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Lauren Schuker Blum and Rebecca Angelo, a pair of former Wall Street Journal reporters who adapted Ben Mezrich‘s book The Antisocial Network. Schuker Blum and Angelo have been writing together since their time on the Netflix series Orange Is the New Black, and they were eager to share the story of how they fell down the GameStop rabbit hole and hustled to get this star-studded movie made. Full Bio »
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
The Breakdown
Lauren Schuker Blum and Rebecca Angelo, a pair of former Wall Street Journal reporters who adapted Ben Mezrich‘s book The Antisocial Network. Schuker Blum and Angelo have been writing together since their time on the Netflix series Orange Is the New Black, and they were eager to share the story of how they fell down the GameStop rabbit hole and hustled to get this star-studded movie made.
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Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.
We’re back in the Writers’ Room for the Breakdown with Kay Ross. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Kay breaks down TO ALL THE BOYS I'VE LOVED BEFORE.
We're back in the Writers Room this afternoon for The Breakdown Webcast with Tim Ogletree Tim Ogletree is a producer and screenwriter. Most recently, his original screenplay FANTASY FOOTBALL was acquired by Lebron James’ SpringHill Entertainment and produced alongside Nickelodeon and Genius Entertainment. Shot on a budget of $26M, Fantasy Football stars Marsai Martin, Kelly Rowland, and Omari Hardwick, and is currently streaming on Paramount+. Tim wrote the sci-fi action film DEAD ZONE for Automatic Entertainment, now streaming as a Tubi Original. Previous to that, he produced the...
Dramedy is a compelling genre to write because many argue it best captures the realities of life. There are comedic moments in some of the most tragic of times and dramatic moments that give way to levity. During the webcast, we examine some of the most critically and commercially successful dramedies - including "FLEABAG", PARENTHOOD (1989), THE BIG SICK, and SILVER LININGS PLAYBOOK to understand why they work so well. We also discuss ways in which you can develop your characters and narratives so that your dramedy is as authentic as possible.
We're back in the Writers' Room for the The Breakdown Webcast: Breaking Down "The Queen's Gambit" Pilot Script. "The Queen's Gambit" was watched by a staggering 62 million households in the first 28 days of release and won 15 awards, including the Golden Globe for Best Television Limited Series. During the webcast we break down the first episode of the series using excerpts of the book and the teleplay, as well as clips from the episode. Download Episode One of "The Queen's Gambit" by clicking here. During the webcast we discuss: The introduction and setup of the main and secondary characters The structure...
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as...
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