Hi Josh. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
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RB
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Mostly directly with the film. Though I am always composing ideas with compound emotions in design. My first tack is to improvise on piano while watching the film. And doing this several times through...
Expand commentMostly directly with the film. Though I am always composing ideas with compound emotions in design. My first tack is to improvise on piano while watching the film. And doing this several times through, then editing in the better ideas, and out with the bunk. From there I begin arranging for orchestra. It has become a second nature to play the piano ‘not’ as a piano, but as an orchestra in mind. Often though, I will find a piece previously composed for nothing in particular that has measures that fit a scene perfectly, and shorten, lengthen, and re time those prewritten pieces to fit perfectly the rhythm and tempo and edits of a film.
I write the "theme" song based on the info I recieve from the director. Once I have the film then I write the score based on the theme.
It depends on your goal and emotions what you want to bring up in the audience's head.
Sometimes it's better to compose aside from the video to create a huge gap in meanings, subtexts and whatnot.