If you read my posts, you'll know I don't advocate waiting around until an agent wants to sign me for my stellar talent. I'm constantly reviewing trade ads and looking for opportunities to pitch work. Consequently, I have some promising activities happening in 2023.
However, when answering ads, you have to sift through many low-level folks who forget what a win/win or quid pro quo situation means. If I do spec work, the least I expect from my producer/collaborator is that they will contribute sweat equity to pitching my work and securing financing to make a film. So as the saying goes, You have to kiss many frogs to find a prince.
I occasionally check Craigslist "Writing gigs" and have sometimes found some interesting ads, which included working with an established television actor and his manager. However, I found a lot more ads like this one I reviewed today:
This is not about a job. This is about "gigs" based mostly on "spec" (i.e. you get paid if the script is sold). I am seeking a screenwriter and/or producer or director and/or agent who can get pitch meetings with networks, studios, and production companies. One pilot pays a $1000 fee to you, and 50/50 of creator rights if the Pilot is sold. The other pilots are based upon "spec" only. Also seeking a writer to format an already written book for 80% of royalties "if" sold. Your reward is described below.
The ad's author offers several other projects, including a novel they want the writer to sell to a publisher. And They're willing to share fifty percent of the profits of these unsold projects without contributing any screenwriting. But they'll give you their outstanding story notes. Whoopie! Maybe I should come over, clean their house, buy their groceries and drive them to their AA meeting?
This is the part of the ad I love:
I am seeking a screenwriter and/or producer or director and/or agent who can get pitch meetings with networks, studios, and production companies.
About two months ago, I exchanged emails with this person via another service. At that time, I reviewed their material and quickly assessed that if someone who wants me to be their writer needs me to secure pitch meetings with producers, then what the F#%k do they bring to the table?
Needless to say, this gig opportunity was a hard, hard pass.