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Nick Phillips is Stage 32's Executive Liaison and has worked as a studio executive, an award-winning producer & filmmaker. His career in the entertainment industry spans nearly three decades, working on some of the most iconic films of our time across all genres and formats. Most recently, Nick was Head of Production for prolific producer Yale Entertainment. While there, he produced four films – REVERSE THE CURSE, written and directed by and starring David Duchovny; ALL YOU NEED IS BLOOD, with Mena Suvari; THE FOG OF WAR with John Cusack and Mira Sorvino; and BARRON'S COVE, starring Garrett Hedlund, Stephen Lang, Brittany Snow, and Hamish Linklater. Before that, Nick served as the Head of Production for the feature startup studio/streaming platform CreatorPlus. CreatorPlus produced, financed and released two features – JANE, starring Madelaine Petsch, Chloe Bailey, and Melissa Leo (distributed by Blue Fox Entertainment) and DIAMOND IN THE ROUGH. He also executive produced a slate of five short films as part of CreatorPlus’ Flip The Script Short Film Program. Nick co-founded and served as Executive Vice President of Revolver Picture Company, a fully financed independent production label in conjunction with Kelly Wagner Osborne. While at Revolver, Nick produced HAUNT with Jacki Weaver and Ione Skye; the award-winning BENEATH with Jeff Fahey (both released by IFC Midnight) and DEVIL'S BACKBONE TEXAS for Fox Digital Studios. Revolver’s feature, PET, starred Dominic Monaghan, Ksenia Solo, and Jennette McCurdy and premiered at the SXSW Film Festival and was released through Samuel Goldwyn Films. Revolver also co-produced and co-financed the horror reality series Fight of the Living Dead for YouTube Red, which ran for three seasons. Nick also produced two seasons of the series The Real Bros of Simi Valley for Studio 71 and Facebook Watch, and he produced season one of the short-form series Mr. Mom for MGM and VUDU. He also produced season one of the series ALT for Gunpowder + Sky. Nick worked for Sony Pictures Entertainment Senior Vice President of Development & Production where he worked on successful sequels to 30 DAYS OF NIGHT and VACANCY and transitioned over to a role at Sony Screen Gems, where he oversaw a slate of films including STRAW DOGS, THE CHRISTMAS, and COUNTRY STRONG. Nick started his career in New York City at Miramax/Dimension Films as the Vice President of Development & Production where he was involved in such franchises as SCREAM, HALLOWEEN, HELLRAISER, DR. STRANGE, WEREWOLF BY NIGHT, HIGHLANDER and THE CROW. He appeared on Season 3 of Project Greenlight, helping shepherd the film FEAST through production and launching a new franchise in the process. Full Bio »
We’re back in the Writers’ Room for the Script Breakdown with Nick Phillips. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Nick breaks down the iconic script, The Godfather.
Our Stage 32 host breaks down produced screenplays focusing on different aspects of writing every webcast. Theme, script structure, scene analysis, what's being conveyed on the page, and so much more are discussed. Join us as Nick breaks down The Godfather.
The Breakdown
Nick Phillips is Stage 32's Executive Liaison and has worked as a studio executive, an award-winning producer & filmmaker. His career in the entertainment industry spans nearly three decades, working on some of the most iconic films of our time across all genres and formats.
Most recently, Nick was Head of Production for prolific producer Yale Entertainment. While there, he produced four films – REVERSE THE CURSE, written and directed by and starring David Duchovny; ALL YOU NEED IS BLOOD, with Mena Suvari; THE FOG OF WAR with John Cusack and Mira Sorvino; and BARRON'S COVE, starring Garrett Hedlund, Stephen Lang, Brittany Snow, and Hamish Linklater.
Before that, Nick served as the Head of Production for the feature startup studio/streaming platform CreatorPlus. CreatorPlus produced, financed and released two features – JANE, starring Madelaine Petsch, Chloe Bailey, and Melissa Leo (distributed by Blue Fox Entertainment) and DIAMOND IN THE ROUGH. He also executive produced a slate of five short films as part of CreatorPlus’ Flip The Script Short Film Program.
Nick co-founded and served as Executive Vice President of Revolver Picture Company, a fully financed independent production label in conjunction with Kelly Wagner Osborne. While at Revolver, Nick produced HAUNT with Jacki Weaver and Ione Skye; the award-winning BENEATH with Jeff Fahey (both released by IFC Midnight) and DEVIL'S BACKBONE TEXAS for Fox Digital Studios.
Revolver’s feature, PET, starred Dominic Monaghan, Ksenia Solo, and Jennette McCurdy and premiered at the SXSW Film Festival and was released through Samuel Goldwyn Films. Revolver also co-produced and co-financed the horror reality series Fight of the Living Dead for YouTube Red, which ran for three seasons.
Nick also produced two seasons of the series The Real Bros of Simi Valley for Studio 71 and Facebook Watch, and he produced season one of the short-form series Mr. Mom for MGM and VUDU. He also produced season one of the series ALT for Gunpowder + Sky.
Nick worked for Sony Pictures Entertainment Senior Vice President of Development & Production where he worked on successful sequels to 30 DAYS OF NIGHT and VACANCY and transitioned over to a role at Sony Screen Gems, where he oversaw a slate of films including STRAW DOGS, THE CHRISTMAS, and COUNTRY STRONG.
Nick started his career in New York City at Miramax/Dimension Films as the Vice President of Development & Production where he was involved in such franchises as SCREAM, HALLOWEEN, HELLRAISER, DR. STRANGE, WEREWOLF BY NIGHT, HIGHLANDER and THE CROW. He appeared on Season 3 of Project Greenlight, helping shepherd the film FEAST through production and launching a new franchise in the process.
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We're back in the Writers Room this afternoon for The Breakdown with Will McCance. Will McCance is currently Vice President of Production for Ian Bryce, producer of blockbusters like SAVING PRIVATE RYAN, ALMOST FAMOUS, the TRANSFORMERS franchise, and most recently Michael Bay's SIX UNDERGROUND for Netflix and the recent hit FINDING 'OHANA for Netflix. At Ian Bryce Productions, Will oversees the company's entire development slate. Will entered the entertainment industry as an Agent Trainee at United Talent Agency, supporting UTA in the Motion Picture Lit group, as well as in the Motion Picture Talent department. After UTA, he moved into development at Original Film's TV department, working on hit shows such as THE BOYS (Amazon) and PREACHER (AMC), as well as on SWAT (CBS) and HAPPY! (Syfy). Will has produced films such as the upcoming LOLA JAMES, starring Nicola Peltz and Oscar-Nominee Virginia Madsen, BERNARD AND HUEY, starring Jim Rash, David Koechner, and Mae Whitman, as well as Belarus's 2018 Oscar selection for Best Foreign Film, CRYSTAL SWAN, along with Vice. He is also a frequent guest lecturer at UCLA's school of Theater, Film, and Television. PRAISE FOR WILL'S LESSONS: "Thanks, Will, for your insights and time! And thank you Kay!" -Martha C. "Thank you, Will. Incredible. Just incredible." -Reenita H. "That was fabulous. Thank you Will!" -Becky B. "Thank you Will, fantastic Breakdown of Succession. Will be re-watching this webinar, then re-watching the pilot and reading the script. Thank you Kaye and Stage 32. Have a lovely week." -Lyndsay S.
Can you use long dialogue blocks effectively? Sure you can! We'll break down the rousing sales rally in THE WOLF OF WALL STREET, the chilling call in TAKEN, the desperate video message in "Breaking Bad", and the moving speech from HIDDEN FIGURES.
Many times in writing our projects do not have a strong enough inciting incident to effectively kick off the narrative. During this webcast we will look at moments everything changed for our protagonists and they were launched on their journey. Every event that happens subsequently will be traced back to this one monumental event. We will examine the inciting incidents of films as well as television shows and explain how they changed the world in an irreversible way. Examples include films such as Monsters Inc., Saving Private Ryan, "The Sopranos," "Breaking Bad," and more!
Love is in the air in the Writers' Room! We are kicking off a brand new month this week with the Breakdown Webcast: Writing Romantic Comedies! Jason was speaking with a Senior Vice President of Development at an A-List production company who said, "Every studio executive is asking me for Rom Coms!" If you look at recent trends, it is clear they are on a come back. We will break down the beats of a Romantic Comedy so that you as a writer approach writing without falling into the trap of tired cliches. We will also explore how to take the storytelling conventions and turn them on their head. We will examine films and series including When Harry Met Sally, 500 Days of Summer, The Apartment, Knocked Up, What Women Want and more to find out what makes these projects work and how we can apply those same principles to our writing!
We're back in the Writers' Room for the Breakdown Webcast: Tackling Tone. Tone is the most elusive element of screenwriting. Particularly because much of the tone of a project is conveyed by much more than just the script. Tone is really the culmination of every artistic and aesthetic choice made during the production process from the screenplay, the angles of the camera, the choices the actors make, cinematography, pacing of a scene, music, costume design, and more. During this webcast, we discuss how to capture tone on the page in ways that you are able to convey a vision that can be interpreted by the other artists who will come to work on the project. We examine some of our favorite films and television series to see how tone was captured on the page and then realized on the screen. We also discuss tips on how you can achieve balance and clarity in your tone.
Nick Waters is a Producer and Writer with the horror film, MARGAUX for Paramount Pictures, a comedy with Chloe Grace Moretz and the horror feature SHELTER IN PLACE. Nick will discuss the 8-Sequence Act Structure for Features!
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