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We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay. During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative. We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately). Full Bio »
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay.
During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative.
We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
The Breakdown
We're back in the Writers' Room for the Breakdown Webcast: Writing Ensembles! An ensemble film is different from most lone protagonist-driven movies because it has a lot of main protagonists (some who are depicted as supporting characters though) that have roughly the same amount of "screen time" and importance in the screenplay.
During this webcast, we discuss the challenge of giving every character in your ensemble a human turn while placing them in the context of the narrative.
We examine some of our favorite projects including PRINCESS BRIDE, PARENTHOOD, "BRIDGERTON", THE LORD OF THE RINGS, THE USUAL SUSPECTS, and more to see how the characters - and their goals - come together. We also discuss tips on how you can balance all of the characters in your ensemble piece while crafting compelling obstacles for them to overcome (either together or separately).
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"That was great info Jason." - Becky B.
"Thanks, Jason! Great webinar! Can see several points to apply to what I'm working on now!" - Martha C.
"Jason, thank you. I am continually impressed by your skills." Tom H.
"Thanks, Jason. You really delve into your topics and your choices of movies to illustrate ensemble casts are brilliant." - Jill H.
We’re back in the Writers’ Room for the Breakdown with Julia Harter. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Julia breaks down their episode of GHOSTS.
We will be discussing why conflict among your allies is essential! When we typically think of "Conflict" in story it is usually Protagonist vs. Antagonist. But in this Breakdown, using scripts and clips from our favorite films, we will explore conflict between allies and how it can help make your screenplay stronger.
In this Break Down we are seeing what it takes to build a world during the Breakdown Webcast: World Building! This comes as a request from several of our members who want to discuss how to build worlds in your writing...and pre-writing. World Building is one of most important tasks in writing - it lays the foundation for everything that occurs in your story. So how can you do it within your screenplay without feeling expository or over the top? We're going to talk about how to avoid common mistakes in World Building, key ways to get better at World Building, and even look at some examples of World Building from...
Nick Waters is a Producer and Writer with the horror film, MARGAUX for Paramount Pictures, a comedy with Chloe Grace Moretz and the horror feature SHELTER IN PLACE. Nick will discuss the 8-Sequence Act Structure for Features!
In this breakdown webcast, Jason discusses how the process for writing animated features has evolved from Walt Disney's first animated feature Snow White and the Seven Dwarves to Pixar's most recent 3D animated releases. Jason discusses how writing for animation is similar to live action and where the process differs. Using scenes and scripts from Up, Wall-E, Bug's Life, "The Simpsons" and more as examples, Jason explains how to apply the principles of animation writing to your work.
We’re back in the Writers’ Room for the Script Breakdown with Nick Phillips. We breakdown produced screenplays focusing on a different aspect of writing every webcast. Join us as Nick breaks down the iconic script, The Godfather.
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