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In this challenge, members were asked to write one side of a phone conversation. The challenge is to give us the full idea of the story, the conflict, the relationship between the characters, and the ultimate resolution. The key to this exercise is to make the stakes high! Can the writer phrase their character’s dialogue so that the phone call still makes sense - and give us the exposition we need? During this webcast we received a number of fantastic entries that spanned genres, including Rom Com, Thriller, Drama, and Comedy, and more! Full Bio »
In this challenge, members were asked to write one side of a phone conversation. The challenge is to give us the full idea of the story, the conflict, the relationship between the characters, and the ultimate resolution. The key to this exercise is to make the stakes high! Can the writer phrase their character’s dialogue so that the phone call still makes sense - and give us the exposition we need?
During this webcast we received a number of fantastic entries that spanned genres, including Rom Com, Thriller, Drama, and Comedy, and more!
The Write Now Challenge
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A great story starts with great characters and every great character starts with a great introduction. We challenged you to create or rewrite a scene where a major character is introduced.
We're back in the Writers' Room for the Write Now Challenge Webcast: The Gang's All Here! In this challenge - using the Breakdown Webcast: Writing Ensembles members were asked to assemble their own ensemble for a story. They simply had to consider which type of ensemble group they would like to have (The "Fan Club" Ensemble (Harry Potter), The "Gang" Ensemble (Avengers, Ocean's 11), The "Vast" Ensemble ("Game of Thrones")) and then decide which narrative they would like to put them in (Tandem Narrative (Parenthood, Love, Actually), Multiple Protagonist Narrative aka "The Gang's All Here", or the Double Journey Narrative (The Departed)). Members came up with some fantastic ideas for ensemble stories!
Whether it’s epic battles between giant robots, a street fight, or someone chasing after the love of their life at the airport, the vast majority of movies and television use at least a bit of action writing. So we are challenged you to write an original or polish a scene with action, and really focus on making those moments of movement pop!
This week Host & Director of Script Services Jason Mirch reads and critiques Write Now submissions written by Writers' Room members. Jason offers insights on how the writers executed the inciting incidents in their projects.
While the scene will be heavy with exposition, disguise the exposition in dialogue and conflict as much as possible. How does the character make the complex simple? What props does the person use? How does the character who receives the info react?
One of the common complaints with scripts is on-the-nose writing. This month, we're challenging you to convey a series of emotions without using the actual words (or synonyms - no cheating!).