Hi Vikas. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
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RB
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I personally just write and the characters reveal themselves and develop through the story. Helps to have a concept.
If you imagine yourself walking down the street, visiting a shop, then spending time...
Expand commentI personally just write and the characters reveal themselves and develop through the story. Helps to have a concept.
If you imagine yourself walking down the street, visiting a shop, then spending time in a bar. The people you pass in the street will all be different, as will the people you meet in the shop and spend time with in the bar. Would be difficult to imagine them all the same. So if that happens naturally for us I wouldn't worry too much about how they develop.
Especially as you seem like a really smart guy. Let your story develop them naturally.
Though I'm sure the books have alot more insightful insights than I do. :|
And I've done it again. Forgot to look at the date this was posted. :|
your difficulty seems to be articulating the notes into scenes.
start methodically: put each note from your cards into various scenes.
probably some notes would be better suitable in the beggining other...
Expand commentyour difficulty seems to be articulating the notes into scenes.
start methodically: put each note from your cards into various scenes.
probably some notes would be better suitable in the beggining other in the end
of your screenplay. successive revisions will make the note blend into the scene.
ex. Poirot old guy with big moustache. hides keen observation skills.
note a: old guy w big moustache in page 3 'scene 3' Poirot appear on train station to get late into 'orient express'...
note b: poirot hides keen observation skills
scene 63 'poirot confronts lier'
Mr A tells he was not at the cafe at night, but poirot confronts him by mentioning that his shirt has a wine mark in the left hand...