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Lauren Schuker Blum and Rebecca Angelo, a pair of former Wall Street Journal reporters who adapted Ben Mezrich‘s book The Antisocial Network. Schuker Blum and Angelo have been writing together since their time on the Netflix series Orange Is the New Black, and they were eager to share the story of how they fell down the GameStop rabbit hole and hustled to get this star-studded movie made. Full Bio »
We’re back in the Writers’ Room for the Breakdown with Lauren Schuker Blum & Rebecca Angelo breaking down DUMB MONEY: THE GAMESTOP SAGA! This is a unique adaptation so join us as Lauren and Rebecca breakdown their script!
The Breakdown
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We love to hate them...or hate to love them! We're kicking off another month of a packed Writers' Room schedule with the Breakdown Webcast: Antagonists! During one of our character building webcasts, we noted that many of our examples of great characters, were characters who we traditionally see as antagonists! So let's dig in and really explore what makes these baddies so good. Stories need conflict, certainly, but conflict doesn't have to come at the hands of a cackling, mustache-twirling supervillain. There's more than one way to shape your story's antagonist! During this webcast we'll discuss 4 types of antagonists, 6 ways in which to develop a well-rounded and authentic antagonist, how to intrude your antagonists and explore our favorite antagonists from film and television, and a whole lot more!
We're back in the Writers Room for The Breakdown Webcast: Special Summer Series: Developing a Healthy Mindset for Screenwriters with Special Guest Jasmin Bristow, Mindfulness and Emotional Wellness Coaching. Join us as we finish our summer series with Dr. Debra Holland, Psychotherapist, and New York Times and USA Today bestselling authorA writer’s life has its own special stresses, especially dealing with rejection, the criticism of our heartfelt work, and juggling a fluctuating (and often low) income. Dr. Debra will present strategies for boosting mental health and enhancing motivation. All are welcome!
Flashbacks are not meant to be a storytelling crutch, but rather a tool used to reveal additional backstory or subvert the audiences expectation of a character or situation. We will examine Casablanca, The Usual Suspects & Casino Royale.
We're kicking off the first Writers' Room of 2020 with a deep dive into antiheroes - one of the most difficult character types to write. During this supersized 90 minute webcast, Director of Script Services, Jason Mirch explores the complexities of characters from some of our favorite films and television series including Joker, Kill Bill, The Social Network, The Irishman, "Fleabag", "The Sopranos", "Sherlock" and more to find out what makes them tick...and why we love them. We discuss the how screenwriters craft compelling antiheroes and I will give you specific types of antiheroes to consider when writing as well as tips on how to write them!
We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department. After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television. PRAISE FOR WILL'S LESSONS: "Thanks, Will, for your insights and time! And thank you Kay!" -Martha C. "Thank you, Will. Incredible. Just incredible." -Reenita H. "That was fabulous. Thank you Will!" -Becky B. "Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
Writers can't rely on jump-scares and creepy music, so how do screenwriters create tension on the page? We'll take a look at needling suspense of THE BABADOOK, the tension just below the surface in GET OUT, the apocalyptic horror of “The Walking Dead”, and the creeps and chills of IT.