Some believe it shouldn't be use because it will appear the writer is trying to play director by using CUT TO or PAN OUT. In a spec script I know the only two that is okay to use are FADE IN and FADE OUT. When is it most important to use transition in a spec script?
Jason Hauser: Producer and screenwriter in Los Angeles, California.
Founder and CEO at Stage 32 ♦ Actor, Producer, Screenwriter, Voice Artist
12 years ago
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Yes, the rumor that you can't use transitions has somehow taken over this town. And, it's completely false. If your script calls for a transition, put it in there. If you need a SMASH CUT TO, you need...
Expand commentYes, the rumor that you can't use transitions has somehow taken over this town. And, it's completely false. If your script calls for a transition, put it in there. If you need a SMASH CUT TO, you need it. What better way is there to convey a comedic smash cut? Bottom line is, this is a terribly bad rumor that has somehow swept the screenwriting community. Overuse I can see as an issue, but transitions are just fine and dandy.
i do my best to convey the movie as I see it in my minds eye. if i'm able to do that i'm happy. so far i've only written movies I plan to make - i've never written with the intent to sell.
to be honest if the script is good enough I don't think readers or producers will really care that much. I guess if you are an unknown entity in the writing world then probably avoid using them at all...
Expand commentto be honest if the script is good enough I don't think readers or producers will really care that much. I guess if you are an unknown entity in the writing world then probably avoid using them at all unless it is absolutely necessary. I never use camera angles except for CLOSE ON and PULL BACK or something similar and again only if it is completely necessary for the scene to work. I would make sure only ever to use a camera angle or transition once or twice in a feature