Brad Venable's Lounge Discussions

Hi Brad. I just watched your voice-reels. I remember Leisure Suit Larry, I forgot how cute it was in breaking the fourth wall and all. I see that you've got quite a range as well. Congrats on your decision to move out here. There's a 2-part blog here titled The Top 7 Mistakes Actors Make When Moving To LA you might find useful: https://www.stage32.com/blog/The-Top-7-Mistakes-Actors-Make-When-Moving-... https://www.stage32.com/blog/The-Top-7-Mistakes-Actors-Make-When-Moving-... Not to mention a webinar that could be beneficial: https://www.stage32.com/webinars/How-to-Move-to-LA-and-Work-in-Entertain... There's tons of voice-over webinars, but as a veteran in the industry, I wouldn't know what could help.

Hi Jessica, that's really dependent on who you are and how you learn. If you have raw talent and just need practice with a little direction, then start making reels - take a look at all the VO reels you can, then find a direction that makes sense for you. Otherwise, if you have the money, a few summer vocal classes may be really good for you to go for. Not sure what NJ has to offer, there are several classes out here in Los Angeles during the summer, and I am sure NY has a lot of good ones too. Be careful to really look at who is teaching the classes - some of them are purely profit, others will get you good in-roads with some solid teachers. Maybe check here? https://www.actorsconnection.com/classes.php?category=vo

You should always take classes first. And one of the best pieces of advice I ever got about demos was this: "You know you're ready to make a demo when you don't have to ask if you're ready." Find a coach locally and start working. Then find another coach, rinse and repeat. If a coach ever tells you to only work with one coach our tries to push making a demo, run. A couple of my good friends in your area are Tom Dheere and Trish Basanyi. They'd be a great place to start.

listen to other people. search voice over on youtube. see what's out there. don't mix too many styles on one demo. if you do cartoon voices, put those together on one demo. save your jewelry store commercial for another demo. Check out this site. there's a lot of information here, plus you can put a profile on here and get work. https://www.voices.com/resources/voice-over

Just a PSA: the only requirements for pay-to-play sites are a credit card and a pulse.

The best mic for you might not be the best for me. Check your local retailer for "open mic day" and hear how your voice sounds. Compare with friends and peers in the business. I have two mics on this list but am still open to finding my best match.

What Joe said is right on the dot. Adding to that, the type of VO you predominantly do may end up pushing you towards one mic or the other. Personally, I have two solid choices, the Sennheiser MKH-416, which is my workhorse these days, and the Neumann TLM-103. I would, of course, suggest them for myself, but for you? It's a solid 'it depends.' The 416 is a shotgun mic, usually used on film sets and inside the big parabolic reflectors on NFL sidelines. They're highly directional, and without good mic technique, can be frustrating to work with, but these days, you'll be hard pressed to find a serious studio without one. It's the mic of the network promo folks, although there are some notable exceptions. The 103 has gained ubiquity over the last few years due to people wanting to own a Neumann mic. It's understandable, but many of the people I know drop the cash for a 103 and are disappointed at how unforgiving it is. There aren't any tubes in the mic to warm up your sound, and to some, it is a very harsh mic. It just happens to love my voice. I've owned a Rode K2, and that is a very solid mic. I have no idea why it isn't on the list, to be honest. Comes with its own power supply and multiple pattern selection. Warm tube mic, and it was the first real studio-quality mic I owned. Sold it to help pay for the 103. If I ever need a third mic, I'd be hard to convince to pick up something else. When picking a mic, you need to find one that makes your voice sound good without processing. Use your ears. If something sounds off, then likely it will to others. Also, many people will say that the pairing of a mic with a good mic preamp is important, and I believe that. And the mic pres out there have aural qualities just like mics do. So, if you plan on getting both a mic and pre, audition them in combinations, so you'll have a good point of reference. Anyway, asking about the best mic is like trying to pin down the single best way to succeed in this industry. There's no catch-all answer, and it always differs from person to person. The best way to decide is to just go and experience them yourself.

100% spot on guys! I personally bought a apex 460 and did the c2 mod with really great results for not a lot of $$$.

Rode NT1-A here. I'll be honest, cost was a major factor. It was my hobby at the time so spending 'real dollars' on hardware was not advisable. As I develop my craft I'll find different tools for the different jobs.