I dont really know anything about this specific process. What is the best way to go about getting representation/an agent? Other than moving to new york or la and walking in to fifty places.
I dont really know anything about this specific process. What is the best way to go about getting representation/an agent? Other than moving to new york or la and walking in to fifty places.
So I decided to post this here, in stead of in the "Jobs Section" as it really isn't project specific. A little backstory first.... I had truly enlightening conversation with a Tony Robbins Coach and he told me something that I really took to heart. He said, "Stop trying to be something you're not....
Expand postSo I decided to post this here, in stead of in the "Jobs Section" as it really isn't project specific. A little backstory first.... I had truly enlightening conversation with a Tony Robbins Coach and he told me something that I really took to heart. He said, "Stop trying to be something you're not. Hire or partner up with someone who is better than you at that." Just as I would hire a DP because they will do a hell of a lot better at lighting than I would, I need to connect with a producer who fits with us on certain levels. And now... My wife (writer/actress) and I (producer/director) are looking for another producer/partner to balance us out. I could go on for an hour about how close we have been to having projects set up at Warners and CAA and ICM and Fox Searchlight, but I want to stay focused on the real point of this post. Those deals may have closed if I would have had a partner who was a little more focused on how the investor was going to recoup and less focused on how amazing the movie was going to be. (If you don't see a difference in those two things, you're in the same place I was, and probably not the right fit for us.) So I won't go into too much detail here about what we 'almost' created, but if you are a producer in the greater LA area and you're a hell of a good salesmen (or woman) and you're interested in getting involved with the 2015 Best Picture Winner, then shoot me a message. And if you are like I was, and you find yourself not being able to pull your project together, perhaps you can get clear about the places you excel and focus on those, while in the places you don't, find someone who does and partner with them. And if you have any thoughts about this subject, PLEASE don't hesitate to post them. I'd like to hear from you. Good luck out there.
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Agents outside of LA and NY are easy to get. In the smaller markets they usually have open auditions that you can go to and audition. If you have talent you get in. If you don't have talent take some...
Expand commentAgents outside of LA and NY are easy to get. In the smaller markets they usually have open auditions that you can go to and audition. If you have talent you get in. If you don't have talent take some acting classes and get good at it. In your acting classes ask other students who their agent is get a referral from them. Once you have a referrel and training try again. Make sure its a good agency though. There are some that just try to sell headshots, or acting classes or charge up front fee's. A good talent agency should take a percentage.
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Have you ever produced anything? That will be your lead in. It's incredibly hard to get an agent or manager to consider a new client who has no existing work behind them. I have a friend who has an am...
Expand commentHave you ever produced anything? That will be your lead in. It's incredibly hard to get an agent or manager to consider a new client who has no existing work behind them. I have a friend who has an amazing literary agent, she acquired him through a play of her's being produced locally in a small FL town where his sister lived. Oddly enough, it lead to her living in LA and now working on Script re-writes for studios, while she waits on her first major film to start production. It's worth considering to produce a small film/short film or play. Get your work seen, then the rest will fall into place. Best of Luck.
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From experience... agents are different at different times in your career. When starting out, they will do little for you. They will just check over your contracts and collect royalties from the proje...
Expand commentFrom experience... agents are different at different times in your career. When starting out, they will do little for you. They will just check over your contracts and collect royalties from the projects you were involved with. If you get more famous and can command more money they will actively pursue work for you b/c they are getting 15%. Think like this...put all the energy you would into getting a rep into getting new projects made. When one of them gets noticed, the agency will seek you out. The other option is to get cast in something that pays, tell the producer you will get the contract back to them asap. Then call an agency, tell them you need someone to rep you and look over your contract asap. Agents (and most people) love getting paid for doing practically nothing. I know two people who have gotten signed doing it that way. Also, when you call a major agency, don't call a major agent unless you are getting paid like an a list talent. Call a lesser known agent. The most important thing when talking to an agent or agency is to remember, they are looking for the next best thing. That and they take craps, too. They are just people like any of us.
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you may want to check out my "online" book then...yolandarae.com...."Chusa" it's a call for the spiritual especially once the material is taken from us.
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Make sure your presentation package is absolutely perfect. Write a friendly, concise, specific letter to every agent you think could possibly be interested in EXACTLY what you do. Don't write a single...
Expand commentMake sure your presentation package is absolutely perfect. Write a friendly, concise, specific letter to every agent you think could possibly be interested in EXACTLY what you do. Don't write a single form letter--this is the sort of letter that gets an immediate rejection. Have a look at agents who represent writers you admire, with whom you have some artistic resonance. And then edit, re-edit and re-edit a piece of writing that others have suggested is strong...and send it forward. You'll probably need to do this about 40-60 times before you get a response.