I'm in the process of typing the script in the format that I like (large red font for my lines, large italics and font for my blocking "stage direction" for example). What other tricks do you guys do to memorize your lines?
I'm in the process of typing the script in the format that I like (large red font for my lines, large italics and font for my blocking "stage direction" for example). What other tricks do you guys do to memorize your lines?
I always have a hard time pretending to cry or make real tears come out while trying to act out a sad scene. I have tried ever method that I'VE heard of so far. But I can just never figure out how to make it seem realistic.
Thank you Jesse I will try this the next time an emotional scene comes up! :)
I would agree with Jesse to stay in the moment. The script can only tell the story if you only look at the lines.It is up to the actor to bring to life through emotion, articulation, physical movement...
Expand commentI would agree with Jesse to stay in the moment. The script can only tell the story if you only look at the lines.It is up to the actor to bring to life through emotion, articulation, physical movement and inflection. You have to separate yourself from the character you are playing. Dig deep and think of the real personal affects it would have on the character if you understand a little more of their history. But most importantly listen. It is extremely tough, however, if you are not given something to pull from (acting is reaction as well) and you have to carry a scene by intensity. Stay the moment, know the character but use your personal emotions from experiences to pull from the tool belt.
Thanks Douglas! You guys are a real help!
Acting. I really appreciate the add requests to the networking here. In Central Ohio where there really isn't a lot of real opportunity for talent. Film and television are a passion as well a live theater. There is live theater opportunity but without financial gain. Hopefully, this site, with the d...
Expand postActing. I really appreciate the add requests to the networking here. In Central Ohio where there really isn't a lot of real opportunity for talent. Film and television are a passion as well a live theater. There is live theater opportunity but without financial gain. Hopefully, this site, with the develpment of my own profile can showcase a bit of the flexibility and start a whole new wave of exposure to real talent. I haven't had the time to put into my pipedream as I've been very busy raising kids, but it is time to go back to my first love. Thanks to all, we're in this together! -Doug-
New to Stage 32 and thought I would give it whirl. I'd like to know more of your stories on getting started, where you are now and the struggles you face in one of the most competitive markets in the world.
Like you Brandi, I keep moving. Things seem to work out for the best by movement.
Finding Nemo Just keep swimming, swimming, swimming.
You got that right!
:-)
Absolutely, Richard!
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Thank you so much both of you for sharing!
I record my scenes and listen to the recording repeating my lines with the recording. Then I record only the other characters lines and say my lines while i listen to the reording of the other dialogue. Works for me.
I have to agree with Mr. Marshall....its the constant going over the script again and again until its in your head, under your skin! I recommend getting the body involved in your process. Things like...
Expand commentI have to agree with Mr. Marshall....its the constant going over the script again and again until its in your head, under your skin! I recommend getting the body involved in your process. Things like running on the treadmill or doing a series of movements can help keep the text fresh while you learn it.
All great tips. To each his own but finding that can certainly be demanding. I've been acting/directing on different levels for over 30 years. As an actor, I have found recording the lines help tremen...
Expand commentAll great tips. To each his own but finding that can certainly be demanding. I've been acting/directing on different levels for over 30 years. As an actor, I have found recording the lines help tremendously. Not just my own, but the entire script. Why? Because when it comes down to the memorization, I also want to work on constant recitation knowing the motivation behind each of those lines. I'm a huge advocate for inflection and repitition. Build character as you go and develop the scene in your mind with the other character. Knowing the conversation is better than learning response.After all, if acting is part reacting, what if your counterpart loses train of thought. Knowing the script makes you the leader in returning to key points for recovery. Keep in mind, the director may lead you to think of taking it to a different choice once on stage but by developing character while learning lines is a great way to understand your choices and explain them. Kind of the long way around through philosophy but when it comes down to any of these ideas, it's all about repitition.
If you are willing to spend twenty bucks, I swear by the rehearsal app. You can import any pdf file, highlight your lines (black 'em out and see them again with a tap), record the other persons lines,...
Expand commentIf you are willing to spend twenty bucks, I swear by the rehearsal app. You can import any pdf file, highlight your lines (black 'em out and see them again with a tap), record the other persons lines, add notes, pictures, etc and just press play- it will loop until you get it. It has perfectly streamlined the memorization process for me and cut the time I spend memorizing way down.