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Nick Phillips is Stage 32's Executive Liaison and has worked as a studio executive, an award-winning producer & filmmaker. His career in the entertainment industry spans nearly three decades, working on some of the most iconic films of our time across all genres and formats. Most recently, Nick was Head of Production for prolific producer Yale Entertainment. While there, he produced four films – BUCKY F*CKING DENT, written and directed by and starring David Duchovny; ALL YOU NEED IS BLOOD, with Mena Suvari; THE FOG OF WAR with John Cusack and Mira Sorvino; and BARRON'S COVE, starring Garrett Hedlund, Stephen Lang, Brittany Snow, and Hamish Linklater. Before that, Nick served as the Head of Production for the feature startup studio/streaming platform CreatorPlus. CreatorPlus produced, financed and released two features – JANE, starring Madelaine Petsch, Chloe Bailey, and Melissa Leo (distributed by Blue Fox Entertainment) and DIAMOND IN THE ROUGH. He also executive produced a slate of five short films as part of CreatorPlus’ Flip The Script Short Film Program. Nick co-founded and served as Executive Vice President of Revolver Picture Company, a fully financed independent production label in conjunction with Kelly Wagner Osborne. While at Revolver, Nick produced HAUNT with Jacki Weaver and Ione Skye; the award-winning BENEATH with Jeff Fahey (both released by IFC Midnight) and DEVIL'S BACKBONE TEXAS for Fox Digital Studios. Revolver’s last feature, PET, starred Dominic Monaghan, Ksenia Solo, and Jennette McCurdy and premiered at the SXSW Film Festival and was released through Samuel Goldwyn Films. Revolver also co-produced and co-financed the horror reality series Fight of the Living Dead for YouTube Red, which ran for three seasons. Nick also produced two seasons of the series The Real Bros of Simi Valley for Studio 71 and Facebook Watch, and he produced season one of the short-form series Mr. Mom for MGM and VUDU. He also produced season one of the series ALT for Gunpowder + Sky. Nick started his career in New York City at Miramax/Dimension Films as the Vice President of Development & Production where he was involved in such franchises as SCREAM, HALLOWEEN, HELLRAISER, DR. STRANGE, WEREWOLF BY NIGHT, HIGHLANDER and THE CROW. He appeared on Season 3 of Project Greenlight, helping shepherd the film Feast through production and launching a new franchise in the process. Nick went on to work for Sony Pictures Entertainment Senior Vice President of Development & Production where he worked on successful sequels to 30 DAYS OF NIGHT and VACANCY and transitioned over to a role at Sony Screen Gems, where he oversaw a slate of films including STRAW DOGS, THE CHRISTMAS, and COUNTRY SONG. Nick is a prolific producer bringing all types of stories and formats to screen and loves working with writers to develop great stories that can get made. Full Bio »
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We’re back in the Writers’ Room for the Script Breakdown with Nick Phillips. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Nick breaks down the iconic script, The Godfather.
Director of Script Services Jason Mirch dissects scenes from some of our favorite films and TV series including Bad Times at the El Royal, "Game of Thrones", The Sting, The Sixth Sense, and more! During this webcast, Jason discusses how screenwriters craft compelling plot twists and how you can use the principles in your own writing. We will also discuss practical tips and ideas on how you can create a twist that is worthy of a, "Whoa!" instead of a "huh?"
Love is in the air in the Writers' Room! We are kicking off a brand new month this week with the Breakdown Webcast: Writing Romantic Comedies! Jason was speaking with a Senior Vice President of Development at an A-List production company who said, "Every studio executive is asking me for Rom Coms!" If you look at recent trends, it is clear they are on a come back. We will break down the beats of a Romantic Comedy so that you as a writer approach writing without falling into the trap of tired cliches. We will also explore how to take the storytelling conventions and turn them on their head. We will examine films and series including When Harry Met Sally, 500 Days of Summer, The Apartment, Knocked Up, What Women Want and more to find out what makes these projects work and how we can apply those same principles to our writing!
During this Breakdown Webcast, Megan will discuss self producing your work and why it’s a good idea! Meghan was a staff writer on HBO’s Emmy-Nominated comedy series, "SILICON VALLEY". Her work has also appeared on Cartoon Network’s "POWER PLAYERS".
We’re back in the Writers’ Room for the Breakdown with Michael Kaplan. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Michael breaks down their episode of FRASIER.
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).