him to performing safety on set and writing safety reports for action sequences. Philippe has also taught action workshops for actors and has taught stage combat at the New York Film Academy in Australia.
Philippe will teach you everything you need to know about shooting action sequences. He will demonstrate the basic fundamentals which can be applied to any action sequence and he will show you how to bridge the gap between a stunt coordinator and a director so they get the most out of every opportunity together. Building productive, effective and trusting relationships is an important part in any filmmaking process and it is critical when it comes to filmmakers and stunt coordinators.
In this information-packed webinar you will learn how to design an action sequence from script to final print on film and how you can collaborate with all relevant departments in order to get the shots required and piece them together to take your audience on a ride they will never forget. You will walk away with a comprehensive understanding of the different filming styles that are used in Hollywood and around the world, and you will get a true sense of how to create the illusion of action safely.
This webinar is a rare opportunity to educate yourself and open your mind to new possibilities of how to design your action sequences, shoot them and have them shown on the silver screen.

An Introduction to Stunts/Action
What are the different hierarchy systems used in Hollywood and Asia
Designing your Action Sequence from Script to Final Product
Filming an Action Sequence
Previsualization
Editing an Action Sequence
How to Practice Shooting Action Sequences
Q&A with Philippe
Philippe Deseck
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Budgets, Cash Flows and Cost Reports, oh my! Have you ever looked at one of these documents and just seen numbers? Have you ever tried to fill out tax incentive pre-qualification form and been overwhelmed? All of these things can be confusing for any filmmaker, whether you're a seasoned veteran or doing them for the first time. They are documents every project uses but most people don’t know how to read them, never mind make them. We're here to help make this easier for you as a filmmaker. Stage 32 is thrilled to bring you the previously-recorded 2 part class: Navigating a Film's Financials: Budget, Cash Flows & Cost Reports taught by award-winning line producer, Maura Anderson. Maura takes you in depth on the financial side of a film; learn how to create a budget and cash flow, navigate cost reports, accounting, tax incentives and more! Maura Anderson production managed Academy Award nominated Winter’s Bone, Sundance nominated On The Ice, Max Winkler's Ceremony starring Uma Thurman, Night Catches Us in competition at Sundance, produced The Innocent Man and Ada Twist, Scientist on Netflix and The Most Dangerous Animal of All on Netflix. PRAISE FOR MAURA'S TEACHINGS: "It's obvious that she is an experienced and working UPM/Producer. She is a great blend of knowledge and approachability! I really appreciated that she always presented with honesty and sincerity without ever once "bs-ing" Thanks Stage 32, you provided a real pro!” – Michael S. "Terrific! Very informative. Could never have learned this from reading a book. Thanks so much! Will recommend this to others.” – Sherrie S. "Clear and pointed information. A great validation for all the line producers out there. I loved your comment about being a working member of the team and setting the tone for being approachable and a solution-oriented individual. Thank you so much. – Vicky B. "Thanks for a very interesting presentation. It was clearly quite comprehensive and pointed me to things I would likely have forgotten (to my peril). – Daz K.
Learn from and Entertainment & IP Attorney at LaneCrowell LLP, whose client's projects have been on Starz, Nickelodeon, Discovery, TLC and more! Whether you're controlling some valuable intellectual property, looking to secure IP, or simply have a valuable property in the form of a spec script, TV pilot, webseries, digital series, or other filmed material, you are likely going to be confronted with signing or distributing an option agreement. It is imperative that you understand the various types of option agreements and what information should be included to assure that you are not only protecting your material, but yourself legally as well. As the international content business grows, option agreements have become more and more commonplace. It is the vital piece of the paper trail that will ensure you are exercising and getting all your rights as your project gets made. These agreements are designed to protect both sides of a given deal, but can be complicated and sometimes include unnecessary language or clauses that could serve to hold up your content or payment. before you sign on the dotted line, you need to understand what exactly is an option agreement, who has creative control, how much money can be made and what you need to include to protect your rights up front. To help you navigate option agreements is Thomas Crowell is an entertainment and intellectual property attorney and partner at LaneCrowell, LLP. Thomas specializes in working with artists whose work you’ve seen on Sony, Starz, Marvel, DC, IDW Publishing, Discovery, and many more. You won’t be overwhelmed with legal jargon here. Thomas is an expert at showing writers, directors, producers, and more how to understand their agreement and legal options in a tangible way, as seen in his best-selling legal guide for independent producers, The Pocket Lawyer for Filmmakers. After watching this on-demand webinar, you’ll know the difference between shopping agreements, option agreements, and purchase agreements, which one is best for your material or the material you’d like the rights to, understand copyright issues, how to ensure you have exclusivity, and all of the deal points that you’ll need to negotiate. PRAISE FOR THOMAS'S TEACHINGS AT STAGE 32: "Very informative. The best legal/contract class I have ever attended." -Jon C. "Mr. Crowell was truly informative and I appreciated that he covered both sides: Producer and Writer (because I am both)." -Elease P. "Thomas is so clear and precise. I will have to come back many times to be able to absorb all the information. Wonderful and just what I needed." -Prema R. I have taken Thomas's webinars several times over the years through Stage 32 and I have learned so much. From my personal experience, if you ever in need of an entertainment attorney to represent you when you encounter legal issues with your film, he is the attorney you should go to. Thank you, Thomas Crowell for literally saving my behind! -- Joe P.
Learn how you can make a profit from your film for yourself and your investors in this highly acclaimed on-demand webinar with Jeanette Milio, who has been involved in financing over 45 film and television projects! As an independent filmmaker or producer, you probably start working on a new project for creative reasons—the chance to tell an amazing story, build worlds, create something of cultural value. Yet your independent film is not just a creative endeavor; it’s also a business. You’re sourcing financing and bringing in investors, building a team, and creating a property that will (hopefully) ultimately make money. To operate successfully in the world of independent film and continue to make films that you’re proud of, you need to be able to understand the dynamics and the relation between financing, distribution and recoupment of film investments so you and your investors can both leave with a profit. The business side of films is often especially difficult for filmmakers and creative producers, but it's actually more possible than you think. No matter how big or small your film is, there are multiple ways you can find funding and multiple ways you can ultimately create profitability. And while it might not be second nature for creatives, once you get a handle on how to make this process work for you, you will also be able to create a business model that you can apply to your future projects, and eventually a portfolio of profitable assets (or films) that will serve as an effective and undeniable calling card as you continue to grow in the industry. Over twenty-five years and working across three continents, Jeanette Milio has been involved in the production of over 500 hours of content for film and television, with a total production value of over $250 million, and including Academy Award® winning talent in front of and behind the camera. Throughout her career, Jeanette was involved in financing over 45 film and television projects for HBO, Showtime, ABC, USA Network, Disney, Lionsgate, Sony Pictures, Warner Bros., and others. Jeanette also managed a media fund for Far East National Bank, which funded 40 film and television projects, which lead to her structuring her own media fund that financed theatrical features with a production volume of $60 million. Jeanette’s decades working and finding success in the film industry has given her a unique and unrivaled perspective of how to finance film content and make a profit. Exclusively for Stage 32, Jeanette will give a realistic, accessible, and straightforward presentation of the best way to actually finance your film and make a profit in today’s market. She’ll go over the differences between the studio finance model and independent finance model and then delve into how distribution can work best for you and how you can take advantage of more options than you think. Jeanette will also lay out how you can establish profitability for your film by explaining the essential ingredients necessary for a profit, going over how to create a budget and teaching you how you can best align your interests with the investor’s. Jeanette will break down the financial sources available today and give you tips on how you should be balancing multiple sources and mitigate risks for investors at the same time. She’ll even walk you through the complicated “waterfall” process of recoupment. Financing your film is more possible than you might think, even if you’re just getting started, and Jeanette will give you the tools and confidence to be able to take the necessary steps for your own project. PLUS: Jeanette will provide exclusive and helpful documents to take home with you after, including: Collection Account Management Agreement Example Pay or Play Offer Draft Finance Plan Template for Microsoft Excel Praise for Jeanette's Stage 32 Webinar: “This was an excellent overview of all that is involved, and a great encouragement to reach out to people who do this kind of thing for a living, instead of trying to do it by myself for the first time.” - Sarah D. “Jeanette was so detailed about the how to's and why you need to take and research every step. I love getting the details that really feel behind the curtain.” - Melissa B. “I liked it. Specifically, the content. Jeanette was very informative and clearly knows her stuff.” - Crystal B. “Explanation of pre-sales and budget breakdown was very informative.” - Roc R.
In today's global climate filmmakers need to consider their options for distribution, which ultimately begins at the development phase. While your project is in development, packaging the right talent (actor, director, casting director, etc.) play a huge part in the pre-sales process, and ultimately have a hand in the successful distribution of your project. Distribution changes constantly and there are not many people who have their finger on the pulse like Executive Producer Franco Sama from Samaco Films. Franco has EP'd an impressive array of over twenty (20) independent feature films ranging in the "sweet spot" $5MM and under range, generally releasing 2-3 films each year. We've brought Franco in to teach this exclusive Stage 32 Next Level Webinar on Packaging & Pre-Sales For Film Distribution. In this information packed webinar Franco will go over the entire development process from how to attract A-list talent and the offers they require, how to acquire "must have" international sales estimates, working with vertically integrated distribution companies, breaking down distribution options and much more. This is a go to guide to package with an eye towards distribution!
You’ve probably heard that the secret to good writing is rewriting. Truer words have never been spoken, particularly when it comes to your crafting your second draft. The leap from your first draft to second draft is crucial in producing a compelling and marketable script. It is critical you understand how to approach your second draft as professional writers do to actually elevate your work and move the needle on your film and/or television script getting produced. In this exclusive Stage 32 webinar, you will learn how to identify problems with your script, how to fix those problems, and how to implement third-party notes all in an effort to elevate the second draft of your script. Over the course of 90 minutes, award-winning writer/director/producer Brian Herskowitz will take you through the fundamentals of taking a good script and making it great. Brian has written and produced for both TV and film and has worked on sitcoms, hour series, and feature films. He is a member of the Writer’s Guild of America and the Producer’s Guild of America and has written for over 2 dozen films and televison shows for most major studios. In this detailed webinar, Brian will teach you how to identify what to cut (and when you should cut it), what to add, and whether the script's issues are structural, character, or logic driven. This webinar gives an overview of the rewrite process and offers tools to correct errors and make your second draft SOAR. You will walk away from this webinar with the necessary tools you need to crush the second draft of any script you write so that you see the necessary improvement in your work. Praise for Brian's Teaching & Knowledge: “As a collaborator with Brian and a guest in his class, I am hugely impressed with his screenwriting knowledge. I heartily recommend him and his course.” - Jason Alexander (Seinfeld, Pretty Woman, Listen Up) "I have a master's degree and a doctorate, Brian is by far the most caring and best teacher I have ever had." - Alan J. "The course was everything I needed and then some. An excellent course." - Katie R. "Mr. Herskowitz is very knowledgeable, patient, and superb at discerning problems and helping us solve them." - Sandra O. "A solid course in which I felt I had learned a LOT by the time it was over." - Peter L.
Robert McKee returns to Stage 32 with The Secret to Writing Compelling Characters - a rare online teaching appearance exclusive to Stage 32! Since 1984, more than 100,000 students have taken McKee’s courses in various cities around the world and now, exclusively for the 3rd time on Stage 32, Robert McKee is back and better than ever with a Masters of Craft webinar teaching you The Secret to Writing Compelling Characters. McKee’s former students include over 60 Academy Award Winners, 200 Emmy Award Winners, 1,000 Emmy Award Nominees, 100 WGA (Writers Guild of America) Award Winners, 250 WGA Award Nominees, 50 DGA (Directors Guild of America) Award Winners, and 100 DGA Award Nominees. In this exclusive Stage 32 Masters of Craft webinar, Robert McKee teaches the principles of character creation and dimension, characterization and the secret to writing complex protagonists, providing you the tools needed to construct compelling characters that will fascinate your audience. Robert McKee, a Fulbright Scholar and member of the Hollywood Hall of Fame, is the most sought after writing lecturer around the globe. He has dedicated the last 35 years to educating and mentoring screenwriters, novelists, playwrights, poets, documentary makers, producers, and directors internationally. Those who have learned from McKee have called him “the Aristotle of our time” (Quincy Jones, Ed Saxon, Steve Pressfield to name a few) because of his insight into the substance, structure, style, and principles of the grand art of story. Peter Jackson (writer/director THE LORD OF THE RINGS, THEY SHALL NOT GROW OLD) lauds him as “The Guru of Gurus.” For the creatives at Pixar (TOY STORY, FINDING NEMO, UP, INSIDE OUT), McKee’s Story Seminar is a rite of passage.