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We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots. That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story. After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots. Full Bio »
We're back in the Writers' Room for the first Breakdown Webcast of 2021! At some point we have heard a note that “your story feels flat" or "your second act is weak" or "this won’t sustain for 100 minutes." If that is the case, there is a good chance that you have an underdeveloped (or perhaps no) B-Stories or Subplots.
That is why we will be breaking down story structure to find out exactly what B-Stories and a Subplots are, and how we can incorporate them into our writing. Using clips from INCEPTION, BACK TO THE FUTURE, and DIE HARD, we'll examine how the B-Stories and Subplots of these narratives help drive the second act and create a more impactful story.
After the webcast, make sure to head on over to the Private Lounge to discuss your thoughts on the best B-Stories and Subplots.
The Breakdown
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"Great session, Jason! I can directly apply this the screenplays I'm working on! So helpful!" - Martha C.
"Thank you, Jason! This was wonderful!" - Monica M.
"Thank you! Interesting as always." - Brent B.
We’re back in the Writers’ Room for the Breakdown with Brandon Gale (Producer/Script Coordinator). We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Brandon breaks down OCEAN'S ELEVEN.
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We’re back in the Writers’ Room for the Breakdown with Marla Sokoloff. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Marla breaks down their script of THE MERRY GENTLEMEN.
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Show, don't tell! We take a look at how screenwriters use silence in the horror film A QUIET PLACE, the caper film THE DEPARTED, the action-drama DRIVE, and the adventure of LORD OF THE RINGS.