Here it is, a short post apocalyptic film produced in Belgrade, Serbia.
If you need them, there are english and french subtitles options on Vimeo link.
Here it is, a short post apocalyptic film produced in Belgrade, Serbia.
If you need them, there are english and french subtitles options on Vimeo link.
Alex is a refugee from a world torn apart. His only chance is to find a place that survived the apocalypse. The only thing guiding him through this decaying post-apocalyptic wasteland is a voice of a girl… He calls her Kris.
Hello Fellow Screenwriters,
I have a question regarding writing a scene when the character's conscience talking to him or her. So, in this case - what would be the right thing? Should I show the character is doing some action and writing the dialogue as a (V.O.) for example;
INT. ROOM - NIGHT
Maria...
Expand postHello Fellow Screenwriters,
I have a question regarding writing a scene when the character's conscience talking to him or her. So, in this case - what would be the right thing? Should I show the character is doing some action and writing the dialogue as a (V.O.) for example;
INT. ROOM - NIGHT
Maria sits at the desk. She keeps staring at her hand. CLOSE ON hand flickering pen.
MARIA (V.O.)
Well, it's crazy. After all these years, we did not ask about each other's personal life.
It was some crazy connection. may be he felt too. I think he deserve to know how I felt years ago.
OR-------Showing inner-self as another character and then having a dialogue- like in the example below. .
below. What would be the right way to write this scene?
INT. ROOM- NIGHT
Maria stares at the table. There is someone on the other chair. It's her inner-self/Conscience.
MARIA's INNER-SELF
you are thinking abt calling him, right?
MARIA
Shouldn't I?
MARIA'S INNER-SELF
You know He is not available.
MARIA
yes, but he deserves to know I felt the same years ago.
It was crazy energy when we met. At least he deserves to know-how
I felt in the past.
Which would be the correct way to write this scene?
Look forward to hearing from you all.
Thanks in advance. Kiana
Hi Dan, thanks for confirming. They are in separate rooms in the same hotel meeting for the reunion. Yeah, I'm gonna change to Mark's room n Maria's room. Thanks. k
Hi Bill, yes off course, there will be a lot of actions that actors can convey during the scene. All that u said plus walking back and forth etc. Thanks.k
You might consider just having her talk it all through with herself out loud? I think an actor would love that kind of opportunity. A mono-dialogue?
This is still on its festival tour, but when it gets online you will get a chance to see it here. In the mean time here's the story
Alex is a survivor from a world torn apart. The only thing guiding him though this decaying post-apocalypse wasteland is a voice of a girl. - He call's her Kris.
https:// Expand postThis is still on its festival tour, but when it gets online you will get a chance to see it here. In the mean time here's the story
Alex is a survivor from a world torn apart. The only thing guiding him though this decaying post-apocalypse wasteland is a voice of a girl. - He call's her Kris.
https://www.behance.net/gallery/58800839/Kris-Short-Film-Screenwriter-Producer
Short film I wrote way back in 2015. Filmed in one continues shot it shows the thug life in Krnjaca, suburbia of Belgrade...
It was inspired by a true event, a robbery that went wrong.
Directed by Katarina Mutic, produced by Faculty of Dramatic Arts, co produced by the entire crew. :)
Expand postShort film I wrote way back in 2015. Filmed in one continues shot it shows the thug life in Krnjaca, suburbia of Belgrade...
It was inspired by a true event, a robbery that went wrong.
Directed by Katarina Mutic, produced by Faculty of Dramatic Arts, co produced by the entire crew. :)
https://www.behance.net/gallery/58814633/Party-is-tonight-Short-Film-Scr...