Screenwriting : Screenwriter by Carol Tanis

I asked the same question a few weeks ago and the results seemed to indicate that Inktip was better in the past and that these days results were not so good. I didn't end up using them myself and did use an exec review of my pilot script here on Stage32.

I sold a screenplay via Inktip in January, and it shoots later this month (unless there is another covid delay). I also got 6 shop agreements from various producers on Inktip, one of which is now being considered by a major streaming company and with luck I'll hear the fate of that soon (as always, not counting chickens).

Yes, excellent resource.

I was on it for a while. Lots of people looked at my work. I still get their 2 free leads a week.

I have never had success over there.

I use scriptrevolution.com and have far more success.

Script Revolution is excellent.

They've been good for me in the past - I'm not so sure about 'em nowadays.

All good to know. I really appreciate the feedback. Thanks.

Every lead I ever checked out was some unestablished "producer" or director who made like one or two college short films or something to that effect. I'm not knocking them, you got to start somewhere and good for them for getting out there but that's not the image I feel Inktip conveys and wasn't what I expected or was looking for.

Paying for anything in this business is always suspect. There are ALWAYS free ways to get to the same place - if you're willing to do the legwork. Script Revolution is a perfect example of this.

Gotten some good leads and offers from Inktip. Plus their staff's high recommendation of my work got me my first manager.

Every website has success stories, otherwise they won’t stay in business.

Carol: I've used it and had some pretty good success with it.

I've had some bites, no nibbles. It seems like every couple of weeks people ask about InkTip here. It's not bad, but they seem to be losing steam to BlackList, Script Revolution, and Stage32.

I've had a couple of options (Which led to meetings with some 'top' folks) Sold a short that went into production . Their 'tip sheet' is handy if you have several scripts on your shelf. Nearly every week I see a producer looking for something I have. Some are small producers, indies, others are majors. I'd rate it equal to the VPF website. Your mileage may vary of course.

Years back, when I used it, I got lots of script requests. Research confirmed that they were from young start-ups looking for free scripts. I also received a few requests from some arrogant jerks. I donated a couple of scripts to some student types in the hopes of helping them get a start. A couple went to production - most died on the vine. I'm unaware of any serious commercial/successful films coming out of there - I imagine there have been a few. I don't think it's a bad resource but I'm unimpressed at this point.

Hi Carol,

I've used InkTip in the past and have developed relationships with producers as a result of that. I never sold a script through InkTip, but those read downloads did lead to future requests, which led to a couple options.

If you go to their Success Story page, you'll see that nearly 400 films have been made as a result of Inktip interactions. And that doesn't include all options, or the other relationships and connections that were made (like mine).

The person who started it, Jerrol LeBaron, is a Great Friend to Writers. He has always promptly answered my emails, and I've even spoken with him on the phone a few times.

From my perspective/experience.....in a business where many have tried to duplicate the InkTip business model in some way or to some degree.....InkTip is, and always has been, a top-notch company and is a great way for writers to make relationships/get optioned/get represented/get sold/see their scripts produced.

On the flip side....some writers have bad-rapped InkTip in the past, and probably because they didn't accomplish the results they had desired. Some writers have also complained that only low-budget films or ultra-low budget films get made through the InkTip connection. Well, in reality, most produced films are in those budget categories, so I really don't understand that complaint. There are obviously differing views, and different understandings of the actual production business. If you do utilize InkTip, then I hope you'll be one of the people who end up happy.

Hope this helps!

Best fortunes in your creative endeavors, Carol, and stay safe!

I used inktip at the beginning. I found it was a way to netowrk into maybe getting unpaid gigs with smaller youtube series or ghostwriting. I'm personally fully committed to just working with Stage32 now. Nothing beats pitching directly to a producer or manager of your choosing. That kind of real life experience, with real life people, and real life feed-back blows other services out of the water.

Carol: The first option I ever got came via a listing for a short on InkTip. Shorts are free to post on that platform.

Hi, Carol Tanis! I've I've never used Inktip, but I've submitted my script to an Industry Reader here on Stage 32 and it was invaluable. I had no idea where my holes were, what was working and not working and once I received notes back, everything was made so clear to me. The coverage was extremely thorough and thoughtful and I would definitely recommend. You also have the option of receiving development and script coverage from executives from Universal, MGM, Mandalay Pictures, HBOMax and many others! I would definitely email Jason Mirch (j.mirch@stage32.com), the Director of Script Services, for guidance on which option works best for you. Jason is super knowledgeable and helpful!