While I'm here, I'm going to go ahead and ask really quickly. For action/thriller film with limited characters/locations, what is a good length. I was going to try and get it to 90 pages, but I'm worried that that isn't long enough. Thoughts?
While I'm here, I'm going to go ahead and ask really quickly. For action/thriller film with limited characters/locations, what is a good length. I was going to try and get it to 90 pages, but I'm worried that that isn't long enough. Thoughts?
So, since I don't know where to start... I'm just going to throw this bomb out and see what happens. A few years back I wrote/directed and "produced" my first feature. To my surprise, it was immediately picked up by a small company for national distribution. That was all great, we didn't spend crap...
Expand postSo, since I don't know where to start... I'm just going to throw this bomb out and see what happens. A few years back I wrote/directed and "produced" my first feature. To my surprise, it was immediately picked up by a small company for national distribution. That was all great, we didn't spend crap to make it, about $5,000-ish and we got that back +. Still, I hate and I'm terrified of the producer role. Most of the talk on here is targeted at those trying to make it big in film and join the Hollywood elite, I'm not interested in that... I want to be in a position where I can make $10,000 to $50,000 films and consistently get them made, distributed, and profit a bit from them so we can make another. I know there are people on here who are experts in this very area... That's who I want to hear from. Let me be clear, I don't mean people with an opinion... I mean the producers that do it on a regular basis. I'm not meaning to seem rude or overly direct, but these guys seem to be as rare as freakin' unicorns. You can find class after class from people telling you how to produce the Hollywood way, but I want to hear from people who produce for the VOD and Blue Ray Market. Don't let me down guys.
Thanks
James,
Looks great. Good luck, can't wait to see the film. I would say the no-budget thing about our first feature as well, but it's more accurate to say it was shot out-of-pocket. We had the gear, an...
Expand commentJames,
Looks great. Good luck, can't wait to see the film. I would say the no-budget thing about our first feature as well, but it's more accurate to say it was shot out-of-pocket. We had the gear, and we bummed for the locations, etc. Still, when we sat down and really looked at what went into it all we had spent roughly $3,500 to $5,000. $1K on DVDs we had made to try to market it to distributors that we didn't need because it was picked up by the first one. I still have 600 DVDs in the basement, the distributor made their own.
An informative and entertaining thread... thanks for posting everyone.
Dan M -Actually I'm thinkin' of shooting for an Oscar in the live action short category.
The DVD and Blue Ray market may be a unicorn soon, too, following in the path of Blockbuster and Hollywood Video stores... and soon Red Box.
Netflix and Amazon and all the OTT (Internet) subscription,...
Expand commentThe DVD and Blue Ray market may be a unicorn soon, too, following in the path of Blockbuster and Hollywood Video stores... and soon Red Box.
Netflix and Amazon and all the OTT (Internet) subscription, ad-supported (AVOD) and free video platforms are revolutionizing our industry. So, stay focused on the VOD arena, to be sure. You can give it away - first episode - and hope people will sign up or PPV, there's Patreon - and many other similar platforms, aggregators who'll bundle yours with other genres, you can do this yourself on your own ecommerce site - or partner with Hulu or others.
The opportunities are burgeoning.
GOOD LUCK!
That's funny HH, I don't see any Red Box rental machines disappearing in my area. There are still vast areas of the US and the world not wired in any way to support streaming services.
Skilled actors required for teaser trailer for innovative psychological thriller slated for production in 2014. There is no payment for involvement in the trailer, however, successful applicants have the opportunity to appear in the main feature set in New York. Due to its High-Tech theme and scenar...
Expand postSkilled actors required for teaser trailer for innovative psychological thriller slated for production in 2014. There is no payment for involvement in the trailer, however, successful applicants have the opportunity to appear in the main feature set in New York. Due to its High-Tech theme and scenarios, auditions will be conducted over Skype, so applicants are welcome from around the globe! There are nine roles in total, ranging in age from 18 to 55, male/female, with nationalities including British, American (NY), South Korean, and Australian. Please contact producer, Caroline Spence, via the www.rayafilms.com contact page for a PDF of Character Profiles.
I'm looking to connect with an Assistant Director experienced in feature film. London or England-based is preferable. The film I'm working on is a comedy crime-mystery. http://www.rayafilms.com
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1 person likes this
The Bible says in general 90-120; for a comedy rather 90 and a drama 110~ish. I think 90 is well within the margin for a thriller...
Sounds good to me, haha. Definitely have those whammys in there, haha.
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I don't even attempt at the perfect pages number anymore. I just write the story and they naturally stop around 100. (Although my first was probably 160!) I figure if "they" need more, I can always wr...
Expand commentI don't even attempt at the perfect pages number anymore. I just write the story and they naturally stop around 100. (Although my first was probably 160!) I figure if "they" need more, I can always write more. But as the saying goes- Less is more. In fact I usually do one edit, or revision where all I do is look at what can and should be cut.
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A Quiet Place, with limited characters and locations, clocks in at 95 minutes. It's the perfect length.
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For action/thriller, 90 pages is perfect