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Danny Alexander works in the TV literary department at IAG, working directly with writers such as John Carpenter (Halloween), Derek Kolstad (John Wick) and Mike Le (upcoming Patient Zero with Natalie Dormer and Stanley Tucci). Danny Alexander is an Agent in the Literary department at IAG (formerly APA), one of the largest diversified talent agencies in the industry. IAG’s Television Literary department represents the creative and business interests of award-winning showrunners, writers, directors, and intellectual properties across all media platforms. Following his graduation from Indiana University in 2012 where he majored in Political Science and Economics, Alexander joined IAG’s mailroom in 2013 before working as an assistant and then coordinator in the Television Literary department, prior to his promotion to Agent in 2018. With a primary focus on staffing writer clients on series and helping guide their respective development projects to fruition, Alexander also works across the agency’s Talent, Alternative & Factual Programming, and Physical Production departments in securing intellectual properties, development and acquisition. Full Bio »
We’re back in the Writers’ Room for the Executive Hour with special guest Danny Alexander, TV Literary Agent at Independent Artist Group. Prepare to delve into Danny's captivating journey and wealth of experience, as he generously imparts invaluable advice, all while eagerly responding to the burning questions YOU bring to the table. Don't miss this exclusive opportunity to gain insights and inspiration from a seasoned professional in the industry!
The Executive Hour
Danny Alexander works in the TV literary department at IAG, working directly with writers such as John Carpenter (Halloween), Derek Kolstad (John Wick) and Mike Le (upcoming Patient Zero with Natalie Dormer and Stanley Tucci). Danny Alexander is an Agent in the Literary department at IAG (formerly APA), one of the largest diversified talent agencies in the industry. IAG’s Television Literary department represents the creative and business interests of award-winning showrunners, writers, directors, and intellectual properties across all media platforms.
Following his graduation from Indiana University in 2012 where he majored in Political Science and Economics, Alexander joined IAG’s mailroom in 2013 before working as an assistant and then coordinator in the Television Literary department, prior to his promotion to Agent in 2018. With a primary focus on staffing writer clients on series and helping guide their respective development projects to fruition, Alexander also works across the agency’s Talent, Alternative & Factual Programming, and Physical Production departments in securing intellectual properties, development and acquisition.
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"Thanks, Danny, Amanda, Kay, Stage 32 for another great executive hour!" -Martha C.
"Thanks Danny for your perspective on a crazy life." -Debbie J.
We’re back in the Writers’ Room for the Executive Hour with special guest Colleen Labella (Shoot to Midnight). Prepare to delve into Colleen's captivating journey and wealth of experience, as he generously imparts invaluable advice, all while eagerly responding to the burning questions YOU bring to the table. Don't miss this exclusive opportunity to gain insights and inspiration from a seasoned professional in the industry!
We're back in the Writers' Room for the Executive Hour Webcast with HBO Max Drama Development Executive Ashlie Sapiro. Ashlie Sapiro is the manager of original content at HBOMax, focusing primarily on Drama series. A lover of all character dramas and stories that defy genre and type, she is currently working on the upcoming Lena Dunham produced series "GENERATION", the reboot of "PRETTY LITTLE LIARS" with Roberto Aguierre Sacasa, "DOOM PATROL" and "TITANS" from the DC Universe, and the pilot for the beloved book, "RULES OF MAGIC". Ashlie started her career working at CAA in the TV...
We're back in the Writers' Room for the Executive Hour Webcast with Greer Stanley at 3dot Productions, Liza Chasin’s production company. The company has a First Look development deal with Netflix for features and Endeavor Content for Television Series. Greer developed the hit Paramount film THE LOST CITY with Sandra Bullock, Channing Tatum, and Brad Pitt, as well as the Netflix limited series "ANATOMY OF A SCANDAL" with alongside David E. Kelley.
We’re back in the Writers’ Room for the Executive Hour with special guest Luke Kelly-Clyne (HartBeat Independent). Prepare to delve into Luke’s captivating journey and wealth of experience, as he generously imparts invaluable advice, all while eagerly responding to the burning questions YOU bring to the table. Don't miss this exclusive opportunity to gain insights and inspiration from a seasoned professional in the industry!
We're back in the Writers' Room for the Executive Hour Webcast with Netflix Script Analyst Michael Schulman! Michael Schulman is a Feature Story Analyst for Netflix as part of its Independent Original Film Division, and his job revolves around evaluating feature screenplay submissions and deciding which ones to pass up to the executives to consider. Prior to his role at Netflix, Michael spent nearly a decade in the story department at CAA where he found projects for CAA clients. Over his storied career, Michael also served as an agent at ICM’s Motion Picture Literary Department and held numerous studio creative...
This week Jason welcomes screenwriter Tripper Clancy, who wrote the summer's smash comedy hit, Stuber for 20th Century Fox! Tripper went on to write comedies and dramas of all shapes and sizes for Columbia Pictures, 20th Century Fox, Amazon, Netflix, MGM, Fox Animation, Paramount Animation, and Hasbro. He recently adapted the New York Times’ bestselling novel, The Art of Fielding, and writes on Season One of "I Am Not OK With This", a half-hour show for Netflix and is currently developing a series with Quibi. During the webcast, Tripper talks about finding an agent, selling and developing Stuber...
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