Peak TV is dead but it's not all doom and gloom. A new, exciting model is rising from the ashes of a saturated market.
The television landscape is shifting in ways that create real opportunity for creatives and producers who understand where the market is heading. After years of streaming excess, we're seeing a return to fundamentals: pilot season is back, traditional pilot orders are back, and buyers are gravitating toward the formats that have always worked: police procedurals, crime dramas, medical shows, and the countless whodunnits populating streamers. The prestige experiment hasn't certainly disappeared, but the industry is recalibrating around proven audience behavior and commercial reliability. If your TV pilot speaks to those instincts, you're writing into a receptive market. But the reality is that it's currently much harder to sell a dramedy à la THE BEAR, no matter how original and powerful, than a legal show.
The good news is that disruption and uncertainty also bring about exciting changes. The most exciting development isn't the return to tradition, it's what's happening on the independent side. Indie TV is quietly becoming one of the most compelling spaces in the business. Creators and showrunners are increasingly packaging their projects before they ever walk into a studio, financing them partially or entirely through private equity and international pre-sales: the same model that has long defined independent film. The Duplass Brothers were at the forefront of this new wave and now it's gaining in popularity (see MGM+'s limited series VANISHED or HEATED RIVALRY). The result is a new class of television that arrives at the table already built, with creative control intact and financial backing in place. For writers and producers with strong, distinctive voices, this shift represents something genuinely new: a path to getting your show made on your own terms.
We have 2 exciting webcast events that you won't want to miss!
Special Guest, Veteran International Producer Katharina Suckale! Navigating the International Industry Market! The ever-popular Executive Hour returned with a passport full of insight into how to think globally about your career. Our guest, international producer Katharina Suckle, will show our LIVE audience how to navigate the foreign market strategically, intelligently, and with confidence.
The world-famous Pitch Tank is back, and this time our special guest honor belongs to Manager, Producer, and TV Literary Agent, Lyra Tan. Join fellow Writers’ Room members LIVE on Zoom for a fast-paced session that pulls back the curtain on what executives actually want to hear when you pitch.
If you would like to join the Writers’ Room, access weekly events, submit to dozens of open writing assignments, and attend exclusive pitch tanks with industry executives- click HERE for a free trial!

This week, we're spotlighting a talented Film & Television Producer, Stage 32 Exec Cory Kaplan, who recently co-produced the FACES OF DEATH remake set to hit theaters in April 2026, marking IFC's widest release to date.
You can read the full Deadline article by clicking here!
Cory Kaplan is a film and television producer with extensive experience across major studio features, premium scripted series, and independent projects. Over the course of his career, he has collaborated with leading entertainment companies, including Paramount Pictures, Legendary Studios, and Sony Pictures, along with leading television networks, contributing to a wide range of high-profile work across both screens. His past projects include TRANSFORMERS: DARK OF THE MOON, REAL STEEL, TRANSFORMERS: AGE OF EXTINCTION, BUMBLEBEE, SABRINA THE TEENAGE WITCH, VAMPIRE ACADEMY (feature and series), CAPTAIN PLANET, DAY OF THE TRIFFIDS, REAL STEEL 2, FROM HELL, MONSTER, LITTLE BROTHER, and THE BUILDING.
Click here to book a feature film consultation with Cory!
Ever dreamt of seeing your TV Drama script come to life and stream on flat-screens in living rooms across the country? This is your chance to turn that dream into reality! We're proud to announce the 6th Annual Stage 32 TV Drama Screenwriting Contest to help discover the next great TV drama script!
If you missed our blog announcement, click here to learn more!
The Grand Prize Winning screenwriter will receive:
Our Finalists will receive:
Our Finalists will receive a Career Momentum prize package valued at $1,500, including Career Development, a Writer Branding Workshop and an Education package, and will have your logline featured in a Stage 32 Look Book sent to over 2,500+ top entertainment industry executives, giving your work unparalleled exposure!
But that’s not all! Everyone who makes the Semi-Finals will receive a Career Breakthrough prize package valued at $1,000, our Quarterfinalists will receive a Career Elevation prize package valued at $500, and all Entrants will get a prize package valued at $100!
Click here to submit your script now!
If you’re looking for real, practical insight into the craft and business of genre filmmaking, make sure you jump into the Screenwriting Lounge today.
Writer and director Thunder Levin, best known as the creator of Syfy’s wildly successful SHARKNADO franchise, is hosting a FREE 24-hour Ask Me Anything event for the Stage 32 community.
Thunder has written more than a dozen feature films and television movies, directed several projects, and spent more than 30 years working across the indie and studio-adjacent film and television trenches. While many know him for the outrageous fun of SHARKNADO, much of his work spans a wide range of genre storytelling, from grounded thrillers to high-concept spectacle.
During the AMA, Thunder will be answering questions about screenwriting, directing, developing genre projects, navigating the industry, and building a sustainable career as a creator. Nothing is off limits, from the practical realities of filmmaking to the deeper craft questions that help writers level up their work.
He’s also currently developing the horror script DEAD HEAD HUNTER, written by Stage 32 member Jon Tamburini, which he hopes to direct later this year, and is shopping his mystery series HURRICANE, ALABAMA.
If you’ve ever wanted to ask a working filmmaker how projects actually get made, how to approach genre storytelling, or what it takes to sustain a career in the industry, this is your chance.
Thunder will be answering questions all day for 24 hours, so jump into the conversation and ask away.
Let's hear your thoughts in the comments below!
Got an idea for a post? Or have you collaborated with Stage 32 members to create a project? We'd love to hear about it. Email Ashley at blog@stage32.com and let's get your post published!
Please help support your fellow Stage 32ers by sharing this on social. Check out the social media buttons at the top to share on Instagram @stage32 Twitter @stage32 Facebook @stage32 and LinkedIn @stage-32
| TV Series Bibles That Every Television Writer Should Download & Read! |
| By the Numbers: 250 Different Writers Selected over the Last 50 Stage 32 Open Writing Assignments (OWAs) |
There are now 4170 blog posts for you to enjoy. Search them all by tags below.
Acting, Advice, Cinematography, Coffee & Content, Composing, Contests, Distribution, Featured, Filmmaking, Financing, Inspirational, Networking, Producing, Screenwriting, Success Stories, Tips, Trending,