I am a script, screenplay and dialogue writer. We need to write our screenplays that identify with common entertainment needs of audiences all over the world. Our understanding of effective understanding of distribution channels and assessment of revenue generation is important before we budget our film making processes. Linguistic decency in dialogues can make screenwriters and producers more acceptable and popular among masses. A good screenwriter has the ability to offer justified reason for every scene or clip that has been designed to hold the viewing interest of the audience. I have one published title that is a book of select articles. I have concluded one novel. I have a ready screenplay for shooting and three titles are under progress. I keep economies of film making on priority while writing. My screenplays can be converted into final drafts within forty days. I rate and perceive them as best commercial formula movies if the producer is well versed with world distribution channels and net works.
I'm confused...what's your point?
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Sorry. I have a girlfriend.
I don't get it. Are you a writer trying to get read? or are you an expert in international distribution?
I wouldn't keep economics a priority in writing a story. Your priority should be story, and that's it. Once you have a great story in mind, all the economics will come later.
No one size fits all. What American Southwestern audiences find funny or interesting, perhaps U.K. audiences would not, etc. I thought people write screenplays to be sold and produced by others. Being a technician, I'm kind of naïve.