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As an independent producer, I'm always planning my next project. With a stack of screenplays (many of which are my own), and no Mr. Moneytree waiting to spread his love, it can be challenging. This is why I've taken the Robert Rodriguez approach when it comes to filmmaking. For those of you unfamiliar, Robert Rodriguez's first feature film, El Mariachi, had no crew. And almost no budget. At a meager 7k, he was the writer, director, cinematographer, location scout, sound, and editor. With…
The data doesn't lie. What producers and buyers want right now is different than what writers write. They want scripts that are efficient. Scripts that can attract talent and directors. Scripts where the story doesn't just move forward…it is propelled forward.Catapulted. Every scene earning its place. Every page keeping the reader hooked and turning to the next one. Lean. Mean. Purposeful. I recently spoke with a literary manager whose sentiment echoed what we've been hearing co…
Happy Sunday, Creative Army! I hope your weekend has been a creative one so far. Whether you have been writing, filming, editing, or sketching out the next spark of an idea, I have got something today that will give you a boost. So grab your coffee, and let’s dive in. This week’s featured video comes from Film Courage- Hollywood Is Not A Movie Making Town. In the interview, filmmaker Pedro Correa shares a perspective that may feel jarring at first, but it is one every creat…
Most writers spend months perfecting a script and minutes figuring out who to send it to. That’s backwards. And it’s one of the most common reasons great material never finds its audience. The entertainment industry is not a lottery. It is a marketplace with real signals, active mandates, and specific needs at any given moment. Studios are greenlighting certain things right now and passing on others. Managers are building particular kinds of rosters. Producers are attached t…
I’m curious: if we were to poll 1,000 regular users of Stage32, how many of them jumped in and learned all of the resources right away? My guess is that 8 out of 10 new members were more like me: tiptoeing into the waters. Maybe you’re wondering, “There are so many incredible options, and how do I pick?" I felt like a kid in a candy store, and I wasn’t focusing. Plus, I really wanted to learn it all at once! The good news is: if we can get over THE NEW‑KI…
Happy Sunday, Creative Army! I hope your weekend has been a creative one so far. Whether you have been writing, filming, editing, or sketching out the next spark of an idea, I have got something today that will give you a boost. So grab your coffee, and let’s dive in. This week’s featured video comes from Variety- How 'Wicked: For Good' Composer Wrote 'The Girl in the Bubble' & 'No Place Like Home' And if you listen closely, there’s a powerful lesson here that go…
Dubai is often described in images before it is described in ideas. The skyline. The scale. The architecture. The speed. The polish. For many people outside the region, the city registers first as a visual spectacle, a place that looks expensive, futuristic, and immediately cinematic. What it is rarely known for, at least not yet, is narrative filmmaking. That gap between perception and reality is exactly what makes Dubai so interesting. Because beyond its image, beyond the obvio…
Happy Monday, Creative Army! If you’ve ever dreamed of taking your film to the Croisette, shaking hands with global buyers, or simply navigating the incredible whirlwind that is the Cannes Film Festival and its Marché du Film, this is for you. I’m thrilled to announce that this upcoming Wednesday, April 1st, we’re hosting a completely FREE webinar with the Executive Director of the Marché du Film, Guillaume Esmiol, to help you prepare for Cannes—wh…
The New Gold Rush of Book Adaptations? Hollywood is going back to books and it's paying off. HAIL MARY, THE HOUSEMAID, WUTHERING HEIGHTS, VLADIMIR, PEOPLE WE MEET ON VACATION. The adaptations are coming fast and from every corner of the literary world. It would be easy to just assume studios are playing it safe, that they're leaning on proven IP, built-in fanbases, and the validation of an existing readership to reduce risk in an uncertain market. And there's truth in that. The numbers…
Happy Sunday, Creative Army! Let’s kick things off with a huge shoutout to everyone who has already jumped into this month’s Introduce Yourself Weekend. Thousands of creatives from around the world are connecting, sharing their stories, and building relationships that can lead to collaborations, opportunities, and lifelong friendships. If you haven’t made your introduction yet, you still have time. Head over to the Introduce Yourself Lounge before the weekend wraps. B…
I've worked with a lot of big-name talent, developed movies from best-selling books from Stephen King to Ann Rule, and optioned and developed a few Opera Book Club picks, including Songs In Ordinary Time, Jewel (won the Humanitas Award), and Midwives. I have worked with and developed projects for Warner Brothers, Sony/Tri-Star/Columbia, Mark Harmon's Wings Productions, and more over the past 30 years of my career. Over the years, I have worked with hundreds of screenwriters in all stage…
It's been more than a month since WIFTI chapters from around the world gathered in Adare, Ireland, for the 2026 WIFTI Summit, International Women's Day has come and gone, and now we’re almost at the end of Women's History Month. But what have we actually learned? What stuck? What still stings? And where do we go from here? This month, I wanted to take some time to reflect on the ideas and conversations that surround this month and ask you to reflect too. Because the truth is, refl…