Looking forward to hearing everyone's thoughts on today's panels.
Bry Troyer: Director, producer and screenwriter in Olympia, Washington.
Managing Director at Stage 32 ♦ Director of Operations, Producer
4 years ago
Excited to walk onto Stage 32! And thrilled to see Richard Botto and Amanda Toney at Seattle Film Summit. It was either see Bohemian Rhapsody today, or check out Richard and Amanda. Gotta say, RB and Amanda rocked me! Think I made the right choice.
Founder and CEO at Stage 32 ♦ Actor, Producer, Screenwriter, Voice Artist
6 years ago
Hi Bry. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like mo...
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Managing Director at Stage 32 ♦ Director of Operations, Producer
6 years ago
Hello Bry -
Welcome to the community! I'm Amanda Toney, the Managing Director at Stage 32. Since 2013 I've been proud to oversee Stage 32's Next Level Education, which provides you the most up-to-date tools necessary to become a better creative.
Over the years Stage 32 has worked with over 500 industry executives and professionals to teach online webinars, classes and intensive labs exclusively for you - our Stage 32 community. We bring you instructors who have worked directly on some of your favorite films, TV shows or theater productions to teach you in-the-trenches information that you won'...
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Streaming has become the norm so we are counting on film journalists even more nowadays to sort through "the glut" in order to give us the top 10 or so and lead us to the good ones. As for the "missin...
Expand commentStreaming has become the norm so we are counting on film journalists even more nowadays to sort through "the glut" in order to give us the top 10 or so and lead us to the good ones. As for the "missing data" they were talking about, I do hope that there would be more transparency and that everyone always gets their fair share.
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We all miss the social experience of cinema so it's great to have cool alternatives like drive-in's or a private / home theater set up (a luxury, but worth spending on for some people).
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Is there a link to this? Was it recorded? Sadly was traveling on production and missed this!