How do composers work remotely? Not everyone can move to LA or London. Many composers live around the world. Does this limit their chances for US and UK projects for film composers like me? Are most of them stuck doing sync and library music forever? I mean most agents and supervisors is not interested if they are not present in LA or London, right?
Do you guys suggest a work around way for this? or a particular way to navigate the career?
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Not being able to attend events in la, ny, nashville, or atlanta is limiting. networking still needs to be done whatever city your in. If you are not already a member of SCL join even if you don't have full voting eligibility (thescl.org)
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I think it's about connections. Meeting people and getting your work out there. Once my daughter was cast in a TV series and the title was so intriguing I wrote lyrics and bumped it to my sons who tend to "finish" the work. They bought it and it became the theme song-- all from rural Lousiana because I spoke up.