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Based on the Breakdown Webcast by Writers' Room member Stephen Potts, write a pitch for a producer explaining the piece of IP you want to adapt and why. Full Bio »
Based on the Breakdown Webcast by Writers' Room member Stephen Potts, write a pitch for a producer explaining the piece of IP you want to adapt and why.
The Write Now Challenge
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"This was fabulous. Good job everyone" - Becky B.
"Great pitches, everyone!" - Martha C.
Using the Breakdown Webcast: Breaking Down the 3rd Act (in the Vault here) as your guide, identify and pull out the B-stories and/or major subplots from your Feature script and put them in a separate document as a beat sheet.
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!
Most Execs will toss a script if they aren't hooked in the first 5 pages. We challenged you to create or polish a teaser or opening sequence that builds a world, characters, and plot that leave us begging to read more!
The Stage 32 team brings you an exclusive special event you won't find anywhere else! Christopher Lockhart, who works with Denzel Washington, Michelle Williams, Ben Affleck, Matt Damon and more is known around town as the logline whisperer. He will be breaking down effective loglines and will be listening to logline pitches to critique and help yours get better! You don't want to miss this opportunity to learn from an industry heavyweight like Chris, exclusively in the Stage 32 Writers' Room!
When your characters each have their own voice, you should be able to tell them apart by their dialogue alone. We challenged you to write a scene removing all character names and descriptions so that each character is distinguishable by their dialogue alone.
This month you were challenged to write a scene in 3-5 pages that tells a story with no dialogue. The idea is to use character intention, action, obstacles and the scene setting to tell a story.