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We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here. During the webcast we discuss: The introduction and setup of the main and secondary characters The structure of Episode 1 and why it works perfectly to establish the foundation for the series How tone and theme are captured in Episode 1 Why THE QUEEN'S GAMBIT may be based on a novel, but the structure can be applied to any fiction pilot How to apply these principles to your own writing Full Bio »
We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series.
During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here.
During the webcast we discuss:
The Breakdown
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We're back in the Writers Room this afternoon for The Breakdown Webcast with Producer and Writer, Nick Waters. Nick Waters is a Producer and Writer of the horror film, MARGAUX starring Vanessa Morgan and Madison Pettis, currently in post production at Paramount Pictures. Nick is also Producing a comedy with Chloe Grace Moretz, and a psychological thriller he wrote and is producing with a top horror company. Nick produced the horror feature SHELTER IN PLACE in 2020 with The Komack Company - the producers of DEADPOOL and VAN WILDER. He continues to develop other projects to bring to that company. Nick is currently directing and producing a documentary with some of the world's top ballroom dancers. Prior to transitioning into Producing, Nick was in front of the camera as an actor - bringing with him valuable relationships with talent and filmmakers.
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
We’re back in the Writers’ Room for the Breakdown with Erin Conley. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Producer/Writer Erin Conley breaks down her second season episode of SHADOW AND BONE.
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.
We're kicking off the final month of 2020 in the Writers' Room with a another member-inspired Breakdown Webcast! This month we will be talking about writing Theme in your feature scripts. Every well-conceived and executed story will have a theme, which is the "controlling idea", underlying essence, or deeper meaning of film script. And yet, because themes are often buried deep within a story’s structure, it can be hard to articulate or even recognize them. That is why we will be breaking down story structure to find out exactly which scenes typically explore theme. As always, we will be utilizing scenes from some of our favorite films to discuss how they handle theme. We pull clips from classics such as Jurassic Park, Shawshank Redemption, The Exorcist, Saving Private Ryan, and more!
Toph Eggers is a screenwriter and author with 15 years of experience as a working writer. He's had scripts optioned by Montecito Picture Company for Paramount Pictures. He is also the screenwriter of the Fox Searchlight project, "THE THREE NIGHT STAND".