Hi guys, Linda wants to discuss pitch meetings on Thursday. I am curious what you all think about pitches and what you think the desired outcome would be?
Hi guys, Linda wants to discuss pitch meetings on Thursday. I am curious what you all think about pitches and what you think the desired outcome would be?
Sorry for being tardy to the party! Any chance I could get my hands on the scripts that are being covered tomorrow? I'd love to be able to read them ahead of time.
Grateful to share this space with all of you. Cheers.
HI Adam, we decided not to share this week, but hopefully next week's volunteers will!
No worries! See you in a few.
I’m Soneil, based just outside of London but originally from Glasgow. Thought it was about time I said hello.
I’m a screenwriter, mainly features and sometimes shorts. My Christmas comedy ‘Stealing Christmas’ reached the semi-finals of Final Draft’s Big Break Competition which was fantastic news, jus...
Expand postI’m Soneil, based just outside of London but originally from Glasgow. Thought it was about time I said hello.
I’m a screenwriter, mainly features and sometimes shorts. My Christmas comedy ‘Stealing Christmas’ reached the semi-finals of Final Draft’s Big Break Competition which was fantastic news, just not sure how or if I can capitalise on it.
At the moment I’m working on rewrites of various projects and outlining a new action/horror.
Would be great to connect with folk out there.
Soneil Inayat you're in great company; I am not involved in horror genre but I am about the only one on here who's not - - just sayin' I see a ton of like-minded filmmakers on Stage 32 for every genre...
Expand commentSoneil Inayat you're in great company; I am not involved in horror genre but I am about the only one on here who's not - - just sayin' I see a ton of like-minded filmmakers on Stage 32 for every genre so no doubt you will too ...
great success with your latest work and congrats on the Big Break placement, that's awesome!
You may want to investigate joining the Writers' Room here on Stage 32 ...
Nice to meet you, Soneil Inayat. Congrats on being in the semi-finals of the Final Draft’s Big Break Competition.
Hey, Soneil. If you're project reached the semi-finals in one contest then enter it in another credible contest.
Nice to meet Soneil. Congrats with the achievements so far and keep up on the great work!
Thanks very much for the welcome and the kind words guys.
Stage 32! I'm looking for creatives!
Cinematographers, camera operators, sound editors/designers, sound recordists, grips, gaffers, cinephiles, actors and actresses, producers - my name is Adam King, and I'm primarily a writer, director, and sometime producer (indie short films mostly although I'm i...
Expand postStage 32! I'm looking for creatives!
Cinematographers, camera operators, sound editors/designers, sound recordists, grips, gaffers, cinephiles, actors and actresses, producers - my name is Adam King, and I'm primarily a writer, director, and sometime producer (indie short films mostly although I'm itching for a feature), but more importantly, I'm looking for like-minded and passionate folks in the Hoosier state and surrounding areas to connect with and talk shop about collaborating on future projects and perhaps making a run at 48-Hour Film Festival or other creative endeavors.
Let me know!
Great to meet you, Adam King, and welcome to the community! Have you participated in a 48 Hour Film Festival before? That would be a great event to assemble a team and suss out collaborators. You don'...
Expand commentGreat to meet you, Adam King, and welcome to the community! Have you participated in a 48 Hour Film Festival before? That would be a great event to assemble a team and suss out collaborators. You don't even need the actual event, if you don't want. A group of friends and I used to get together once a week to one a month, film something in a day, and just do it for the practice.
Otherwise, you can host a meet-up and advertise for it here: https://www.stage32.com/meetups You can also search members by location (https://www.stage32.com/people), and reach out via DM. Keep at it, and keep us posted!
I'll keep it short, as a first-timer - Adam's fine, although I'm a sucker for nicknames. My feature script FROM HERE was a Semi-Finalist in Stage 32's 5th Annual Screenplay Competition, and it was recently announced as a Semi-Finalist in Stage 32's 1st Annual Drama Screenplay Competition as well. I...
Expand postI'll keep it short, as a first-timer - Adam's fine, although I'm a sucker for nicknames. My feature script FROM HERE was a Semi-Finalist in Stage 32's 5th Annual Screenplay Competition, and it was recently announced as a Semi-Finalist in Stage 32's 1st Annual Drama Screenplay Competition as well. I made my first production company connection through a Stage 32 pitch with Stay Gold Features (HONEY BOY and HARRIET) and am currently working with them to hopefully spin one of my stories into reality. Much love. Keep writing.
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Personally, I think they're tough. They force you to think about your story from a level where the primary ingredients are only your characters, themes, and major story beats. It's such a balancing ac...
Expand commentPersonally, I think they're tough. They force you to think about your story from a level where the primary ingredients are only your characters, themes, and major story beats. It's such a balancing act between overwhelming someone with too much information that creates a convoluted mess of story elements and being too vague in an attempt to streamline your overall concept. Throw in that TV and features are pitched very differently, and being able to pitch deftly becomes an even more impressive skill. I suppose the desired outcome is two-pronged: 1) Entice them enough that they're interested in reading your script and 2) Impress them with the way that you present yourself so that there's potential interest in you as a writer and perhaps even other projects on which you're working. Just my two cents.
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If we can tie a discussion about pitching back into our discussion about what makes a great story on the page, I think that might be helpful. I think Adam King is making some good points about how, in...
Expand commentIf we can tie a discussion about pitching back into our discussion about what makes a great story on the page, I think that might be helpful. I think Adam King is making some good points about how, in order to pitch effectively, you have to know how to crystalize the key drivers / engine of your story in a compelling way. And that means that you have to both have a good story that is well told on the page (the great story elements have to actually be there) and understand the basics of what makes your story great. So it's somewhat akin to a verbal synopsis. My layman's understanding is that pitches work best if you can casually but compellingly relate the key elements of your story, as if telling them to convince and draw in a friend - so in other words you might want to avoid creating some contrived presentation that you feel pressured to memorize in granular detail - but instead want to identify and internalize the key elements of your story well enough that you can rely on your passion and knowledge of your story to become a well from which you can draw the water of your pitch. That's not to say you shouldn't think about what story info to present and in what order, but it's to say that you want to know it well enough that you can almost 'forget' it, and then present it as if telling a friend what your story is over coffee. As when writing a synopsis, plotting out a pitch might help you see not only what your story is about at the core, but also where your story's strengths and lingering weaknesses might lie. That's a rambling answer - but hopefully helpful!
When pitching TV and Movies, beyond your screenplay, script, or even story boards, you also need to incorporate what spots are available for marketing and product placement, which is a completely diff...
Expand commentWhen pitching TV and Movies, beyond your screenplay, script, or even story boards, you also need to incorporate what spots are available for marketing and product placement, which is a completely different pitch in itself. I say this, because if you can get a couple big business names to sign on to your future project with letters of intent, it goes a long way when pitching studios and or networks.