It seems cost effective to submit to open writing gigs but does it work?
Given the cost of other more direct services, I submit my features and tele series scripts to open writing gigs. To date nothing. Is it worth the effort?
Hello Roberta M Roy I have to agree with Maurice Vaughan the more eyes on your script the better, still worth the effort to find those open opportunities.
You have to see script marketing like dating with the intent to fall in love; that magic alignment can happen in a million different ways, and the route it finally happens through will always seem a bargain in retrospect. Due to that dynamic, it's impossible for people to say what works and what doesn't.
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Hi, Roberta M Roy. I think submitting to open writing gigs is worth the effort. Move chances to get a script optioned/sold.
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Thank you both for the encouragement and direction:)
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You're welcome, Roberta M Roy.
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Hello Roberta M Roy I have to agree with Maurice Vaughan the more eyes on your script the better, still worth the effort to find those open opportunities.
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Stage 32 OWA are not really OWA- more like spec submissions that meet exec/company's agenda.
What's plan B, Plan C, Plan D... if you choose to use other script services?
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I believe that all script services require scripts meet expectations as described in listing Dan MaxXx.
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I've yet to hear of any great success from OWAs. "And just like that... Brock stopped talking."
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You have to see script marketing like dating with the intent to fall in love; that magic alignment can happen in a million different ways, and the route it finally happens through will always seem a bargain in retrospect. Due to that dynamic, it's impossible for people to say what works and what doesn't.
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There are many threads about the “OWAs”
They are mini contests and judged as such, so go into them with the expectation of a contest.